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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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USA 1990
Fiddleford was the one who got Ford and him hooked up with a supply of nuclear waste to power the portal. It was because in college, Fiddleford was really big on the scene of underground robot fight matches, and he both won a lot of tournaments and gambled pretty well on the associated human boxing fights as well. During college to get in touch with some shady people to get both him and Ford materials they wanted/needed to work on projects, he made quite a network. He was a good better on the matches, and his robots usually won the night, so he was able to pay well for whatever they needed.
When they were in Oregon, Fiddleford called up some old contacts in underground, shady dealings, and managed to strike a deal for the nuclear waste. Of course, this time, he just erased their mind after so they wouldnât remember who they gave the nuclear sludge to, but it was still his old contacts in the underworld of deathbots and gambling that got them their portal fuel in the first place, not Ford.
Deathbots, NES.
A little intro to Viris's army of Spydroids! Of all of V's creations (KG Deathbots, etc), these goofy li'l guys are the most useless - but they are the closest to V's mechanical heart.

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Channel 4âs Electric Dreams Season 1, Episode 8: âAutofacâ Directed by Peter Horton Written by Travis Beacham
* For a recap & review of the previous episode, âKill All Othersâ â click here * For a recap & review of the next episode, âSafe & Soundâ â click here Weâre definitely in the future, because the US are putting Russia âon notice.â No Drumpf in the White House there, if so. A woman named Emily Zabriskie (Juno Temple) heads to work, where she witnesses a rocket in the sky overhead. The thing hits the city nearby. Itâs a dream; no. A memory, more like it. A war left everything destroyed. Emily lives in a wasteland, though the Autofac factory keeps pumping out the consumer goods for people to keep buying. She and her friends Conrad (David Lyons) and Reverend Perine (Jay Paulson) try shooting down a drone bringing in boxes for the factory. When they do, they remove a component from it. Emilyâs also partial to picking up literature, from magazines to Collected Fictions by Jorge Luis Borges, and more. These are for the library which belongs to Avishai Hahn (Nick Eversman). Emily and her friends are trying to hack into Autofacâs servers. They worry âdeathbotsâ could come get them if things go wrong. Nevertheless, they initiate contact with the company, in order to try looting them further. This means theyâve got to get together with the rest of the community. Theyâre hoping, eventually, to shut down the Autofac. People are worried, believing that taking down a drone is just going to make the company mad. âMan made the Autofac. Man must now unmake it.â We see the various dynamics between people in their community. Conrad sort of leads people, providing that guiding voice for them to follow. Avi, the self-professed âgimpy librarianâ and Emily are intimate together, itâs also clear that Conrad â whom the library calls a ârevolutionaryâ â and Emily were intimate, in some sense, in the past. And the revolutionary doesnât know about Emilyâs new relationship, either. Quite complicated. Not to mention theyâre receiving a visit from an Autofac aircraft. Itâs brought a representative of the company: Alice (Janelle MonĂĄe). Sheâs a fully functional, human-looking âsimulacrum.â She initiates a dialogue with them for the company. Conrad and Reverend Perine talk to her about the packages being sent for the past decade. They try telling Alice they donât depend on Autofac, but she argues they out to try it out. Might start working better for them. Certainly thatâs what youâd expect a drone, of any kind to say, right? This is all a Marxist struggle; Autofac holds total control over the means of production. Alice claims the company is worried for mankind, not wanting humans to destroy themselves. This is when Conrad calls for Emily, who uses a stun gun on Alice. Theyâve got the simulacrum back in their little makeshift lab. Emily plugs her into their system, attempting to âreprogramâ Ms. Alice. Oh, my. This will get interesting, in possibly bad ways. Others are mad, they donât want to have the simulacrum around, but Conrad insists things are getting worse, so theyâve got to whatever they can to try getting a leg up on the company. Plus, he plans on blowing up the Autofac. They discover Alice has actual thought, she isnât reproducing human behaviour she is actually producing human behaviour itself. Very eerie cybernetics. Eventually, Emily gets the bot online again, Alice talks to her wondering if sheâs being altered. Alice doesnât approve, though she canât exactly do anything about it. Except lie there, and be reprogrammed. After a while tinkering, Emily finds a way to reprogram Aliceâs âinhibitive settingsâ and it looks like everything is fine. So she says, anyway. This means theyâve got to get ready to go, starting the next part of their plan. In the morning, they pack up and head out. Before Emily goes, Avi embraces her in front of everyone. The crew heads in towards the Autofac, which is a massive industrial city of its own, drones flying in every direction with packages, et cetera. Their aircraft moves up in through the gates of the factory. Emily, Conrad, Rev, and Alice go inside where theyâre about to take the next steps in their plans for revolution. Everybody has their own little job. They drop Rev on one floor where he heads along the coolant lines to his destination. A little later heâs decapitated by a guard drone. On another floor, Conrad goes his way, as Alice and Emily take yet another ride to a lower floor. We also find out that Emily lied: she never reprogrammed the simulacrum human. And the personality the drone was given came from that of one Alice Fry, apparently; the original head of PR for Autofac. Eerie. The woman get to a part of one floor where there are all sorts of pods, this is where Emily finds her own âreplacement.â Thereâs also the fact Conrad is a simulacrum already. Theyâve been replaced. She is a simulacrum, too. Emilyâs life is just a series of data. Once humans were dying out after the war started, Autofac needed to replicate consumers. Because it isnât life, no matter how realistic, unless humans are around to consume, consume, consume. A truly automated life. âI feel humanâ âYou were made to, that was the whole point.â
However, as it turns out, Emily had figured things out earlier; way, way earlier. She hid a virus âin her own programming.â Years ahead of the other simulacrum. It was human love that kept her from revealing the truth, wanting to live as humans. She used Alice to get her inside the Autofac, to deploy the virus from there. We even discover Emily was modelled after the very woman who built the Autofac itself. Beautiful, staggering sci-fi irony. We see, in the end, that Emily goes running back into Aviâs arms, back to her life. Will she live on happily? Lord, this may be favourite episode of a series in the past couple years, honestly. An emotional, human, yet dystopian piece of work. Electric Dreams has been so worth the watch, episode after episode. âSafe & Soundâ is the next chapter.
Philip K. Dickâs Electric Dreams â Season 1, Episode 8: âAutofacâ Channel 4's Electric Dreams Season 1, Episode 8: "Autofac" Directed by Peter HortonâŚ
If Doctor Doom ever met Lex Luthor
Doom: You built your death robots so that you can also have sex with them?
Lex: You didn't?
Deathbots.