#double sun

It was Bandcamp Friday so I'll open with a rundown.

Listening: One song per album let's go

Do The Hate by MiSLeD, off TERRORTORIES, a deeply uncomfortable sounding song.

I originally picked up MiSLeD's acoustic album a few Fridays ago and took a while to come around on their unbelievably blunt and hyperlocal style. A sledgehammer through Johannesburg concrete, I have come to love 'em. Do the Hate has an aggressive chant that makes it genuinely kind of uncomfortable to listen to and also extremely fun to yell along with.

The Length of the Chain by Chamber Mage, off their 2022 demo tape and thus far their only album release unless you go see them live.

I picked these guys up off I think the Topic Lords podcast? Solid reliable heavy metal. Can't wait to see their first full album, they're from Denver so if you're from that part of the world definitely find out if they're playing.

All On Fire by Double Sun, from the album of the same name, Pretoria boys playing bluesy punk.

One of the last bands I saw in Johannesburg before I moved. I had the three-part Dead Wreck Beach stuck in my head for a good long while. I'm still not sure what it is about Gauteng that produces so many psychedelic punk bands but I'm not complaining.

Two Jack de Quidt albums, soundtracks from Friends at the Table which I have been getting really into.

First up, The Tower, As Built By The Divine Candidate Chital, from the soundtrack for COUNTER/weight, meditative track to match the meditative and still incomplete two-player game The Tower.

Apperances of The Tower in F@TT games are always great. It's a game that the GM and composer have been working on forever and they get really, really into it.

Next, gotta be Marielda, from the season of the same name. The clarinet from this is so memorable.

The intro tracks to every game are obviously the ones you hear the most, and they're all bangers.

All Through the Night [Patrick's Version], from the Titus Andronicus demotape for their most recent album The Will to Live. Rough cuts from studio sessions.

I adore The Will to Live, when I'm honest I really don't care much for most of Titus Andronicus's work other than The Monitor and now The Will to Live. These are good at capturing what I like about live performances: performers going ham and not necessarily performing well but definitely performing the most.

And lastly, Threshold from sungazer, off the album Perihelion. This was an experimental piece combining rhythms at both extremes of human perception, with the overall rhythm of the song being as slow as possible with individual bars being impossibly fast.

There's a whole Adam Neely video on it, because he's one part of sungazer.

Alright on to the rest of the show:

A false sun at eventide. 

Source details and larger version.

You can CLEARLY see the double rainbow that goes all the way around the sun. These “clouds” appeared within just a few moments of the planes passing, out of thin air, even though them chemtrails seemed to fade right behind the plane. The