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Free to watch âą No registration required âą HD streaming
You can find my separate list for top EPs of 2018 here.
My Previous monthly lists from 2018: January , February, March, April, May, June, July, August, September, October, November, December
My list last year for my top Albums of 2017 can be found here.
*Indicated someone I saw live in 2018
Honorable Mention:
Alan Walker - Different World
Genre: Electronic / Dance
Different World is life in a digital universe. On the surface the mechanical synth-based melodies might come off as a bit too artificial, but if you dispel the notion computers canât be a musical instrument you can see thereâs a heartbeat under the churning gears. In the context of the album all the tracks really work together harmoniously, a pretty amazing feat considering these songs were recorded and released over the span of three years. There is a intentional, common vernacular across the tracks that melds it together quite nicely. Despite the plasticity on top, this debut album is artificial intelligence exuding relatable emotion and infectious energy. I donât know whatâs more human than that.
Alina Baraz - The Color Of You
Genre: alt-R&B / Soul
The soothing and sultry voice of Alina Baraz can seriously sing to me the phone book and I would rock back and forth in a happy place. The world was first introduced to Alina Baraz when she teamed with Danish producer Galimatias for their euphoric, synth-pop joint EP Urban Flora. For her first solo project Baraz goes for a bit more of a stipped down sound which allows her soulful vocals to shine as they whisk you away. This enduring and intimate album shows the future is bright for the singer and her low lit music.
Proof: Fallin / I Donât Even Know Why Though // Bonus: Feels Right
Chloe x Halle - The Kids Are Alright
Genre: alt-R&B
On their third album, Love Is Dead, for the first time Scottish band CHVRCHES used outside producers on a record. The result is a bit more expansive of a sound for the group then before. The moments of emotion and energy seem a bit more unhinged (in a good way). Lauren also adjusted her writing techniques from a metaphor heavy style that would allude to subjects to a much more straightforward vocabulary addressing things head on. Itâs still the same identifiable vernacular of the band CHVRCHES but with a few new art pieces up on the walls.
Proof: Never Say Die / Miracle
Don Diablo - FUTURE
Genre: Electronic / Synth-Pop / Dance
Ten years after his debut, Dutch producer shows by heâs been a sought after producer for nearing twenty years. FUTURE shows how the producer has been able to craft entertaining and contagious pop melodies that resonate ohh so well.
Proof: Take Her Place (Feat. A R I Z O N A) / Found You (Feat. Bully Songs)
J.I.D. - DiCaprio 2
Genre: Hip Hop
J. Cole signee J.I.D. Didnât waste time following up his 2017 debut album The Never Story. The Atlanta rapper already had a following established from independently released mixtapes and EPs before last year. The Never Story exposed to a wider audience this newcomer has got some lyrical skills and a silky, smooth flow, DiCapro 2 (a sequel to his 2015 DiCaprio EP) only exacerbates the exposure to his talent even more.
Proof: 151 Rum / Tiiied (Feat. 6LACK & Ella Mai)
JMSN - Velvet
Genre: R&B / Soul / Funk
The shape shifting R&B of Michigan singer JMSN has been one of my favorites since his 2012 revelation of a debut â Priscillaâ (which topped my 2012 albums list). His first album and EP were very much in the hazy low lit alt-R&B sound similar to The Weeknd and How To Dress Well. JMSN then molded his sound to a more straightforward form of R&B for an album. Again, not being complacent, his two following albums transformed again this time to sound like a jazz assemble backing a soul singer. Well, JMSN takes another left turn with Velvet incorporating some sultry funk. With dripping base lines and bouncing synth keys this is JMSNâs most vibrant sound yet.
Proof: Levy / Drama
Kylie Minogue - Golden
Genre: Synth-Pop / Country
I am admittedly not a big country fan, and some more die hard country listeners my roll their eyes at me calling this album country. Kylie Minogue is going on 30 years in the industry and mostly been a danceable, synth-pop artist. For her fortieth album Golden, Kylie went to Nashville and incorporated country and bluegrass music tendencies into her sound; something that could be a disastrous ambition. I guess you donât just luck into making music for three decades, because this interesting mixture is pulled off beautifully. Golden is an effective and innovative mash up of electronic music, synth-pop and country in a surprisingly delicious cocktail.
Proof: Stop Me From Falling / Every Little Part of Me
Logic - YSIV
Genre: Hip Hop
With one of the most lethal flows in the game, Logic dropped off two projects in 2018. First was the follow up of his Bobby Tarantino Mixtape. The second was his fourth LP, but this time reviving his Young Senatra persona from mixtapes earlier in his career (the last one came out in 2013). YSIV or as it stands for âYoung Sinatra 4â is another verbal assault by the talented rapper and one of his most confident records to date. The robust use of skits and interludes has always been a gripe of mine with Logic albums, and gladly they are noticeably absent here. No matter what persona he dons, Logic has some of the most ferocious lyrical prowess in the industry and he loves to show it off.
Proof: The Return / 1000 Miles & Running (Feat. Wale & John Lindahl)
Itâs been a busy year for the new hip hop foursome from Vallejo. They dropped their self titled Mixtape in 2017 to catch the attention of Kendrick who put a song by them on the Black Panther soundtrack. Striking while the iron was hot, the group released their debut album in February and their Sophomore album (or an extension of their debut) only a few months later in September. Growing up the Bay Area the group is obviously influenced heavily by the Hyphy movement. You can hear elements of influences from E-40, Keak da Sneak, The Team and others in that Hyphy sound; but with a contemporary twist.
Proof:Â Anti Social / Canât // North Vallejo / Made It
Superorganism - Superorganism
Genre: Indie Pop
Eight member group from various countries formed the band Superorganism in 2017. Together they would send tracks through Facebook and WhatsApp and each member would add some layers on to it. The concoction is a dense, multifaceted form of unique pop music. The various layers of instruments, synths, and samples intertwine to create a mesh of melodies that bounce along gracefully despite their mass.
