The thing about Music Transients is that as a mashup album about coming out as a trans woman, it has a lot of heavy, layered editing regarding the lyrics to communicate the themes of what Psynwav is saying - but a lot of the vocals are from men. Chad Kroeger, the guy from the Killers, Johnny Cash, Eddie Murphy etc. etc. - but it makes the moments where there IS a female vocalist stand out so much, because it feels like that's the inner girl coming out.
Like in the second last song where Psynwav is "breakin' my back just to know my name", the latter choruses feature these bright pops of "that's not my name! That's not my name!" that's like - that's the inner girl stepping up to reject her deadname and put herself forward to find and claim her new name. The rest of the lyrics matter, but it's those sharp pops of female vocals that's just like. there she is. That's Psynwav shining through.
And one of the most prominent examples of this is in the second song, which is a mix of Rockstar by Nickelback, We Will Rock You by Queen and Danger Zone by Kenny Loggins set to the tune of Turning Japanese. Because near the end of the song, the first verse of All The Things She Said by t.a.t.u comes in - "I'm in serious shit, I feel totally lost, if I'm asking for help it's only because / being with you has opened my eyes, how could I have believed such a perfect surprise". That's actually the impetus to this thought of like - when the vocals are coming from a woman, that's the inner trans self speaking to the listener, while the male vocals cover a lot of emotional repression and telling the story of how Psynwav got through the emotional ups and downs of her transition.
And the emotional crescendo of this song is where all of the songs are building up to a fever pitch, Kenny Loggins goes high like "Highway to the DANGER ZOOOOONE" and t.a.t.u cut in partway through to go
THIS IS NOT ENOUGH!!!!!!
And that's easily one of my favorite moments on the album.











