More e2e art since I got away unscathed last time⊠the boys GOD they make me sick. I love them etc etc. Mattâs not even looking at Gusâ lips I wouldnât lie to you..
@lsoer
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More e2e art since I got away unscathed last time⊠the boys GOD they make me sick. I love them etc etc. Mattâs not even looking at Gusâ lips I wouldnât lie to you..
@lsoer

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matholomeow Catholomule MattCat the lynx tholomule
Better failure for social media
Content moderation is fundamentally about making social media work better, but there are two other considerations that determine how social media fails: end-to-end (E2E), and freedom of exit. These are much neglected, and thatâs a pity, because how a system fails is every bit as important as how it works.
Of course, commercial social media sites donât want to be good, they want to be profitable. The unique dynamics of social media allow the companies to uncouple quality from profit, and moreâs the pity.
Social media grows thanks to network effectsâââyou join Twitter to hang out with the people who are there, and then other people join to hang out with you. The more users Twitter accumulates, the more users it can accumulate. But social media sites stay big thanks to high switching costs: the more you have to give up to leave a social media site, the harder it is to go:
https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs
Nature bequeaths some in-built switching costs on social media, primarily the coordination problem of reaching consensus on where you and the people in your community should go next. The more friends you share a social media platform with, the higher these costs are. If youâve ever tried to get ten friends to agree on where to go for dinner, you know how this works. Now imagine trying to get all your friends to agree on where to go for dinner, for the rest of their lives!
But these costs arenât insurmountable. Network effects, after all, are a double-edged sword. Some users are above-average draws for others, and if a critical mass of these important nodes in the network map depart for a new serviceâââlike, say, Mastodonâââthat service becomes the presumptive successor to the existing giants.
When that happensâââwhen Mastodon becomes âthe place weâll all go when Twitter finally becomes unbearableââââthe downsides of network effects kick in and the double-edged sword begins to carve away at a serviceâs user-base. Itâs one thing to argue about which restaurant we should go to tonight, itâs another to ask whether we should join our friends at the new restaurant where theyâre already eating.
Social media sites who want to keep their usersâ business walk a fine line: they can simply treat those users well, showing them the things they ask to see, not spying on them, paying to police their service to reduce harassment, etc. But these are costly choices: if you show users the things they ask to see, you canât charge businesses to show them things they donât want to see. If you donât spy on users, you canât sell targeting services to people who want to force them to look at things theyâre uninterested in. Every moderator you pay to reduce harassment draws a salary at the expense of your shareholders, and every catastrophe that moderator prevents is a catastrophe you canât turn into monetizable attention as gawking users flock to it.
So social media sites are always trying to optimize their mistreatment of users, mistreating them (and thus profiting from them) right up to the point where they are ready to switch, but without actually pushing them over the edge.
One way to keep dissatisfied users from leaving is by extracting a penalty from them for their disloyalty. You can lock in their data, their social relationships, or, if theyâre âcreatorsâ (and disproportionately likely to be key network nodes whose defection to a rival triggers mass departures from their fans), you can take their audiences hostage.
The dominant social media firms all practice a low-grade, tacit form of hostage-taking. Facebook downranks content that links to other sites on the internet. Instagram prohibits links in posts, limiting creators to âLinks in bio.â Tiktok doesnât even allow links. All of this serves as a brake on high-follower users who seek to migrate their audiences to better platforms.
But these strategies are unstable. When a platform becomes worse for users (say, because it mandates nonconsensual surveillance and ramps up advertising), they may actively seek out other places on which to follow each other, and the creators they enjoy. When a rival platform emerges as the presumptive successor to an incumbent, users no longer face the friction of knowing which rival they should resettle to.
When platformsâ enshittification strategies overshoot this way, users flee in droves, and then itâs time for the desperate platform managers to abandon the pretense of providing a public square. Yesterday, Elon Muskâs Twitter rolled out a policy prohibiting users from posting links to rival platforms:
https://web.archive.org/web/20221218173806/https://help.twitter.com/en/rules-and-policies/social-platforms-policy
This policy was explicitly aimed at preventing users from telling each other where they could be found after they leave Twitter:
https://web.archive.org/web/20221219015355/https://twitter.com/TwitterSupport/status/1604531261791522817
This, in turn, was a response to many users posting regular messages explaining why they were leaving Twitter and how they could be found on other platforms. In particular, Twitter management was concerned with departures by high-follower users like Taylor Lorenz, who was retroactively punished for violating the policy, though it didnât exist when she violated it:
https://deadline.com/2022/12/washington-post-journalist-taylor-lorenz-suspended-twitter-1235202034/
As Elon Musk wrote last spring: âThe acid test for two competing socioeconomic systems is which side needs to build a wall to keep people from escaping? Thatâs the bad one!â
https://twitter.com/elonmusk/status/1533616384747442176
This isnât particularly insightful. Itâs obvious that any system that requires high walls and punishments to stay in business isnât serving its users, whose presence is attributable to coercion, not fulfillment. Of course, the people who operate these systems have all manner of rationalizations for them.
