Balancing - Veronika Danielsson. , 2024.
Swedish , b. 1980s
Gouache
seen from Türkiye

seen from Russia
seen from United States
seen from Bulgaria
seen from Poland

seen from Brazil
seen from Ireland
seen from Ireland

seen from T1
seen from United States

seen from Switzerland

seen from Brazil
seen from Italy
seen from United States

seen from Netherlands
seen from United States
seen from Malaysia
seen from Türkiye
seen from United States

seen from United States
Balancing - Veronika Danielsson. , 2024.
Swedish , b. 1980s
Gouache

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Ukrainian artist Tetiana Yablonska at work, 1976
thought id update her design a bit~
Philip Burne-Jones (British, 1861-1926), Self-criticism, 1892. Oil on canvas, 62 x 51 cm.
August 2024 Set (1) - Art Studio
“The painter has the Universe in his mind and hands.” ― Leonardo da Vinci
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Let your sims paint their dreams into reality in their favorite art studio. Hope you enjoy. 🖌️🎨
PATREON
Reference

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Easel doing a little Paint Shopping 🦒 🎨
Interior Visions: Great American Designers and the Showcase House, 1988
The 12th Marchioness of Villafranca Painting her Husband
Artist: Francisco de Goya y Lucientes (Spanish, 1746-1828)
Date: 1804
Medium: Oil on canvas
Collection: Museo Nacional del Prado, Madrid, Spain
Description
Portrait of María Tomasa Palafox (1780-1835), Marchioness of Villafranca, dressed in a white Empire-style gown, seated in an armchair upholstered in red damask silk, her feet resting on a cushion, painting a portrait of her husband, Francisco de Borja Álvarez de Toledo y Gonzaga , 11th Marquis of Villafranca . The Marchioness received an enlightened education from her mother, the Countess of Montijo . She was an academician of merit at the Royal Academy of Fine Arts of San Fernando in Madrid , a cultured woman, a great lover of the arts, and an amateur painter. Her gaze is directed away from the composition, perhaps at the subject of her painting, her husband, who is depicted in the uniform of a line infantry officer. To her right, on a small table, rests her palette with paints, some brushes, and a small metal bowl. The Marquis also looks at his wife from his own portrait, in a game of glances that Goya consciously used, perhaps to reflect the great love that, according to contemporary sources, the couple professed for each other.