Proof: Everybody Wants To Be Famous / Reflections on the Sun
Tove Stryke - Sway
Genre: Synth-Pop
This short and sweet album by The Swedish singer is her strongest to date. Thereâs a subtle growing of confidence I can see from this album to its predecessor 2015âs Kiddo. Despite its short run time, Sway makes quite an enjoyable impression.
Proof: Sway / Mistakes
Typhoon - Offerings
Genre: Indie Rock / Alternative
American rock band Typhoon follow up 2013âs White Lighter with their fourth album here. Offerings is a moving and powerful affair. Most of the tracks start off mellow and sweet with moments of crashing guitars and unfiltered emotion bursting out.
Proof: Rorschach / Darker
VanJess - Silk Canvas
Genre: R&B / Neo-Soul
The sisters of first generation Nigerian immigrants started singing covers on YouTube before first getting signed way back in 2011. Their debut was worth the weight, Silk Canvas is some infectious forward thinking R&B with subtle nostalgia baked in. You can see influences from the likes of Rihanna, SWV, TLC and others.
Proof: Touch The Floor (Feat. Masego) / Best Believe
Bonus:
Major Lazer - Major Lazer Essentials
Genre: Electronic / Dance
Since their debut album Major Lazer has been one of my favorites. Now three albums, multiple EPs and a couple mixtapes later, Diplo has announced a new album in 2019 (10 years after their debut) will be the end of the project for the immediate future as he pursues his other many projects. With this announcement Diplo released this compilation album of greatest hits and a handful of new tracks. My first thought when I gave my original spin through this collection was âdamn, Major Lazer just had some gd hits!â Listening in one place to the standout tracks from 2009 to now is an exhilarating and entertaining experience centered around diversity and overflowing passion.
Proof: Blow That Smoke (Feat. Tove Lo) / Know No Better (Feat. Travis Scott, Camila Camila & Quavo) / Watch Out For This (Feat. Busy Signal, The Flexican & FS Green) / Tied Up (Feat. Mr Eazi, RAYE & Jake Gosling)
The List:
Last One Out: NoMBe - They Mightâve Even Loved Me
Genre: Alternative / Indie Rock / R&B
German born singer NoMBe is here to seduce you and I say you should let him. They Mightâve Even Loved Me is a steamy collection of rock songs about love, sex and navigating through life. NoMBeâs vocals are subdued and sly enacting a sense of mystery. The backdrops are built on groovy bass lines and plucky guitar riffs meant to get your foot tapping and hips slowly moving. I can see obvious influences from The Killers, Kings of Leon and Prince. Deeper down I also see hints of Blood Orange, Twin Shadow and DâAngelo.
Proof: Young Hearts / Freak Like Me / Jump Right In / Sex
35. Rejjie Snow - Dear Anne
Genre: Hip Hop
Hip Hop is usually about being forceful and having to reach out and grab what society has built roadblocks for you to attain. Irish rapper Rejjie Snow is the opposite of that. His subtle, jazzy production is minimalist and doesnât directly ask for your attention. This allows the mellow, but skilled flow of Rejjie to take the lead. I wouldnât label Rejjieâs rapping as slow, but it moves at a comfortable and steady pace and doesnât need to be unnecessarily sped up. With the vibe being so well established, the listener can now comfortably hang onto every lyric which are well written in matters of love and maturing in life we all can identify with.
34. Kelela - TAKE ME A_PART THE REMIXES
Genre: alt-R&B / Electronic
Kelelaâs debut album Take Me Apart was one of my favorite albums last year. Her sound that was a mixture of Aaliyah, late 80s Janet Jackson laid over production that would fit on a Massive Attack album was such an enjoyable smooth and sultry listen. Her strong vision of her projects as a whole make for a cohesive listen. That strong vision carries over to this robust remix compilation that is not your average remix album. The diverse range of producers offering remixes make for a dynamic listen that teleport you to various new environments throughout. Kelela was part of the process curating this album with each of the producers, even recording some new vocals here and there if needed. Itâs that devotion to her craft that makes me confident Kelela will be a long time.
Proof: KAYTRANADA_WAITIN_115 BPM / LSDXOXO_TRUTH OR DARE_123 BPM / NĂDIA_BLUE LIGHT_123 BPM / BADSISTA_BETTER_125 BPM (Feat. Linn da Quebrada)
33. Whethan* - Life of a Wallflower, Pt. 1
Genre: Electronic / Future Bass / Dance
The most impressive skill in electronicâs wonderkid Whethanâs arsenal is his ability to construct a diverse range of sounds within a genre that usually leads to being in niches. Since he first debuted in 2015 at the age of 16, Whethan had been a producer chameleon making tracks that donât sounds like the last two or three or anything he released before had. Before this debut album was released he already got to work with the likes of Flux Pavilion, Charli XCX, Elohim, Ashe, MAX & Dua Lipa so his clout is rapidly growing in the industry. Thatâs from his ability to mold and morph melodies to his will. With apparently another album set to be released on 2019, the young Chicago producer is riding this accent with no end point in sight.
Proof: Radar (Feat. HONNE) / Top Shelf (Feat. Bipolar Sunshine) / Superlove (Feat. Oh Wonder) / Be Like You (Feat. Broods) // Bonus: High (Feat. Dua Lipa)
32. Kali Uchis - Isolation
Genre: R&B / Soul
The soulful, vintage sound of Colombian-American Kali Uchis has an appealing and comforting nostalgia while also feeling contemporary and innovative. You can see her influences of 1960s Soul and doo-wop music as well as traditional Colombian music as the vertebrae of her stripped-back sound but also see how sheâs molding it to her will to fit in 2018. Her tender voice can bounce along a track so gracefully in her unique melodies creating a dynamic experience despite a minimalist pallet.
