Severance - "Half Loop" (1x02), "In Perpetuity" (1x03), "The You You Are" (1x04), "Trojan's Horse" (2x05), "Attila" (2x06) Bennington Potters Trigger Mug in Elements Blue, design first introduced by David Gil in 1953 (The Magazine ANTIQUES)
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Severance - "Half Loop" (1x02), "In Perpetuity" (1x03), "The You You Are" (1x04), "Trojan's Horse" (2x05), "Attila" (2x06) Bennington Potters Trigger Mug in Elements Blue, design first introduced by David Gil in 1953 (The Magazine ANTIQUES)

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Clicks are acoustically salient speech sounds formed by the sudden opening of a closure resulting in a sharp inflow of air towards a secondary occlusion at the back of the mouth. As phonemes, the basic building blocks of words, clicks are very limited in their geographic distribution. Phonemic clicks occur only in southern Africa, plus a little pocket further to the northeast, in Tanzania; elsewhere in the world, they are absent. The limited distribution of phonemic clicks is displayed in Map 19A. However, click sounds are actually very common throughout the world, in a variety of usages which might be termed para-linguistic. A familiar example is the English sound which, when repeated, is spelled either as tut tut or as tsk tsk.
The para-linguistic nature of such clicks is reflected in a number of exceptional features. Phonetically, they involve sounds lying outside ordinary phonemic inventories. Grammatically, they are not integrated into morphological and syntactic structures. And semantically, they convey a very restricted range of meanings, some of which are associated with the expression of emotions.
The English tut tut is a dental click, often repeated two or more times, and is most commonly used to express feelings such as irritation, impatience or disappointment. This usage may accordingly be characterized as affective; more specifically, as expressing negative affect. For some but not all speakers of English, the repeated dental click may also be used to express a very different range of emotions including amazement and appreciation; one context in which this occurs is that of men engaged in "girl-watching". This usage may be characterized as expressing positive affect. Whereas most speakers of English are consciously aware of the affective tut tut, there is an additional usage of a single dental click, typically immediately preceded by an opening of the lips, which occurs in generally subliminal fashion, without impinging on the consciousness of speakers and hearers: this is to mark the beginning point of a conversational unit, often in conjunction with the act of turn-taking. This usage can be readily observed world-wide on television news broadcasts such as CNN, in which the newscasters and reporters typically begin a stretch of speech with one of these clicks. In addition to dental clicks, some speakers of English make use of other clicks, either lateral or palatal, when addressing babies or domesticated animals, in order to attract their attention or to encourage them to engage in specific activities, such as, in the case of horses, running.
Para-linguistic clicks resemble other linguistic signs in that they are arbitrary and conventionalized. As such, they differ in both form and usage from one language to another. Accordingly, when speakers of one language travel to other countries, different usages of para-linguistic clicks may lead to misunderstandings. For example, an English speaker visiting Israel and asking a hotel receptionist if there are any rooms available might be answered with a single dental click. The English speaking guest may interpret such a click as expressing negative affect, and be bewildered by what seems to be an inappropriate and perhaps impolite response on the part of the hotel receptionist. However, in Hebrew, unlike in English, a single dental click has little or no affective value; rather, it has a simple logical meaning, namely the expression of negation. Thus, the hotel receptionist was simply saying 'no'. In fact, the use of a dental click to express negation is characteristic not just of Hebrew, but of many Arabic dialects and other languages. However, in the San’ani dialect of Arabic, the dental click is used not for 'no', but rather for 'yes'; it thus expresses affirmation (Samia Naim, Martine Vanhove p.c.). Because such click sounds are para-linguistic, people sometimes leap to the assumption that they are universal, transcending ordinary linguistic boundaries. However, as examples such as these clearly show, para-linguistic click sounds vary from language to language and from place to place.
The para-linguistic usages of click sounds around the world were commented on by Charles Darwin (1872), in his treatise on The Expression of the Emotions in Man and Animals, where he refers to them as "clucks" and describes their occurrence in conjunction with particular gestures:
“The throwing back of the head with a cluck of the tongue is said to be used as a negative by the modern Greeks and Turks [...] The Abyssinians, as I am informed by Captain Speedy, express a negative by jerking the head to the right shoulder, together with a slight cluck, the mouth being closed.” (p. 274)
“With the Hindoos Mr. H. Erskine concludes from inquiries made from experienced Europeans, and from native gentlemen, that the signs of affirmation and negation vary - a nod and a lateral shake being sometimes used as we do; but a negative is more commonly expressed by the head being thrown suddenly backwards and a little to one side, with a cluck of the tongue. What the meaning may be of this cluck of the tongue, which has been observed with various people, I cannot imagine.” (p. 275)
“According to three other observers, the Australians often evince astonishment by a clucking noise. Europeans also sometimes express gentle surprise by a little clicking noise of nearly the same kind.” (p. 286)
06.08.2024 | Welcome to the world Candela Gil Muñoz🧡
David Gil and Cristina are expecting their second child -a girl who'll be named Candela! 🧡
Bennington Cooperative Pottery David Gil & Yasuki Aida Bennington Cooperative Bowl Vintage MCM Vermont Earthenware

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Bennington Cooperative Pottery David Gil & Yasuki Aida Bennington Cooperative Bowl Vintage MCM Vermont Earthenware
Generous Height & Width Perfect size for Ramen
Bennington Cooperative Pottery David Gil & Yasuki Aida Bennington Cooperative Tall-Narrow Petite Mugs Small coffee or chocolate mugs - Excellent for Espresso Vintage MCM Vermont Earthenware Shape #1870 Color Tawny Yellow-Beige
Listing is for 2 demitasse coffee/espresso mugs
1960s Bennington Potters Designed by Yasuki Aida & David Gil
Bennington Cooperative Pottery David Gil & Yasuki Aida Bennington Cooperative Creamer Planter Style - Old Factory Spark Mark Vintage MCM Vermont Earthenware