Fränzi in front of Carved Chair (Fränzi vor geschnitztem Stuhl)
Ernst Ludwig Kirchner, 1910
Museo Thyssen-Bornemisza, Madrid
seen from United States

seen from Yemen
seen from United States

seen from Germany
seen from China
seen from United Kingdom
seen from United States
seen from Yemen
seen from United States

seen from Türkiye

seen from Australia

seen from United Kingdom
seen from United Kingdom
seen from Yemen

seen from Malaysia

seen from Kazakhstan
seen from Türkiye

seen from Russia
seen from United States
seen from Kuwait
Fränzi in front of Carved Chair (Fränzi vor geschnitztem Stuhl)
Ernst Ludwig Kirchner, 1910
Museo Thyssen-Bornemisza, Madrid

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ernst Ludwig Kirchner | Winter Moon Night, 1919 #diebrucke (at Royal Oak, Michigan) https://www.instagram.com/p/CYBcrM9LoNB/?utm_medium=tumblr
me @ primitive artists using children for nudes because they are more "pure" and "naïve" and "uncorrupted by the modern world"
My personal thoughts on the 1959 German anti-war film Die Brucke
#weihnachtszeit #binntal #swiss 🇨🇭 #switzerland #diebrucke #1815 (en Binntal)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
NEW! 'Emil Nolde: The Grotesques’ by @hatjecantzverlag #emilnolde #grotesque #grotesques #expressionism #diebrucke #blauereiter #degenerateart #painting #artbook #artbookdap
#Repost @lacma with @repostapp ・・・ The year 1911 was a milestone for the avant-garde German Expressionist group Die Brucke (The Bridge). That autumn, its three key artists — Ernst Ludwig Kirchner, Erich Heckel, and Karl Schmidt-Rottluff — moved to Berlin from Dresden, where they had worked since 1905. The pulsating vitality of this modern city was immediately reflected in their paintings and prints. In "Two Women," Kirchner depicted a pair of seamstresses on a Berlin street. Kirchner presents his two female subjects forcefully and directly and makes no attempt to beautify them; rather, he gives them lurid yellow complexions set off by rich black garments. On view in the Ahmanson Building, floor 2. #lacma #ErnstLudwigKirchner #Kirchner #TwoWomen #diebrucke #Berlin #germanexpressionism