We were a little too late for Halloween with this altered version of the KING KONG cover by the great Dave Stevens
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We were a little too late for Halloween with this altered version of the KING KONG cover by the great Dave Stevens

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Don Simpson
My favorite bits from Top Gun Memos
which is a really cool book about the making of Top Gun! I did my best to make this post accessible, but please tell me if something could be better. Emphasis is mine.
This is a part 2, find part 1 here!
Tom Cruise almost fucking died. And "self-induced CPR" is my new favorite phrase.
(Transctiption: βIt was a really nice sequence that Tony designed, and we executed, and it didnβt get into the film.β
Robert G. Willard, who worked on special effects, said the dummy made to look like Goose helped pull Cruise underwater. βThey just got a dummy, and stuffed a picture in the face card, behind the glass, and it was enough to look like Goose.β It was made of foam, and when he saw them adding water to make it sink lower in the raft, and even weights, he said he warned them. βI told them, too much weight and you will lose it. I was overruled.β End Transcription.)
(Transcription: He saw what happened from the ship. βAll of a sudden the dummy starts to sink, waterlogged, and Cruiseβs leg is wrapped around one of the shrouds of the parachute.β
Kauber saw it happen but was too far away to react. Two other Navy rescue swimmers, Daryl Silva and John Butler, were closer. βThey free-dove down there and cut Cruise loose. Itβs lucky they got to him in time.β
They had knives as part of safety gear, which they used to cut him free.
In the roughly 40 seconds it took to bring him back up, Kauber had swum closer to the life raft, and was there when they surfaced. βCruise had inhaled a lot of salt water and we threw him up into the Zodiac. βHe looked like he was unconscious, but he came to. I think he landed either on his stomach or his chest, because once he hit the side of the rubber boat, it was like a [bold] self-induced CPR, [end bold] and it forced all that water out.β
They got Cruise to the ship and out of the costume. The actor was still struggling to regain his strength when Scott β unaware of the severity of what had occurred β yelled that he wanted to get another take. Cruise began yelling at the director that he wasnβt going to do it, using some βchoice wordsβ for Scott. βItβs the only time I saw Cruise lose it with Tony Scott,β said Wade. βHe was pissed.β
βI remember Cruise being adamantly opposed,β said Kauber, with a degree of understatement. βHe was raising his voice to Tony Scott. As far as the actual conversation, it revolved around whether heβd get back in the water,β said Kauber. βIt scared the heck out of Cruise. He was that close to being crab bait in San Diego Bay.β End Transcription.)
2. He isn't making a documentary, you guys.
(Transcription: It was also out of the realm of possibility, which irked the Navy guys.
Technically it was possible for an F-14 to fly inverted, but it wasnβt something they would do and they would never be that close to another aircraft. The pilots β increasingly comfortable around the director, who was in their milieu β told him as much. Scott revived the line heβd used earlier in production: He wasnβt making a documentary. [bold] Pilots would sometimes restate it to each other: βHe isnβt making a documentary.β [end bold] End Transcription.)
3. Again, I need to know who. Just for my personal amusement this time.
(Transcription: Everyone was shown aerial clips, without sound, including film shot of the actors when they flew in the F-14s. G-force had not been kind to them, and the shots documented a fair amount of airsickness. Baranek said he could hear the young men in the room cajoling each other. [bold] When one of the images showed a particular actor vomiting, another called out, βThatβs some of your best work, right there.β [end bold] End Transcription.)
4. On shooting the cockpit close-ups.
(Transcription: Meanwhile, something had gone awry with the gimbal, which controlled the cockpit set. They had designed it to operate hydraulically, Willard said, βbut we bent something the first day.β That didnβt change the fact that the heavy cockpit set had to be moved, and with an actor inside. βWe ended up doing it all by manpower,β Willard said. The faux cockpit was held up mechanically but shifting it was hard physical work.
[bold] βThere were six guys jockeying Cruise and Edwards around like Egyptian pharaohs,β [end bold] recalled Heatley, who was there to help work on dialogue. βThere was a circular light around them and Art Schollβs photography in the background. It was incredible.β End Transcription.)
