#drownedworld

Slip, by Emma Hulet

I ran and I ran 

Madonna Louise Veronica Ciccone. First of her name. Queen of the pop, the audiovisual and the controversy. The rightful Queen of the world. Breaker of paradigmas and prejudices. Mother of gays and the opressed, regente of the realm.

É difícil explicar o que uma figura artística e icônica significa pra você e o porquê desse significado. Alguém que você admira desde os oito anos de idade. Creio que o discurso do Billboard Woman of the Year resume alguns dos motivos por admirá-la tanto.

Nos momentos de alegria, sua arte se fazia presente pra celebração. Nos de tristeza e depressão, sua arte se fazia presente pra conforto e superação. Como membro da comunidade LGBT, sua arte e sua figura política se fez presente pra empoderamento. Como profissional, sua personalidade se faz presente como exemplo

Sua coragem, sem medo de se expressar e dizer o que pensa. Sem medo de defender seus ideais, independente da represália e da carnificina cruel da mídia. Sem medo de se reinventar e de se impor como mulher e artista num universo ainda machista e anti-idade, no auge dos seus 61 anos, como uma das personalidades mais relevantes da indústria e, mesmo que com os vocais machucados, consegue lançar um dos álbuns mais atuais, conceituais e pragmáticos desse século.

Madonna nunca foi uma cantora. Madonna nunca foi uma dançarina.

Madonna sempre foi uma artista completa, uma figura política, crítica e social. Madonna sempre foi Madame X.

Não posso desejar nada mais do que esse ser já possui, além de sinceros feliz aniversário, admiração e agradecimento.

Agradecimento pelo impacto em minha vida, por ter trazido em sua música trilha sonora pra momentos chaves e marcantes de minha vida, e em sua arte empoderamento, exemplo e força pra minha vida.

Ray of Light by Madonna, 1998

For the 19th anniversary of this gem, I decided to dedicate my first album review to the record that changed me as a person and gave me a completely different outlook on the world.

I remember when our Philosophy teacher asked us to bring something that makes you happy. A possession that you look at and gives you immediate joy. I immediately thought of bringing a physical copy of my all-time favorite album Ray of light, simply because this album changed my life for the better.

Not only is Ray of Light Madonna’s biggest comeback album to date but it also inspired many artists such as Adele with her recent hit 25. This Avant-dance perfection is considered to be Madonna’s best work for several reasons. 

We all know Madonna as the versatile and fearless queen who is not afraid to take risks and never fails to surprise us with each era. In Ray of Light, you can hear her opening up to the world. Ray of Light, the song that is also the album title, is about rebirth from a former Material Girl. This song truly reflects what the album is all about; Life.

In the first title track Drowned World/Substitute for Love Madonna does not hold back as she talks about how motherhood has changed her perspective on fame and fortune, she used to yearn for. It is a perfect introduction to the album as you get a preview of what the concept of Ray of Light is all about. The woman who once lived so selfishly has found the missing piece in her life. Lourdes has made her see that all the stardom in the world could never substitute the love she longed for. It is evident that the major influence on this album is Lourdes, as many songs were dedicated to her. To some people, Little Star seems like a repetitive song. To me, however, this is truly a beautiful tribute to her daughter.

Other than motherhood, another door opened up for Madonna which is spirituality. Everybody knows by now that the Vogue-singer has been practicing Kabbalah for two decades now. Here is what Madonna once said about finding her spiritual path in 1997:

The thing about Kabbalah is that it has similarities with, say, Buddhism, the whole idea of cause and effect. For every action there is a reaction, you are the absolute master of your destiny and you have to take responsibility in your life. It’s like you pull in what you pull out, basically. If you want to have goodness in your life, then you have to give it.

 Many songs on Ray of Light were influenced by Kabbalah, such as the underrated EDM-hit Nothing Really Matters, the dance masterpiece that gave me goosebumps the first time I listened to it Sky Fits Heaven and the harmonious and cosmic-like gem Swim. Shanti/Ashtangi was another track inspired by her new-found spirituality, which was written in Sankrit. However, even though the song is melodious and can be applauded for Madonna’s effort in stepping into a completely different lyrical and musical direction, I do not find the song to be memorable. The same can be said for Candy Perfume Girl, the song I did not care about when I heard it for the first time, considering it has no intriguing parts except for the catchy guitar riff. On the other hand, once I’ve listened to it several times I realized what a brilliantly written song it truly is. People who assumed that Madonna completely distanced herself from her raw sexual persona with this album were wrong. Candy Perfume Girl and Skin are songs that give you a certain sexual vibe to it, however, what differentiates those tracks from her earlier sexually explicit songs is that they comprise depth and make you think. Is Madonna’s lyrical intention in Skin about love at first sight and the intense rush you feel once meeting someone new or maybe about the manic confusion someone goes through once they inject drugs into them? This song can be interpreted in many different ways, yet the magical production of William Orbit is very clear. 

William Orbit is a Grammy-winning, Electronica/Trip-hop oriented composer and thanks to Madonna, he has received worldwide acclaim and started working with several famous musical acts like Mel C, No Doubt, Britney Spears etc. His impact on this record is strong and applicable, as it can be heard in tracks like the masterpiece of a ballad Frozen, which included a somehow controversial music video. Because the video seems so dark and obscure, people did not even bother acknowledging the brilliance of this song, but rather linked with a ‘satanic propaganda message that Madonna tried to spread’. Madonna never shied away from sparking controversies and pushing people’s buttons, but to think that people can be that naive is truly upsetting. 

The last few songs after Shanti/Ashtangi are definitely more mellow and in my personal opinion the best part of the album. It sickens me to this day that two of Madonna’s best ballads were left unnoticed; The Power of Good-Bye, a hauntingly beautiful song about being stuck in a toxic relationship or situation which is hard to get out of because your spirit is stuck. However, the path is in your hands as only YOU are the one who is capable of putting yourself out of your misery by willing to free yourself from the things that cause you harm. Just like many of Madonna’s songs, the statement she tries to make in it is truly empowering. Another song with a similar Dilemma is To Have and Not to Hold, it talks about the person you adore, admire and care about not giving you the love and recognition back. Many of us can find this song relatable because many of us were in love with a person who was never able to give the love back. You feel abandonment, but you are also aware that you’ll never be the object of their desire. Madonna closes up the album with Mer Girl, which many people do not find enjoyable to listen to. I believe that this song was not meant to hear but rather felt. When I listened to it for the first time, I could not help get teary eyed. Dedicating this song to the death of her mother, Madonna lets herself be vulnerable. After her mother’s death, she runs away to discover life, going through different journeys and learning about herself as she tries to find herself. This specific song is always somehow being completely ignored by the general public simply because it is not melodious like the other songs. But once you pay attention to its lyrical content, you will truly be amazed at how lyrically gifted Madonna is. 

I personally believe that this is Madonna’s finest work, as it is not only musically impressive but also lyrically. Madonna was never able to be this open to her fans and after listening to this record, I felt like I knew her so much better, that I could relate to this person who has been ridiculed by the media for years, who has been called a ‘Bitch’  ever since she became a prominent figure. This record does not only prove Madonna’s versatility, but also her longevity of being able to put out successful quality content.