Proof: Just A Stranger (Feat. Steve Lacy) / Tyrant (Feat. Jorja Smith) / Dead To Me / After The Storm (Feat. Tyler, The Creator & Bootsy Collins)
31. Mother Mother - Dance and Cry
Genre: Indie Rock / Alternative
Canadian Rock band Mother Motherâs sound is an exciting coalesce of Modest Mouse, Arcade Fire and My Chemical Romance. Dance and Cry is a touching record of heartbreak and the hope afterwords. I admittedly havenât listened to an entire project from Mother Mother before this, their seventh album, so I canât really offer much history or how their sound may have evolved. However, this was a pleasant surprise when I first took it for a spin that kept surprising me every listen after, so I will personally be paying more attention to the band after.
Proof: Dance and Cry / Get Up / So Down / Itâs Alright
30. Vince Staples - FM!
Genre: Hip Hop
Long Beach rapper Vince Staples marches to the beat of his own drum with a IDGAF attitude. Seventeen months after releasing my personal favorite album of 2017, Vince is back with a new project; Iâm not sure what to call it. Is FM! an album, a mixtape, just a recorded radio show? The thing is Vince could really care less about those questions, he just makes what he wants to. Put together as one radio show where the tracks abruptly end, thereâs hosts playing stupid games with callers, quick commercial breaks for other rapperâs projects, the project comes out as an odd but accurate snapshot of 2018. With a run time under 30 minutes this album is like a shot of adrenaline and ends before any lethargic coming down. Staples verses are as strong as ever with the same bouncy beats weâve known him to find to spit over with his normal laid back vigor.
South African frontman and main showrunner of the New York band St. Lucia returns with his lush and decadent pop music meant to overload your senses. St. Lucia has vaulted to the top of my personal bands list since their debut 2013âs When The Night; which led to me seeing them live 4 times in less than 24 months. Hyperion has a little less âpopâ for me then itâs two predecessors, but that doesnât mean itâs not still a joyous piece of tropical, electro-Pop. Thereâs even a few new wrinkles, like some George Michael inspired Gospel infusion on âParadise Is Waitingâ or the hints of 80âČs rock in the margins of âWalking Awayâ.
Proof: A Brighter Love / Paradise is Waiting / Walking Away / China Shop
28. Joji - BALLADS 1
Genre: alt-R&B
Japanese singer Joji has come a long way from making a silly internet meme to this surprising debut album. Originally known for starting the âHarlem Shakeâ meme on his YouTune channel; forever making the actual dance from the 90âs forgotten. Sometime a couple years ago he decided to take music as a serious venture. There was some aspects I liked of his 2017 debut EP In Tongues but overall there was something not quite clicking for me. The seemed to be too much focus on the air underwater vibe and not enough on the song crafting. Well that seemed to be ironed out here with a beautiful debut album that has some heart wrenching moments. âSLOW DANCING IN THE DARKâ was one of my favorite songs of 2018, and shows the once YouTube jokester can really dig deep and pull out raw emotion on a song.
Proof: SLOW DANCING IN THE DARK / TEST DRIVE / WANTED U / NO FUN // Bonus: SLOW DANCING IN THE DARK (Loud Luxury Remix)
27. ayokay - In The Shape Of A Dream
Genre: Electronic / Synth-Pop / Future Bass
Los Angeles based (Detroit born) DJ ayokay drops off his debut LP of sunkissed Electronic music. ayokay is not afraid to deal with some sadness in his songs, but they maintain a danceable vibe, emulating the mask we all wear in public over our emotions. Whoâs ready to cry in the club with me?
Proof: Sleepless Nights (Feat. Nightly) / Donât Wanna Be Your Friend (Feat. Katie Pearlman) / Stay With Me (Feat. Jeremy Zucker) / Half Past You (Feat. Future Jr.)
26. Tash Sultana - Flow State
Genre: Indie Pop / R&B / Soul
Step into the lush and picturesque world created by the Australian multi-instrumentalists that is Tash Sultana. Sultana is a solo jam band as all fifteen instruments on the record are played by Tash, who utilizes looping programs to build these vast microcosms of sound. With the sultry vocals the sound is like Erykah Badu mixed with Aaliyah mixed with The Roots. The smooth vibes and dense backdrops take over on Flow State, a record thatâs meant to get lost in.
Proof: Big Smoke / Cigarettes / Salvation / Mystik
Janelle MonĂĄe is on quite a multimedia run right now and I donât think it will slow down anytime soon. The singer/actor hasnât technically won an EGOT award yet, but I see her flirting with the achievement soon. Already in two Oscar for Best Picture nominated movies âHidden Figuresâ and âMoonlightâ (the latter winning), the accomplished singer shows we are only seeing the beginning of her talents. The âGâ in the EGOT might not be far off with probably her most comprehensive and impressive album to date Dirty Computer gaining some GRAMMY nominations: including Album of the Year. Dirty Computer is also my personal favorite project from Janelle. She describes it as finding her true authentic self and expressing that more effectively to the world and I can very much see that. She also worked on this album with the late genius Prince before his passing and you can very much see his influences throughout. Thereâs the airy dancing synths emulating a bit of the later Prince from Art Official Age on âCrazy, Classic, Lifeâ. âMake Me Feelâ is dripping with funk similar to something off of 1999. Album closer âAmericansâ utilizes a empowering soulful keyboard riff that could be taken straight from any of the albums with The Revolution. Despite the heavy influence, Janelle doesnât use it as a crutch but as a tool to take her sound to a new level. She never loses her strong sense of self though the project, I feel we are finally peeling some of the protective exoskeleton that is Janelle MonĂĄe and learning more about the beautiful and inspirational person beneath.