5. Now I want to watch it again, just to see if I can hear this.
(Transcription: Hall began building a library of βgreat animal soundsβ that were more dynamic. She focused on animal roars, specifically lions and tigers, and mixed in monkey screeches and parts of an elephant trumpet to get a slight scream. [bold] βSo if you see a jet flying across the screen it might be a mix of 15 or 16 monkeys and elephants,β [end bold] she recalled. βIt was a lot of fun.β End Transcription.)
6. The only sex scene I ever felt the need to look away from didn't need to happen.
(Transcription: Exhibitors thought the relationship with Maverick and Charlie was too light. [bold] βWe felt we needed that sexual thing, for Maverick to bonk Kelly,β [end bold] Scott said in an interview years later, although by all accounts the director was not part of the βweβ when it happened.
[bold] βNobody thought it needed that,β said Weber. ββWeβ were done.β [end bold] End Transcription.)
7. Reviews!
(Transcription: βAn empty-headed technological marvel,β wrote Michael Wilmington in the Los Angeles Times. The overall impression left by the movie was that of a βDisco War,β he continued. βLike disco, it evaporates from your mind minutes after you leave. Even though itβs an irresponsible movie (but one that has hit written all over it), itβs hard to get offended. [bold] The deepest impulses behind Top Gun are not political but sexual. You can tell by the number of scenes set in the shower.β [end bold] End Transcription.)
(Transcription: Reviews abroad echoed a similar theme to the early reviews stateside, but with some cheeky British perspective. βFor a classic American hero, you couldnβt find anyone better than fighter pilot Pete βMaverickβ Mitchell,β columnist Pauline McCleod wrote when the movie was released in Great Britain on Oct. 3, 1986. [bold] βHeβs about as manufactured as American processed cheese and his fellow countrymen just LOVE him!β [end bold] Cruise had played the role βwith great skill,β she wrote, noting it was the No. 1 film in the U.S. End Transcription.)
8. Is Tom Cruise one of the most hated men in the American acting community? It's not impossible!
(Transcription: During a 2014 appearance on βJimmy Kimmel Live!,β Kimmel asked Cruise about the first time he had traveled the world to promote a movie.
The actor said that it was during the foreign press junket tour for Top Gun, which he said took four months. Theyβd spend weeks in every city they visited in Italy, France, and Japan. Cruise told Kimmel he was the one who came up with the idea of premiering films in other countries, though he said, βIt took me a few years to get it going.β Kimmel quipped, [bold] βSo all these other actors must want to kill you.β [end bold] End Transcription.)
More Val and Cher
Val had a pic of Cher in his cell in top secret π
From ET on youtube
Credit : π· Nievecitas on Twitter
In the twain white suit
Val and Cher ft. Tom cruise, Don Simpson, Barry tubb at the top gun 1986 NewYork premiere
New Age Comics #01 Cover
Original Art
Art by Will Eisner, Jaime Hernandez, Peter Poplaski, Don Simpson And Dennis Fujitake
Fantagraphics (1985)
From Heritage Auctions.
This incredible jam-piece showcases the wide variety of genres represented in the "Alternate" comics market of the bountiful 1980s. Reaching from the classic archives of Hal Foster's Prince Valiant, and Will Eisner's The Spirit, through the tumultuous Underground Comix wave of the 1960s (via Gilbert Shelton's Wonder Wart-Hog), to new material that was already classic 1980s fare such as Don Simpson's Megaton Man, Jaime Hernandez' Love and Rockets, and Dennis Fujitake's Dalgoda. New Age Comics was a cross-promotional book that supported many of the alternative and small press publishers. The cover art was created in ink over graphite on 14" x 17" Bristol board. The Spirit figure is an original art paste-up by Eisner. Simpson, Hernandez, Fujitake, and Eisner all supplied art for their own characters. The other two are by the hand of Peter Poplaski. The logo is hand-lettered.

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Purchased from Bibliophile Books & Comics formerly in Norman, Oklahoma: Megaton Man 8. Cover by Don Simpson.
The Savage Dragon 14 Issue Lot, Special Issues and Crossovers (1993-2002) Comic Books
Written and drawn by various, Savage Dragon created by Erik Larsen.