The Berlin Wall, we were told, wasnât there to keep East Germans inââârather, it was there to keep the teeming hordes clamoring to live in the workersâ paradise out. In the same way, platforms will claim that theyâre not blocking outlinks or sideloading because they want to prevent users from defecting to a competitor, but rather, to protect those users from external threats.
This rationalization quickly wears thin, and then new ones step in. For example, you might claim that telling your friends that youâre leaving and asking them to meet you elsewhere is like âgiv[ing] a talk for a corporation [and] promot[ing] other corporationsâ:
https://mobile.twitter.com/mayemusk/status/1604550452447690752
Or you might claim that itâs like ârunning Wendyâs ads [on] McDonalds property,â rather than turning to your friends and saying, âThe food at McDonalds sucks, letâs go eat at Wendyâs insteadâ:
https://twitter.com/doctorow/status/1604559316237037568
The truth is that any service that wonât let you leave isnât in the business of serving you, itâs in the business of harming you. The only reason to build a wall around your serviceâââto impose any switching costs on users- is so that you can fuck them over without risking their departure.
The platforms want to be Anatevka, and we the villagers of Fiddler On the Roof, stuck plodding the muddy, Cossack-haunted roads by the threat of losing all our friends if we try to leave:
https://doctorow.medium.com/how-to-leave-dying-social-media-platforms-9fc550fe5abf
Thatâs where freedom of exit comes in. The public should have the right to leave, and companies should not be permitted to make that departure burdensome. Any burdens we permit companies to impose is an invitation to abuse of their users.
This is why governments are handing down new interoperability mandates: the EUâs Digital Markets Act forces the largest companies to offer APIs so that smaller rivals can plug into them and let users walkaway from Big Tech into new kinds of platformsâââsmall businesses, co-ops, nonprofits, hobby sitesâââthat treat them better. These small players are overwhelmingly part of the fediverse: the federated social media sites that allow users to connect to one another irrespective of which server or service they use.
The creators of these platforms have pledged themselves to freedom of exit. Mastodon ships with a âMove Followersâ and âMove Followingâ feature that lets you quit one server and set up shop on another, without losing any of the accounts you follow or the accounts that follow you:
https://codingitwrong.com/2022/10/10/migrating-a-mastodon-account.html
This feature is as yet obscure, because the exodus to Mastodon is still young. Users who flocked to servers without knowing much about their managers have, by and large, not yet run into problems with the site operators. The early trickle of horror stories about petty authoritarianism from Mastodon sysops conspicuously fail to mention that if the management of a particular instance turns tyrant, you can click two links, export your whole social graph, sign up for a rival, click two more links and be back at it.
This feature will become more prominent, because there is nothing about running a Mastodon server that means that you are good at running a Mastodon server. Elon Musk isnât an evil geniusâââheâs an ordinary mediocrity who lucked into a lot of power and very little accountability. Some Mastodon operators will have Musk-like tendencies that they will unleash on their users, and the difference will be that those users can click two links and move elsewhere. Bye-eee!
Freedom of exit isnât just a matter of the human right of movement, itâs also a labor issue. Online creators constitute a serious draw for social media services. All things being equal, these services would rather coerce creatorsâ participationâââby holding their audiences hostageâââthan persuade creators to remain by offering them an honest chance to ply their trade.
Platforms have a variety of strategies for chaining creators to their services: in addition to making it harder for creators to coordinate with their audiences in a mass departure, platforms can use DRM, as Audible does, to prevent creatorsâ customers from moving the media they purchase to a rivalâs app or player.
Then thereâs âfreedom of reachâ: platforms routinely and deceptively conflate recommending a creatorâs work with showing that creatorâs work to the people who explicitly asked to see it.
https://pluralistic.net/2022/12/10/e2e/#the-censors-pen
When you follow or subscribe to a feed, that is not a âsignalâ to be mixed into the recommendation system. Itâs an order: âShow me this.â Not âShow me things like this.â
Show.
Me.
This.
But thereâs no money in showing people the things they tell you they want to see. If Amazon showed shoppers the products they searched for, they couldnât earn $31b/year on an âad businessâ that fills the first six screens of results with rival products whoâve paid to be displayed over the product youâre seeking:
https://pluralistic.net/2022/11/28/enshittification/#relentless-payola
If Spotify played you the albums you searched for, it couldnât redirect you to playlists artists have to shell out payola to be included on:
https://pluralistic.net/2022/09/12/streaming-doesnt-pay/#stunt-publishing
And if you only see what you ask for, then product managers whose KPI is whether they entice you to âdiscoverâ something else wonât get a bonus every time you fatfinger a part of your screen that navigates you away from the thing you specifically requested:
https://doctorow.medium.com/the-fatfinger-economy-7c7b3b54925c
Musk, meanwhile, has announced that you wonât see messages from the people you follow unless they pay for Twitter Blue:
https://www.wired.com/story/what-is-twitter-blue/
And also that you will be nonconsensually opted into seeing more ârecommendedâ content from people you donât follow (but who can be extorted out of payola for the privilege):
https://www.socialmediatoday.com/news/Twitter-Expands-Content-Recommendations/637697/
Musk sees Twitter as a publisher, not a social media site:
https://twitter.com/elonmusk/status/1604588904828600320
Which is why heâs so indifferent to the collateral damage from this payola/hostage scam. Yes, Twitter is a place where famous and semi-famous people talk to their audiences, but it is primarily a place where those audiences talk to each otherâââthat is, a public square.