Proof: Crazy, Classic, Life / Make Me Feel / Like That / Americans
We all are just trying to find our âHappy Placeâ. Hopefully the therapeutic burst of emotion that is Awake can help Australian DJ Alison Wonderland (real name Alexandra) find her own. With her sophomore album, Â I feel Alexandra has really found her voice and thatâs with the keen ability to be able to personify the struggles of relationships, self doubt and mental illness for her fans. Usually, emotion within Electronic music is viewed with a level of plasticity to it. There should be no doubt in the genuine passion in Alexandraâs form of electronic music. She may think her admirers should âfind someone thatâs easierâ but I prefer the emotional depth and honesty.
Proof: No / Easy / Church / Awake // Okay (Blush Remix) / No (Paces Remix) / Awake (KRANE Remix) / Easy (Kill Paris Remix)
23. Charli XCX - Pop 2 [Mixtape]
Genre: Synth-Pop
Technically released in 2017, but late enough it didnât make my list last year and got pushed to 2018, Charli returned with her second mixtape in nine months and, for me, my favorite project of hers since her debut album; possibly of her career. Pop 2 is a futuristic electro-pop record where genres are fluid and expression is currency. The thing I feel Charli has sort of unlocked on this project from her past is an ability to really convey emotion through this mechanical pallet she builds her music with. Sheâs always had a level of passion within her music but outside of a youthful lust and an empowering âfuck everythingâ the rest of the emotions expressed always felt they were being viewed behind a protective sheet of plexiglass. Songs like âBackseatâ, âLuckyâ âTearsâ and the sneakily genius âTrack 10â really show an ability to bring more emotional depth in her songs. Whether itâs in mixtape form (Charli expresses she feels more freedom with mixtapes) or official LPs Charli is showing a growth and maturity in her craft that has me excited for what she may bring in the future.
Proof: Backseat (Feat. Carley Rae Jepson) / Out Of My Head (Feat. Tove Lo & ALMA) Â / Unlock It (Feat. Kim Petras & Jay Park) / Track 10
22. Madeaux - Burn
Genre: Electronic / Dance
I suggest a good stretch, being well hydrated and grabbing a towel before pressing play on this exhilarating whirlwind of melody calisthenics. The official debut LP from the American producer takes the listener of a dark, immersive experience in a world of non-stop kinetic energy and organized chaos. To all the critiques of Electronic music that say it all sounds the same I kindly point them to this album because there isnât another producer making house music quite like this out there. Burn is a thrilling, fast-paced ride that doesnât allow much space for the listener to take a breath until itâs finished. I suggest having a post-workout recovery shake handy for after.
Proof: Like A Model (Feat. Poter Elvinger & WILLS) / Run with It (Feat. Tommy Lee Sparta) / Lights Low (Feat. OG Maco, ALGORY & JRich ENT) / Sweat (Feat. Class Actress & Black Atlass)
21. Twin Shadow* - Caer
Genre: Alternative / Indie Pop / R&B
Twin Shadow is an artist who has a recognizable, identifiable sound, yet every album of his also sounds different then the other. His debut, 2010s Forget is a disorienting, hazy dream. A unique mixture of R&B, Alternative music covered in haunting synths and distortions; all with an 80âs nostalgia. 2012âs Confess continues the foggy 80âs vernacular but with a more neon light piercing through. The pounding drums and scratchy guitar riffs are more attention grabbing, and the vocals more pronounced. 2015âs Eclipse was a bit of a statement piece. A whole project of stadium anthems meant to be shouted with vigor and emotion. Caer takes a step back on the arena filler to a more resemble the subtle tone of his debut. Except, the 80âs nostalgia isnât such a driving factor. This is the project by Twin Shadow that sounds the most like the year it was created in, yet still sounds like any other beautiful Twin Shadow record. A natural progression by the versatile artist.
Proof: Saturdays (Feat. HAIM) / Sympathy (Feat. Rainsford) / When Youâre Wrong / Too Many Colors
20. Santigold - I Donât Want: The Gold Fire Sessions [Mixtape]
Genre: Indie Pop / Dancehall
Impossible to be confined in one box, Santigold continues her genre hoping sheâs made a career of. I Donât Want is a dancehall inspired mixtape she worked on for the majority during a two week session with the main producer Dre Skull. By stripping the album moniker, thereâs a looser and improvised feeling to the project that lends itself well to the culture it is inspired by. You feel Santigoldâs admiration for the Afro-Caribbean influenced sound which makes the joy expressed on the album transparently genuine and infectious.
Proof: Run the Road / I Donât Want / Why Me / Donât Blame Me (Feat. Shenseea)
19. Matoma - One In a Million
Genre: Electronic / House / Dance
Norwegian producer Matoma wants to cast a wide net with his sophomore album here. Both musically and audience-wise. One In A Million is an eclectic electronic music album that not only crosses sub-genres but crosses oceans with its worldly inspirations. From Synth-pop, to trap, to Tropical House, to Reggaeton, Matoma clearly wants to show off his range and diverse interests. One of the best songs of the year was the gospel inspired âSunday Morningâ. I dare anyone to know breakout in uncontrollable dancing when the bellowing hook of that song comes in.
18. RĂFĂS DU SOL - SOLACE
Genre: Synth-Pop / Electronic
When lead singer Tyrone croons for someone to take him to a new place on âNew Skyâ I canât help but think âdude we already are somewhere newâ. Because thatâs exactly what the Australian trioâs atmospheric music does, whisks me away on a magic carpet of melodic keyboards, floating synths, pulsating drums and haunting vocal samples. Their previous album, Bloom was a breakthrough for them and their unassuming electronic music to a more worldwide audience. SOLACE takes an even more self-effacing and introspective approach, but should only help them continue to gain admirers.
