Apr 17
Stella Stevens-Dudley Sutton "Una ciudad llamada Bastarda" (A town called Bastard) 1971, de Robert Parrish, Irving Lerner.
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Stella Stevens-Dudley Sutton "Una ciudad llamada Bastarda" (A town called Bastard) 1971, de Robert Parrish, Irving Lerner.
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“After biker Reggie (Colin Campbell) and his hair-hopper girlfriend, Dot (Rita Tushingham), tie the knot, they head to a holiday camp for their honeymoon where things go sour in a flash. Yearning to escape the drudgery of his new married life, Reggie becomes fast friends with Pete (Dudley Sutton), a quick-talking fellow leather boy with whom he takes trips to the seaside, much to the chagrin of Dot, who struggles to make their house a home. When Reggie’s grandfather passes away unexpectedly, he asks Pete to join his grandmother (Gladys Henson) as a boarder and live-in companion in her spare room, where he also crashes after he and Dot have a row. Cohabitating with his new roommate, it soon becomes clear that Pete and Reggie have feelings for each other that go beyond mere friendship - feelings that neither of them may be willing or able to process.”
/ From Rocco T Thompson’s review of The Leather Boys for Slant website, 2021 /
Released on this day (8 March 1964): director Sidney J Furie’s gritty working-class British kitchen sink realist drama (and homoerotic biker classic) The Leather Boys (1964). (Tagline: “Three lives ripped savagely apart!”). Some scenes were filmed at London’s old-school transport café The Ace Café in Wembley; when I used to occasionally go to rockabilly gigs there years ago, it looked exactly the same. For the “leather jacket lover” crowd, Colin Campbell and Dudley Sutton (pictured) resemble escapees from Kenneth Anger’s Scorpio Rising (1963) in their biker gear – and the great Rita Tushingham absolutely slays as the petulant Dot! Coronation Street fans will recognise a young Johnny Briggs (aka Mike Baldwin) in the supporting cast.
THE DEVILS (1971) dir. Ken Russell
The Leather Boys 1964
The Leather Boys (1965)
To my surprise, the film I’m most looking forward to from this year’s Cannes slate is not the new Lynne Ramsay, the new Ari Aster, the new Julia Ducournau, nor any other new release from an established-name auteur. The Un Certain Regard selection Pillion was the title that most caught my attention in the trades, teased with a premise in which “A timid man is swept off his feet when an enigmatic,…
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-I was in the army with a bloke who tried to top himself once. -How'd he do it? -Well, after a great deal of thought he settled on hanging. -Hanging. -Mm. He found a tree with a branch that stretched right out above the sea. -Spectacular. -And to save himself pain he took an overdose of pills. -He wasn't leaving anything to chance, was he? -Just to make trebly sure, he decided to shoot himself. -Well, what happened? -Well, he slipped the noose around his neck, cocked the pistol, swallowed the pills and stepped down over the cliff. -And? -Well, the jerk of the rope ruined his aim. The bullet missed his head, cut the rope in half, he dropped like a stone into the sea, swallowed so much saltwater that he vomited up the pills and swam back to shore, a better and a wiser man. Last I heard, he was growing chrysanths in Yarmouth.
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THE DEVILS Ken Russell UK, 1971
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Oliver Reed and Vanessa Redgrave in a Ken Russell adaptation of an Aldous Huxley novel featuring a hunchback nun accused of witchcraft amidst charismatic orgies and medieval torture, with cinematography by David Watkin, score by Peter Maxwell Davies, production design by Derek Jarman, Twiggy uncredited, and an X Rating from the MPAA.
Yes, please.
Vanessa Redgrave, Michael Gothard, and Dudley Sutton in The Devils (1971)