Knowledge, Classification, and Ledo's Record-Informed Epiphany in "Gargantia" [Part 2]
Chambers begins playing the classified record
The video Ledo watches shows something shocking: the Hideauze are humanoid and were originally human! This causes Ledo to come to the realization that he has been killing fellow humans. He regrets his genocidal actions and questions whether it is even worth fighting against the Hideauze at all. Undoubtedly, there is more trauma for Ledo, heightened when he holds the flesh of the dead squid in his hands. Even with this new information, which Chambers had claimed was "manipulated" by the "enemy", without providing any evidence, Chambers continues to argue for the just-ness of a war despite it being based on lies. It is later revealed, when Ledo seems to meet Kugel, his former commander, that upper echelons of the Galactic Alliance knew all along. However, they never informed the soldiers battling on the front lines. Without giving any more spoilers, Ledo remains on Earth without returning to space, with records causing an epiphany and causing the remaining Galactic Alliance mindset of fighting against the enemy no matter the cost to fall away.
Reprinted from my Wading Through the Cultural Stacks WordPress blog, where it was published on June 14, 2023.
All in all, although records, and their concealment, are a crucial part of the series, especially in Ledo's epiphany of sorts, reviewers don't mention them in their publications. However, they note how the premise feels "arbitrarily constructed" at times, while depicting intricate details successfully at other points, as part of a successful sci-fi story, that there is violence throughout, and that the production values are superb in many ways. [3] The focus on how classification of records can impede knowledge is something I haven't seen in an anime or animation series to date. The closest parallel I can come to is the archival work, of sorts, by Ura in Pale Cocoon. What happens in Gargantia is different in many ways, even from the depiction of classified records in The Crown or the classified archives of the CIA shown in an episode of Alias, as Archives in Fiction once noted.
For one, it shows the efforts the Galactic Alliance went to in order to conceal the truth. If the soldiers on the front lines knew that they were fighting humans, or more accurately humanoid descendants, there would likely be resistance, perhaps even mass desertion. So, their solution is to distort the reality, paint the "enemy" as a lesser lifeform, something that can't even think, when the Hideauze are just as smart as humans, although they might not seem that way. Secondly, the fact that Chambers immediately determines that the classified record is manipulated because it contradicts Alliance records shows how deeply entrenched his programming is with propaganda from the Alliance itself! As it has been said many times, no program, algorithm, technology, code, or anything is neutral. Rather, it is shaped by human perceptions. That is the case for Chambers.
What Ledo experiences is not a form of record erasure, alteration, or deletion, but, rather, a form of record concealment. The record he views does not have any completeness, as it is choppy, and the video is distorted. The latter may be part of the reasoning what Chambers claimed the records were manipulated, thinking it wasn't accurate. To Ledo, and the viewer, it appeared to be accurate. Furthermore, it was reliable in the sense it was "created by a competent authority, according to established processes", as it was a Galactic Alliance record. It is surprising it was left behind and not hidden. Perhaps the thinking was that it would never be found, so there was no need to destroy it, and it had lost all usefulness to them.
There is no doubt that the record is trustworthy, authentic, and genuine. Chambers clearly believes that the record is counterfeit, i.e. an item which is "falsely represented as the thing it imitates", an "unauthorized copy presented as an authentic original", or something worse: a forgery. Of course, Chambers likely has different definitions than the Society of American Archivists' Dictionary of Archives Terminology. The record, presented in the form of a degrade tape, is further confirmed as genuine by the testimony of "Kugel".
In the end, while there are no characters like Jocasta Nu in Star Wars or Nathan's grandfather in Stretch Armstrong, records remain an important part of the story in Gargantia, serving as an important plot point in more ways than one. There is no storage of records akin to R2-D2. Instead, there is recovery of lost data and records that were left behind/discarded, in an attempt to twist how people viewed the present. That is something unique to this series, as I can't think of any other series off hand, apart from Pale Cocoon, which focus on data recovery, and have declassification as something commanded by the protagonist. In that sense, Gargantia is different. That's all for this time. Until the next post sometime next month, likely on a different topic. Let me know in the comments what you think.
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[3] See, for example, reviews in THEM Anime Reviews and Anime News Network (also here). As a warning, the sixth episode has transphobic themes which may offend viewers.