This is the Facebook death-spiral: charging to people to follow to reach you, and burying the things they say in a torrent of payola-funded spam. Itâs the vision of someone who thinks of other people as things to useâââto pump up your share price or market your goods toââânot worthy of consideration.
As Terry Pratchettâs Granny Weatherwax put it: âSin is when you treat people like things. Including yourself. Thatâs what sin is.â
Mastodon isnât perfect, but its flaws are neither fatal nor permanent. The idea that centralized media is âeasierâ surely reflects the hundreds of billions of dollars that have been pumped into refining social media Roach Motels (âusers check in, but they donât check outâ).
Until a comparable sum has been spent refining decentralized, federated services, any claims about the impossibility of making the fediverse work for mass audiences should be treated as unfalsifiable, motivated reasoning.
Meanwhile, Mastodon has gotten two things right that no other social media giant has even seriously attempted:
I. If you follow someone on Mastodon, youâll see everything they post; and
II. If you leave a Mastodon server, you can take both your followers and the people you follow with you.
The most common criticism of Mastodon is that you must rely on individual moderators who may be underresourced, incompetent on malicious. This is indeed a serious problem, but it isnât the same serious problem that Twitter has. When Twitter is incompetent, malicious, or underresourced, your departure comes at a dear price.
On Mastodon, your choice is: tolerate bad moderation, or click two links and move somewhere else.
On Twitter, your choice is: tolerate moderation, or lose contact with all the people you care about and all the people who care about you.
The interoperability mandates in the Digital Markets Act (and in the US ACCESS Act, which seems unlikely to get a vote in this session of Congress) only force the largest platforms to open up, but Mastodon shows us the utility of interop for smaller services, too.
There are lots of domains in which âdominanceâ shouldnât be the sole criteria for whether you are expected to treat your customers fairly.
A doctor with a small practice who leaks all ten patientsâ data harms those patients as surely as a hospital system with a million patients would have. A small-time wedding photographer who refuses to turn over your pictures unless you pay a surprise bill is every bit as harmful to you as a giant chain that has the same practice.
As we move into the realm of smalltime, community-oriented social media servers, we should be looking to avoid the pitfalls of the social media bubble thatâs bursting around us. No matter what the size of the service, letâs ensure that it lets us leave, and respects the end-to-end principle, that any two people who want to talk to each other should be allowed to do so, without interference from the people who operate their communications infrastructure.
Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
Heisenberg Media (modified) https://commons.wikimedia.org/wiki/File:Elon_Musk_-_The_Summit_2013.jpg
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en
[Image ID: Moses confronting the Pharaoh, demanding that he release the Hebrews. Pharaohâs face has been replaced with Elon Muskâs. Moses holds a Twitter logo in his outstretched hand. The faces embossed in the columns of Pharaohâs audience hall have been replaced with the menacing red eye of HAL9000 from 2001: A Space Odyssey. The wall over Pharaohâs head has been replaced with a Matrix âcode waterfallâ effect. Mosesâs head has been replaced with that of the Mastodon mascot.]
An Archive of Our Own, a project of the Organization for Transformative Works
Have you ever looked at Gus Porter and thought, 'man this kid could use some more trauma'? And then you also thought to yourself, 'self, what if that trauma included the soul-crushing weight of a prophecy, an ancient embodiment of evil, vampires, witches, demons, and also highschool?' Of course you have!
aka: a gustholomule btvs au that requires no knowledge of buffy the vampire slayer because i'm perpetually lost in the 90s.
adrenaline rush âïžđ
more fanart i did for @lsoer âs BTVS au fic - chapter 23 held me hostage and made me go insane

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/1 Fandom: The Owl House (Cartoon) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Mattholomule/Gus Porter Characters: Gus Porter, Mattholomule (The Owl House) Additional Tags: Gustholomule Week 2024, Gustholomule, e2e, bvts au, Vampire Slaying, Fluff Series: Part 7 of Gustholomule Week 2023, Part 2 of e2e-verse Summary:
Gustholomule Week 2024 day 2: Vampires
e2e-inspired drabble about Gus and Matt's (almost?) perfect date night.
E2E does a lot of things that I'm not a massive fan of, but making one of the crafting recipes literally just 10,000 minecraft pistons is extremely fucking funny
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