Proof: New Sky / Lost in My Mind / No Place / Underwater
17. Nao - Saturn
Genre: alt-R&B / Neo-Soul
The delicate voice of Nao returns with her smooth and tender sophomore album. Naoâs debut album For All We Know was one of my top five albums of 2016. Saturn picks up right where itâs predecessor left off but with a slight pumping of the breaks. Saturn take a bit more of a traditional R&B approach but in the same pallet Nao has been working on her whole career. The subtle infusion of electronic music still is present building an enthralling drama across the album. The slower tempo leads to a slightly more intimate feeling on this album then before. In the early 2000s R&B was sent to the margins a bit but with 2012âs House Of Balloons and channel.ORANGE being the inflection point R&B has been growing again in the mainstream. Artists like Londonâs Nao are in the forefront of R&Bâs ascent.
Proof: Another Lifetime / Make It Out Alive (Feat. SiR) / Curiosity / Drive and Disconnect
16. Said The Sky - Wide-Eyed
Genre: Electronic / Future Bass
American producer Said The Sky drops his first ever full length project that was a long time coming. For those familiar with his early work there is quite a progression from his more dubstep beginnings to this more melodic vernacular. Being a trained pianist Said The Skyâs backing usually starts with a piano riff. Early on this piano riff was used more as a contrasting element; a calming and tender character to then get smacked around by the boisterous and raucous dubstep. Now the piano is utilized more for itâs rhythm as the backbone of the track; a strong complimentary piece rather then contrasting. This is an evolution I personally feel for the better here leading to a sophisticated and potent electronic album, brooding with a surprising amount of emotion and introspection.
Proof: Show & Tell (Feat. Claire Ridgely) / All I Got (w/ Kwesi) / Over Getting Over You (Feat. Matthew Koma) / Superstar (w/ Dabin Feat. Linn)
15. My Brightest Diamond - A Million and One
Genre: Synth-Pop / Electronic / Indie Pop
Multi-Instrumentalist My Brightest Diamond has been a shapeshifter her entire career and that continues here with her fifth album. Starting out as a classically trained violinist and then self teaching herself more and more instruments and incorporating new genres in her sound every new project. For A Million and One she takes on Electronic/Dance music in a subtle and euphoric way. Most of the tracks are mid to slower tempo with free flowing synths and and 808 kicks. More dynamic moments are strategically planted throughout like the slow building âChampagneâ or the explosive âSupernovaâ. A Million and One is an subtle, spectacle piece of electro-pop, that straps the listener in and shots them into the stars.
Proof: Itâs Me On The Dance Floor / Champagne / Supernova / White Noise
14. Meg Myers* - Take Me To The Disco
Genre: Alternative / Rock
I donât really know how I happened upon Meg Myers music back in 2012, before her debut EP even was released, but I sure am grateful I did. Following the path of her career from that 2012 EP Daughter In The Choir to now has been quite rewarding. Every year new music has been released by Meg the project always is one of my favorites for the year, but Take Me To The Disco is finally her letting all the outside pressure and expectations go and just rocking the fuck out. Switching labels and making music separate from her long time producer Doctor Rosen Rosen, Meg had a newly found freedom on this record which led to a ride full of high, lows and moments of raw unfiltered emotion. Part of Megâs unique skill when crafting a song is her ability to go from a soft, raspy and unassuming tone to a passion filled roar in seconds. The music knew when to follow suit as well with the main enclosures being acoustical and warm environments with alcoves of thunderous drums and crashing guitars. Whether itâs tranquil moment of vulnerability or impacting pockets of intensity and fierceness, Meg has a newly discovered level of confidence and power.
Proof: Numb / Tear Me To Pieces / Jealous Sea / Done
13. MĂ - Forever Neverland
Genre: Synth-Pop
For some, the ascension of MĂ may have seemed pretty sudden. The mega success that was Major Lazer & DJ Snakeâs âLean Onâ featuring the Danish singer came a bit out of nowhere to some. I smuggly could say I predicted such an explosion since my introduction or her on Aviciiâs âDear Boyâ followed up closely by her 2013 debut EP Bikini Daze. MĂ didnât feel a need to rush things despite the iron being hot as shit and took her time following up her 2014 full length album No Mythologies To Follow. Instead she dropped stellar one-off singles âKamikazeâ âFinal Songâ âDrumâ and âNights With Youâ before finally releasing last years EP When I Was Young. Forever Neverland continues on the maturity in her music desolated on her EP of last year. The hooks are still catchy as shit, her sound still has an ability to make you want to get up and move, but there is a further depth in her songs. MĂâs voice always was expressive and emotive but there was also a glossy surface layer that seems to have been stripped away over the years. She now has the confidence to let her voice scratch and wain a bit when a line carries more emotional weight.Â
Proof: Way Down / I Want You / Beautiful Wreck / Red Wine (Feat. Empress Of)
The mysterious Elohim has became a go-to collaborator for electronic music projects over the last few years. From Louis The Child, Oliver, Ekali, The Glitch Mob and others, Elohimâs name would pop up; usually on the albumâs best track. Her soft and delicate voice always worked great as a juxtaposition to the often kinetic backgrounds. In her solo music, she is her own producer and she shows she is more than just a featured artist but also a contemporary to the other Electronic producers. Elohim is a diverse and incredibly dynamic piece, which surprises the listener with unexpected vocal samples or instrument riffs used in sophisticated ways. Whether is a mariachi horn, trumpet, violin, guitar, or just odd vocal cadences looped, Elohim has developed creative and unique techniques in her production that make a familiar yet singular sound.
