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book review - ecotopia by ernest callenbach
Ecotopia, written by ernest callenbach in the 1970s, describes a world in which the land regions previously known as northern california, washington, and oregon secede from the rest of the united states and create their own nation, the nation of Ecotopia. the principles of sustainability and circular economy are central to this new nation.
here are my thoughts on some things covered in the book, i hope that this reaches someone else who's read it and we can share thoughts!
(this will include spoilers. however, the nature of the book is not a narrative, and is rather a presentation of ideas. therefore reading this post will not ruin the book for you if you choose to read it)
one of the greatest thought experiments Ecotopia undertakes is that of ideal urban planning. in that respect, the book is pretty cool! they hypothetical nation of Ecotopia describes San Francisco as a central city hub, from which spokes of public transport emerge and run to smaller city towns. these towns take the place of suburbs, which were razed during the country’s Independence / reconstruction era. (wooooo!!) public transport abounds and runs at a high speed of 30 mph, which is all you really need since the urban centers are so densely built and multi use. Between city towns are managed forests (actual forests! not monocultures) as well as natural land which has been allowed to restore itself.
people live in flexible communes that typically work together to produce something, whether that be a farming commune, fishing commune, artist communes, or business / science communes that invent things. everyone has a universal base income that is just minimal enough to reasonably get by, allowing people to pursue art or a risky startup without fear of dying. which i think is really cool! necessity breeds innovation yes but you need security too. work culture in Ecotopia is also vastly different, as the boundary between work and leisure and personal time is eroded, which may seem like a bad thing but the consequence of the UBI system means that most Ecotopians actually Like their work and choose to do it of their own free will. crazy huh.
houses are typically made of wood, which to me raised a suspicion flag, cause this is the Bay Area we’re talking about, which is Humid as Shit, and the Ecotopians have phased out paint due to it containing heavy metals. which good for them i guess but those houses are gonna rot lmfao. i took the liberty of imagining they are proofed with sealant made from the biodegradable, non petroleum based plastic the Ecotopians had developed and manufactured. while wood is the building material of choice, houses are also built from large tubes of insulated bioplastic, which are joined at the whim of the family or commune creating the house. (there are no architects, everyone builds their own houses themselves to suit their needs.) these houses are cheap and accessible, and zoning laws seem to be nonexistent, making homelessness a nonissue.
in terms of materials, everything in Ecotopia is renewable and has a full zero waste lifecycle. wood is the material of choice. the only metal Ecotopians use comes from scavenged cars and machinery of the pre seccession era. Ecotopians still manufacture plastic, but most kinds of it are fully biodegradable in a few days. when a lasting material is needed, a different type of plastic is used; this kind will not degrade until it is in full contact with soil. given how important disposable plastic is for applications such as research, i'm glad this was considered and accounted for in this book instead of throwing it off as a "we don't need plastic anymore kumbaya" kinda vibe.
culture wise, there is a lack of emotional restraint which the book’s narrator, a visitor from NYC, frequently comments on. hugs and physical affection between all relationships and genders are normalized. there also seems to be an insistence on small talk as a way to humanize those working “lesser skilled” jobs. honestly i found this a bit annoying, as i don’t think small talk is necessarily indicative of human connection, and that a truly emotionally attuned people would be okay with giving space when necessary. but i thought it was nice to acknowledge that all people are people, even while working “subservient” jobs.
ok so those were the things i liked.
criticism #1.
WILLIAM WESTON STOP BEING A FUCKING MISOGYNIST CHALLENGE
alternatively:
ERNEST CALLENBACH WRITE ONE (1) WOMAN WHO ISN’T A SEX OBJECT CHALLENGE
NO, THE WOMAN WHO YOU DESCRIBED AS UNATTRACTIVE WHO ALSO HAPPENS TO BE IN A POSITION OF POWER DOES NOT COUNT
god jesus christ
over the course of his adventures, journalist William Weston encounters many fellows (men) and new friends whom he talks around the fire with (men). he also encounters Marissa, a beautiful wild woman, exotic and mysterious who runs through the forest, cares deeply for trees, stares into his soul with her plain face and round dark eyes, and has sex with him twenty four hours three hundred sixty five days a year.
