#drama plot

potential tw for illness mention

muse a realizes they don’t want children after reaching a major relationship milestone with muse b

muse a has a child that they’ve never told muse b about

muse a realizes that muse b is an unfit parent, but muse a has a savior complex and want to fix it 

muse a has been hopeful that adoption will complete their family, however a secret from muse b’s past is the reason that the adoption application isn’t being approved

muse a walks in on muse b in the middle of committing a crime

muse a and muse b are from opposing crime families and have up until now kept their family connections secret, but a ‘meet my family’ dinner will change that

muse a and muse b are criminals, but muse a wants out of that life

muse a commits crimes to keep the family afloat financially, muse b is growing suspicious 

muse a kidnaps muse b after mistaking muse b for someone else

muse a is worried that they’re seriously ill but muse b is there to take care of them, however muse b has been purposely keeping muse a sick

muse a has a serious illness and wants to end their relationship with muse b because they don’t want to be a burden, muse b refuses to give up on muse a

muse a is recovering/in remission and they’re so happy to give muse b the good news, but muse b was banking on muse a not getting well 

muse a and muse b meet in a hospital/support group meeting, muse b is pretending to be ill for research purposes

a natural disaster forces enemies, muse a and muse b, to be stuck together

a natural disaster forces friends or lovers, muse a and muse b, to be stuck together and realize they’re not as close as they thought

dystopian society, muse a and muse b fall in love, but romantic love is outlawed

apocalyptic world, muse a has just been infected, muse b is desperate to find a cure before the muse a they know is lost forever

a natural disaster displaces muse a and muse b far from home, forcing them to rely on their combined survival skills

muse a befriends (or seduces) muse b with intentions to frame them for a crime or to take revenge for a past wrong, muse b has no idea

Roleplay plot #1|| The typical bad boy

Warnings|| n/a

Fandom || n/a

Setting || highschool

Muse A has bad it with bad boys. No matter how many times they start a relationship with someone categorized as a bad boy it all goes downhill. So Muse A swore to never fall for a bad boy ever again. Muse A will not stare at a boy dreamily or try to get near one,yet there comes Muse B. Just as typical as a bad boy gets. The leather jacket,slick hair,and the cigarette never leaving his perfect lips Muse B is the embodiment of a bad boy,yet for some reason he is fond of Muse A.

He would find ways just to get ber attention even if it is a glance. He would purposely stand in the back of the lunchline so when it came time to sit ar a table he would need to sit with Muse A. Muse A tries with all of their power to stay away, yet Muse B keeps coming no matter what. Muse B would talk to Muse A about his life,things he likes,and music which has caused Muse A to know a lot about Muse B,but Muse B doesn't know much about Muse A so he decided to ask Muse A out thinking being in a non school environment would mean Muse A would finally talk to him.

Muse A declines wanting to stick to their promise to themself to never fall for a bad boy. Muse B won't take no as an answer though and persist that they should go on a date with him. Muse A finally accepts after what seemed to be the millionth time. The date was great which is absolutely terrible for Muse A. They didn't want to fall for Muse B so they leave in the middle of the date and rush home. They wrap themself into a blanket and watched movies until midnight. They were startled to hear a tapping noise on their windowsil and there was Muse B just waiting for them to open the door. Once they do Muse B confesses how much they like Muse A. How will they react and what if Muse A actually falls in love?

plot 171: (un)welcome to town

Plot 166: Halfway

After being wrongly imprisoned for 2 years, Muse A gets out on parole. Adjusting to life on the outside is difficult with a conviction on their record, especially since no one knows the truth-- which is that Muse A was innocent and had to take the fall for someone who was threatening their family. As a term of their parole, Muse A must live in a halfway house and maintain employment for 6 months without committing any criminal offenses or they risk an immediate return to prison. Muse A just wants life to return to something resembling normal, so they take the first job opportunity that will have them. Muse B is a customer who frequents Muse A’s place of work. Although Muse A tries to keep to themselves in order to avoid any potential trouble, Muse B manages to crack Muse A’s hardened exterior. Over time, Muse B becomes someone whom Muse A looks forward to seeing and spending time with. As a tentative relationship grows, Muse A starts to feel like they can put their unjust past behind them. That is-- until Muse B invites Muse A to meet their sibling, Muse C, who Muse A recognizes as the person they went to prison because of. Now Muse A must decide whether their budding relationship with Muse B is more important to them than seeking revenge on Muse C and jeopardizing their freedom.  

Options:

The relationship between Muse A and Muse B is platonic, not romantic.

Muse A and Muse B are same sex.

Plot 164: The Trophy (based on a request by @ofpretenserp)

Muse A is the very definition of first class.  They come from a wealthy background and a long line of successful business tycoons who have always known how to get ahead.  Muse A is no exception.  After graduating from a prestigious university, they took a seat on the board of their family’s company and quickly proved that their hire wasn’t just a case of nepotism.  Though they had some critics when first getting started, Muse A took the company into a brand-new direction and managed to stay at the top for years.  With a high profile career like that, Muse A has had a high profile social life. Their circle of friends is exclusive and highly sought after, and it’s quite hard to get a foot in the door with them.

Muse A met Muse B on a cross country flight when they were bumped up to first class and seated next to them. Though they hit it off almost instantly, when Muse B mentions that they’re unemployed and currently not even looking for a job, Muse A knows it’s going to be a problem.  They really get along though, so once they land, they make plans to go on an actual date. The chemistry is there, definitely, but Muse A refuses to bring Muse B around any of their friends.  In fact, their friends are under the impression that Muse A is still very much single. Muse B has never made a big deal about it, but when, after a year and a half of dating, they propose to Muse A, one of the stipulations is that they need to be introduced to people in their life if they’re going to be together forever.

Though reluctant, Muse A hosts a dinner party for their friends to meet Muse B. They hope that at this point, their friends can overlook the fact that Muse B doesn’t seem to have anything going for them other than their looks and accept them into their exclusive group.

Plot 163: Proof

Muse A is a hard-working fashion photographer who’s accustomed to taking quality head shots for aspiring models. Muse B contacts Muse A to set up a shoot, supposedly to flesh out their portfolio; in reality, Muse B’s motives are more sinister. The photo shoot starts out innocently enough, in the downtown loft Muse A rents for work purposes. Muse A takes several stunning shots of Muse B who confesses to having zero experience nor ambition toward modeling as times passes. Muse A confused, but also intrigued when Muse B begins to disrobe, insisting that it might be fun if Muse A took risque photos of them. Muse A doesn’t usually do that sort of thing as their professional reputation is very important to them, but Muse B is quite persuasive.