Proof: The Wave / Sleepy Eyes (w/ Whethan) / Fuck Your Money / Half Love // Bonus: Eclipse / Connect (w/ Skrillex)
11. Fakear - All Glow
Genre: Electronic / Future Bass
French producer Fakear is a newer discovery for me but boy and I glad I found his atmospheric electronic music. Fakear will be quickly compared to ODESZA and the similarities in their sounds are definitely apparent. However, the French DJâs harmonious music has a bit more of an airy bounce, with some Tropical House infusion. The electronic genre is having a bit of a moment right now yet Fakear is still relatively not well know in the States. I donât really see that lasting too long though as more find his music.
Proof: Something Wonderful (Feat. Ana Zimmer) / Lost In Time (Feat. Polo & Pan, Noraa & Clement Bazin) / Sacred Feminine (Feat. Ibrahim Maslouf) / Vision (Feat. Claire Laffut)
10. Pusha-T - DAYTONA
Genre: Hip Hop
The Clipse debut album Lord Willinâ came out my freshman year of high school and was a very important album for me. Label issues unfortunately led to more mixtapes than albums released by the brother duo before Malice left the group. Luckily Pusha would eventually find himself on Kanyeâs record label as his new home. His first two albums released on the record label were both good, but there must be something in the Wyoming air during the recording of this stellar album. As the first of five Kanye West produced albums released during the âWyoming Sessionsâ no one really knew what to expect. Kanyeâs erratic behavior leading up to the release left a lot of people side eyeing the whole group of projects. Then about 36 seconds into the opening track âIf You Know You Knowâ when after a fiery verse from Pusha, the industrial beat drops, everyone gets an unexpected slap in the face. This is still one of the best producers in the world and we have one of the best lyricists rapping heat over this production. DAYTONA is quite the 20 minute tornado of an album. A focused and concise offering that does what it needs to do and leaves efficiently. Unfortunately, the rest of the âWyoming Sessionsâ albums will be a bit of a mixed bag and Kanyeâs erratic behavior on continues causing concern for his mental well being. DAYTONA shines bright as the most cohesive and sturdy of those albums with âIf You Know You Knowâ being the best song to come from the whole session. With GRAMMY nominations and ending up at the top of many writers âYear End Listsâ itâs time Pusha finally gets his shine Lord WIllinâ seemed to promise, only 16 years later.
Proof: If You Know You Know / The Games We Play / Come Back Baby / Santeria / Infrared
9. The 1975 - A Brief Inquiry Into Online Relationships
Genre: Indie Rock / Alternative / Synth-Pop
Through their first two albums, The 1975 was a band I enjoyed, but also wanted to enjoy more then I actually did. Their 2013 self titled debut album was an entertaining and engaging soiree of synth-pop and alternative music as a new aged love child of The Killers and My Chemical Romance. There was a definite growth and increased dexterity in their second album, 2016âs I like it when you sleep, for you are so beautiful yet so unaware of it, as the same influences are present but with a sprinkling of seduction and soul. What always took me out of their projects though was their abundance of influences often working against them. The projects missed a level of connectivity I desire. I appreciated the daring nature of the band to explore but some of those swings didn't feel fleshed out enough to connect completely in the context of the albums. When I first heard one of my favorite songs of 2018 âLove It If We Made Itâ, I thought something seemed different. It seems the band has finally discovered the missing ingredient; or maybe found the excess ingredient(s) to leave out. A Brief Inquiry Into Online Relationships is a masterful mixture of experiences and influences with a message really cemented in 2018. The experimentations are a bit more radical, but very strategic and only help build up the motif of the whole album. You can still hear the underlying emo-rockers heartbeat from their debut but this time ran through a Bon Iver inspired auto-tune. The themes of how technology can dictate our lives for better or worse give the whole album a context for any listener to identify with. Songs like âSettle Downâ and âSomebody Elseâ from their first two albums were still in 2018 go-to songs for me; the talent was always there. Seeing the band develop and evolve to make this elaborate project is quite the feat to be respected and admired.
Proof: Give Yourself A Try / Love It If We Made It / I Like America & America Likes Me / Sincerity Is Scary / Itâs Not Living (If Itâs Not With You)
Itâs been a long time coming for American DJ 3LAU (Justin David Blau) to finally release this blistering debut. First winning a remix competition for a TiĂ«sto song in 2011, 3LAU made a name for himself over the years as a remix and mashup DJ; intermittently dropping one-off singles here and there. Ultraviolet shows the wait was well worth it. Being a multi-instrumentalist, 3LAU developed his own manipulation techniques of his instrument riffs and vocal samples creating lush melodic environments within his music. The result is a picturesque form of house music that can easily whisk you away in itâs vast, sparkling habitats.
Proof: Touch (Feat. Carly Paige) / Fire (w/ Said The Sky Feat. NĂONHĂART) / Walk Away (Feat. Luna Aura) / Star Crossed / You Want More (Feat. MAX) // Touch [Zeds Dead Remix] (Feat. Carly Paige) / On My Own [3LAU Electro Remix] (Feat. Nevve) / Star Crossed [3LAU DnB Remix] / Walk Away [Hibell Remix] (Feat. Luna Aura) / Fire [Paris Biohm Remix] (w/ Said The Sky Feat. NĂONHĂART)
7. Lykke Li - so sad so sexy
Genre: Pop / R&B
Since her debut album in 2008, the vulnerable music of Lykke Li has been a staple in my headphones. I have enjoyed her delicate voice, always ripped with so much emotion matching the impacting lyrics dealing with love and heartbreak. Liâs previous album, I Never Learn was an onslaught of slow and gorgeous, stadium-pop ballads meant to be felt while singing along with at the top of your lungs. The listless themes are continued but this time the albumâs expression is more with a glossy, sexy R&B persona; a change I personally am really feeling. With hints of The Weeknd and Rihanna as influences so sad so sexy is Lykke Liâs most sensual sound, one that suits her unique voice and songwriting well.