he also encounters Linda, an attractively sarcastic yet caring nurse, who nurses his injuries, jacks him off, and consumes him with thoughts of when he “will be healed enough to fuck her properly”. (direct quote)
in addition to the misogyny, there appears to be a fair amount of gender essentialism in Ecotopian society, something I found disappointing. Ecotopian clothes are sharply gendered. (from my understanding of Ecotopian values, i’d expect everyone to be wearing skirts due to the ease of manufacture and resulting ease of movement.) women are described to have an “air of fertility” (yes, actually). the governing party is made up of women, due to womens’ “natural competency regarding cooperation and diplomacy rather than competition”. the only sport in the country, the ritual war games, is barred to women. (it’s actually remarked later in the book that in Ecotopian psychology offices, it is often women who come in with issues of untamed aggression, and attributes it to their exclusion from the games. i wonder what a solution could be 🤔) thankfully work is not gendered, but it appears the social spheres of men and women rarely intersect, as Weston socializes and discusses ideas with a fair amount of men, and no women. perhaps for the better, as he’d be too distracted trying to fuck them to have a discussion of any substance.
queer pairings are also mentioned offhand, but they serve the purpose of emphasizing the Ecotopian's open attitudes towards sex and intimacy. queerness is treated as a sexual quirk rather than as an orientation.
in addition to the disappointing sexism / heterosexism, there's a good amount of racism. different races live segregated. although this is a conscious choice by the inhabitants, it still strikes as somewhat odd that there wouldn't be a way for humans to maintain their culture while living in an integrated society. many of the barriers to race equality in our current system are abolished in Ecotopia; the cheapness of the bioplastic houses makes it accessible for anyone to own a house anywhere, and the ease with which people can start their own enterprises reduces employment barriers significantly. therefore i'd expect integration between races to be a significant achievement of the Ecotopians. the writing itself is also racist. callenbach makes distinctions while describing the cultures of the nonwhite populations that make it clear that white is the default of Ecotopia, and all other cultures are side notes. also, callenbach makes no mention of an Ecotopian prison system (an aspect of society that no doubt merits analysis) until he mentions the Black community. sir what is up with that 🤨
there's also a lot to be said of callenbach's treatment of Indigenous ideas. the Ecotopians take a lot of inspiration from classic Indigenous principles, such as living in balance with the earth's natural resources and respecting nonhuman life, and Indigenous clothing styles. however, this feels rather appropriative rather than appreciative, and there are no actual Indigenous characters in the book. i would expect that such an empathetic society which takes direct principles from Indigenous culture would appreciate and honor the Indigenous people within that society rather than just shamelessly taking their culture, especially given the context that Ecotopians are ex citizens of the united states, the country which caused the Indigenous communities in that area so much harm.
overall, i think this book's strengths lie in its rethinking of what society could be like without work as its central focus. i love the UBI system, the reduced work week, and the attitude of work as something to enjoy rather than something to get over with. i also love that the nation's economic fall wasn't skipped over. i think its important to realize that many policies which would improve human health and quality of life would also lower our GDP, and that maybe that's perfectly fine. maybe human lives matter more than how rich a nation is. despite all these strengths, however, the sexism and racism cannot be overlooked; they made me almost put the book down several times. this book is clearly a product of its time, written by a white man. in keeping with good critical thinking practices, its important to recognize what ideas are good to keep and what needs to be thrown out.
tldr: great ideas about an alternative structure for society, unfortunately sexist and racist as well. 6/10
I’ve just released limited edition prints!
These were designs from my sketchbook. Plans for a real-life forest farm where I lived and a movie we were writing called D.I.Y.
https://linktr.ee/darenrabinovitch click on *artworks*
I don't see nobody else talking about this, but Y'all think that atomic heart is just pushing bethesda to bring out fallout 5 into the making and actually finish it because if atomic heart makes more so much more than elden ring, especially how atomic heart It's just the alternate universe of the Soviet Union in the 1950s. Even though fallout franchise looks like it should be in a 1950s, especially how most of the music can help. People tend to act and talk but damn near our future, especially most of the politics that goes on (・–・;)ゞ...