Proof: hard rain / deep end / sex money feelings die / so sad so sexy / better alone
6. Her - Her
Genre: Alternative / Indie Rock/ Soul
Starring an upcoming tragedy in the face, the smooth French duo didnât waiver or turn to negativity. Instead they focused on life and love. With one of the duo diagnosed with a terminal cancer, together Victor and the ill Simon carefully plotted out their debut album. They released two EPs the previous two years with standout tracks including âFive Minutesâ, âQuite Likeâ and âSwimâ which served as a strong introduction to the world, but Simons unavoidable death at age 27 was in August of last year. With the careful pre-planning Victor was able to finish the debut album in his best friendâs memory. Her is a sultry and warm affair. Simonâs bouncy guitar playing, Victors ominous key tones with both of their soft yet confident vocals create a free flowing and sexy sound that is very gracious and admiring of its female muse. Every song has an understatedness to it while it subtly exudes its passion. Itâs unknown if Victor will carry on with Her without his best friend, but I am glad they were able to add this exclamation point to Simonâs life.
5. Bishop Briggs* - Church Of Scars
Genre: R&B / Soul / Pop
London born, with Scottish heritage, Bishop Briggs bursts on the scene with this debut album like a strategic boxer. Starting every song with subtle body blows to connect with a potent haymaker every chorus. Her main weapon is a dominant voice that every chorus she lets loose to acts as an imposing yet engaging flex of emotion and power. Born Sarah McLaughlin, Briggs took the name of her parents Scotland hometown as her stage name to not be confused with the well known Canadian singer whose music you hear on sad commercials about puppies. McLaughlin moved around in her childhood from London to Tokyo to Hong Kong to LA and has picked up an amalgamation of influences to use at her disposal in her music. One of the biggest musical influence apparent is her cerebral use of gospel music. Utilized as a form of strength and command at every hard hitting chorus drop which gives room for her tremendous voice to punch your ear drums like a boxing bag.
Proof: Tempt My Trouble / White Flag / River / Hallowed Ground / The Fire
4. DJDS - Big Wave More Fire
Genre: Synth-Pop / R&B / Electronic
Timing can be a fickle thing. Sometimes by the slimmest of margins it can go against you, or go in your favor. DJDSâs career seems to be capitalizing on some impeccable timing that is all going in their favor at the moment. First, back in 2016, while finishing up their sophomore album, the LA producing duo were invited to work on Kanye Westâs The Life of Pablo album; eventually earning them a GRAMMY nomination. This monster co-sign would help open doors they never had open in their previous years making music. In the two years they spent making this album they collaborated with people that eventually would break out on their own including Empress Of, Amber Mark, Marco McKinnis and Khalid. Those two years are summed up in this fascinating piece of genre blending music. There are moments of bouncy hip hop, sinuous Synth-Pop, Soulful R&B, scenic Indie Pop and fist pumping electronic dance.  Big Wave More Fire at times is as infectious as any other pop album and at times can be a bit artistically challenging to the listener, yet never loses its strong sense of place.
Proof: Trees On Fire (Feat. Amber Mark & Marco McKinnis) / Why Donât You Come On (Feat. Empress Of & Khalid) / I Get By (Feat. Amber Mark & Vory) / Pick Me Up (Feat. Kelly Zutrau, Vic Mensa & Vory) / Falling (Kelly Zutrau & Marco McKinnis)
ODESZA is building quite a roster on their Foreign Family Collective label including the 23 year old Swedish producer Kasbo. With his debut album here, Kasbo shows heâs more than deserving of being part of this collective with this sonic display of dexterity in melody. Places We Donât Know is an an album that knows itâs comfort zone and is confident enough to never deviate while also avoiding diluting itself. The glossy electronic textiles that stitch the album together track to track build a cohesiveness that makes it a front to back enjoyable experience; without any drop in quality filler. More exploration in the sound may be desired in future releases to avoid sounding stale, but in terms of a debut this pleasant project introduces him nicely.
Proof: Your Tempo / Aldrig Mer (Feat. TENDER) / Roots (Feat. Amanda Fondell) / Over You (Feat. Frida Sundemo) / Bleed It Out (Feat. Nea)
2. Jacob Banks* - Village
Genre: R&B / Soul
The initial and most jarring entity you feel when you enter the universe that is Jacob Banksâ music is the gravitational pull that is his empowered voice. The British singerâs raspy and authoritative vocals can relay both a confident strength and introspective vulnerability in one tone. You are able to personally feel the emotion behind every note that leads to a compelling listen no matter how many times before youâve heard the song playing.
Banks backs up his mighty voice with equally potent and diverse backings. Some of the songs come equipped with thunderous bass lines and percussions with light keys tap dancing among the turmoil. Some take a more straightforward approach with light and jazzy horns and funky grooves. Then some songs have transparent backdrops that almost go away completely, stripped down to a bare pallet for Jacob to command.
Whatever the situation Banksâ vocal prowess prevails. I predict the accent to continue and at a more exponential pace as more become familiar with the impressive singer.
Proof: Chainsmoking / Love Ainât Enough / Prosecco / Be Good To Me (Feat. Seinabo Sey) / Unknown (To You)
1 Kendrick Lamar & Top Dawg Entertainment - Black Panther The Album - Music From And Inspired By [Motion Picture Soundtrack]
Genre: Hip Hop / R&B
Itâs probably getting pretty anticlimactic having Kendrick 1st or 2nd on my lists every year. But for the fourth year in a row Kendrick finds himself here again. Black Panther was one of 2018âs greatest cinematic achievements and smartly they looked to Kendrick to make a vivid and dynamic soundtrack to match.
Kendrick shows he has his finger on the pulse for Hip Hop and R&B in 2018 enlisting some of todayâs best including The Weeknd, Vince Staples, Anderson .Paak, Travis Scott and of course members of his TDE crew ScHoolboy Q, Ab-Soul, SZA and others. He grabs some of todayâs best up and comers with Khalid, Jorja Smith and SOB X RBE. Surprises us with a couple unexpected James Blake features. And finds some new international artists not very well known in Saudi, Babes Wodumo and an absolute fire verse from Yungen Blakrok.
I cannot express how perfect of a curated Soundtrack this is. The music is diverse enough to cast a wide net but also has an underlying and unifying vernacular throughout to make one cohesive project. The production is rooted in African sounds with poly-rhythmic percussion and themes inspired by African ancestry as well as themes incorporated from the movie itself. Kendrick may or may not have been physically there during most of these recordings but you can feel his direction and influence throughout. His impact is not overpowering or controlling either but rather a supportive and inspiring collaborator that keeps the various ships steered in the correct converging direction. When a o-k but also phoned-in verse by Future is really the albumâs low point, you know youâve done something right.
Most may point to the crowd pleasing (and for good reason) songs like âAll The Starsâ with SZA and âPray For Meâ with The Weeknd as their album highlights but mine is the sneaky vigorous Vince Staples and Yung Blakrok featured âOppsâ, that has quite the bite with itâs bark.
My admiration for Lamar is well documents on this blog. He really is controlling the way progressive and impacting hip hop can grow. Drake may have the numbers, but Kendrick is the more commanding artistic virtuoso making music in 2018. Kendrick knows it damn well and uses TâCalla as a metaphor for his spot on the throne of Hip Hop in the album opener:
âBecause the king donât cry, king donât die, king donât lie, king give heart, king get by, king donât fall. Kingdom come, when I come, you know whyâŠâ
Proof: Kendrick Lamar & SZA - All The Stars / ScHoolboy Q, 2 Chainz, Saudi & Kendrick Lamar - X / Khalid & Swae Lee - The Ways / Vince Staples, Yugen Blakrok & Kendrick Lamar - Opps / Jorja Smith - I Am / Ab-Soul, Anderson .Paak & James Blake - Bloody Waters / Zacari & Babes Wodumo - Redemption / The Weeknd & Kendrick Lamar - Pray For Me
Ace Hood - Trust The Process II: Undefeated, Amen Dunes - Freedom, Animal Collective - Tangerine Reef, AWALNATION - Here Comes The Runts, BANDGANG - In Too Deep, Benny - Different, Caitlyn Smith - Starfire, Carnage - Battered Bruised & Bloody, The Chainsmokers - Sick Boy, cupcakKe - Eden, cupcakKe - Ephorize, Curren$y - Parking Lot Music, Curren$y & Harry Fraud - The Marina, Daughters - You Wonât Get What You Want, Dave East - Karma 2, Dave Matthews Band - Come Tomorrow, DJ Critical Hype - More 9th (Drake & 9th Wonder Mash Up), DOM KENNEDY - Volume Two, Don Toliver - Donny Womback, Eminem - Kamaze, Fetty Wap - For My Fans, Fetty Wap - Bruce Wayne, Frankie Cosmos - Vessels, Future - BEASTMODE 2, G Herbo & Southside - Swervo, Ganja White Night - The Origins, Helena Hauff - Qualm, Hop Along - Bark Your Head Off, Dog, HUNCHO JACK (Travis Scott & Quavo) - HUNCHO JACK, Jack Huncho, Jean Grae & Quelle Chris - Everythingâs Fine, Jeezy - Pressure, Keith Ape - BORN AGAIN, Kevin George - Hopeless Romantic, Larry June - Very Peaceful, Lil Durk - Just Cause Yâall Waited, Lil Pete - 4EverFocused, Lucis - Nude, MadeinTYO - Sincerely, Tokyo, Metro Boomin - NOT ALL HEROES WEAR CAPES, Matt and Kim - Almost Everyday, MGMT - Little Dark Age (Matthew Dear Album Remixes), MIKE - Black Soup [Mixtape], Mr Twin Sister - Salt, Nightmares On Wax - Shape the Future, OSHUN - Bittersweet, Vol. 1, Owl City - Cinematic, Palm - Rock Island, Prof - Pookie Baby, Raury - The Woods, Rae Sremmurd - SR3MM, Red Cafe - Less Talk More Hustle, Reese LAFLARE - Reese LAFLARE, Rich The Kid - The World Is Yours, Rico Nasty - Nasty, SHIRT - Pure Beauty, Shy Boys - Bell House, Slim Thug - The World Is Yours, Slum Village - The Lost Scrolls, Vol. 2 [Mixtape], Social Club Misfits - Into The Night, Steve Perry - Traces, Takeoff - The Last Rocket, Too $hort - The Sex Tape Playlist, Trae Tha Truth - Hometown Hero, Various Artists - Future Presents: SUPERFLY (Original Motion Picture Soundtrack), Various Artists - 9th Wonder Presents: Jamla is the Squad II, We The Kingâs - Six, Westside Gunn - Supreme Blientele, Wifisfuneral - Ethernet, Yves Tumor - Safe In the Hands of Love, Zaytoven - Trapholizay, 03 Greedo - God Level, 24hrs - HOUSES ON THE HILL
Bad:
Eminem - Revival, Jack White - Boarding House Reach, Kay! & Kenny Beats - 777, Lil Baby - Harder Then Ever, Quintin Miller - Q.M., Sheck Wes - MUDBOY, Starlito - At WAR With Myself Too, Trouble & Mike WiLL Made-It - Edgewood [Mixtape]