But I don't know what y'all think?. I mean just imagine we see all the past goals from fallout 3. To New Vegas to fallout 4. I know I'm just rambling right here but into fallout 5 we see them and they talk about pass vaulters and they can be our companions. Or who knows, we might see old companions in fallout 5. This is just what I think will happen to the possibilities. Will get new settlements that we can actually goddamn build on and that doesn't glitch especially for controller peeps out there. And actually allow them to mod. Or imagine a settlement that was able to bring back nature to its former glory. Like I'm talking about a big and dense ass forest where they can live in trees like diamond City mixed with institute vibes the very hippie.
Or if they actually added it? Underwater vault with people still inside of it like Atlantis vibes A whole ass civilization thriving with thousands of people chilling. For like a faction group that actually does good and we see them build the faction from ground up like the minutemen but they do more than the minutemen like they build goddamn ecotopia.
More solarpunk art! This is an artistic recreation of an ongoing project in Paris to create a riverside park out of what was once a highway. They've done some really cool things with it so far. Props where props are due. In my vision, though, there's more green space with trees breaking up the asphalt, floating gardens along the Seine wall, and there's a bike lane. The number one thing I saw people commenting on while looking this up was that the bike situation along this park is terrible. And, yeah, I wouldn't want to try and bike through the crowds down there either. This also gave me the chance to play with Fresco a bit. A very neat program - love the live brushes! In order: 1) lineart, 2) color, 3) original reference photo, and 4) a floating gardens project in Chicago that was the inspiration for what's in the drawing. Photos not mine, I just included them as a real-life example of things people are doing to improve our world, and I think more people should admire them.

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Monarch Butterfly Sanctuary
Ecotopia in some small way successfully predicts what the future will look like, for both good and ill.
In 1975, writer, film scholar, and University of California Berkeley Press editor Ernest Callenbach envisioned a new nation, born of separatist revolution on America’s West Coast, called Ecotopia. Synthesizing the many threads of cutting-edge ecological and social reformist discourse around him in his time and place—sustainability and recycling, re-wilding and re-forestation, anti-consumerism, educational reform, the elimination of the automobile, and countless other seemingly “pie-in-the-sky” reforms and revolutions—Callenbach created a believable imaginary society born of the contradictory Western (in both senses of the word) cross-currents of self-reliance and community living, all motivated by a societally-fundamental goal of doing the least harm to the Earth possible. Callenbach’s modest book—originally self-published under the aegis of “Banyan Tree Books”—would become an underground classic and end up influencing multiple generations of environmentalists and futurists. Ecotopia also offers to readers in 2020 a world that is simultaneously intimately familiar and deeply alien, one where social, ecological, and technological advances that the West now takes for granted (widespread recycling, renewable energy, video-telephony alleviating the need for travel) jostle shoulders with ones that are only dreamed of in our late capitalist dystopia (a twenty-hour work week, universally socialized necessities of life like food, housing, and health care, and an end to consumerist capitalism).
The Remembering
In dawn's hour, sun breaks on the West Hills, Mount Hood rising behind the temple like a distant father.
Mist sleeps in the river where you await the tribe's return, on the east bank of the Willamette, knapping a blade from a broken bottle.
Then, the boats begin to emerge from the river fog.
Soundlessly, they glide toward you with perfect cohesion, the morning's catch strung from the Umiak.
The master mariner signals to ready the ropes, his weathered hand speaking for him.
Now, sweet cedar smoke is conjured from a fire board, and a clear horn rings across the deep waters, carrying a single note throughout the valley.
A child on the river bank raises her tinder bundle to the sky and from her lips draws flame.
She stands at the edge of the beach, the water lapping over her bare feet, and the sand sifting from place to place with the tide.
And she greets the boat, its carved hallow holding mariners, one with her sandy hair in a bandanna, another with a grizzly beard, his old tattoos woven into his face.
They greet each other, and then greet you. Shaking hands is a thing of the past, instead you are siblings, exchanging an embrace.
The east side of the forgotten city is no longer marred with buildings.
The city is hardly there at all, only traces left between the forests. The cedars and the hemlocks, the village and the stories.
The day is new, and the people have returned to the valley.