Today is 'Australia Day.' While many Australians celebrate with snags on the barbie and an arvo by the pool, I find it hard to join in. For me, this day marks the erasure of the Indigenous people — the traditional custodians of my country.
What many people don’t know about me is that I wouldn’t be here today if it weren’t for my 5th great-grandmother, Margaret, an Aboriginal Dharug woman who was among the first of the Stolen Generation in Parramatta, Sydney. Her closest living descendant to me is my nan.
Most people don’t realise this about my family, as my grandpa is Swedish and bloody everyone in my community knows him lol. My relatives, apart from me and my brother (and my nan), all have blonde hair and blue eyes. Even our surname is distinctly Scandinavian and difficult for most people to pronounce or spell down here.
But today, I’m thinking about Margaret and her story. She and her little sister were stolen from their mob as children, never to see their mother or family again. The two girls were separated, and Margaret never saw her sister again. Her name, her culture, her teachings — all stolen. She was forced to 'forget' everything about her heritage and was taught how to ‘be white.’
Margaret was indoctrinated into Christianity and later became a house slave for a white family in Sydney. She married a white man — a convict sent to Australia — who was also a slave. When her husband passed, she bought a burial plot to ensure she could rest beside him. But when Margaret died, she wasn’t allowed to be buried there because she was black. Instead, she was placed in an unmarked grave, and to this day, no one knows where.
Everything was stolen from her, even in death.
In World War II, my nan’s father was white-passing. He hid his heritage to secure better work opportunities, something many felt forced to do at the time. He kept this a secret his entire life, only revealing the truth before his death when he returned from the War.
Margaret’s story isn’t unique. It's one of countless others that form the fabric of Australian history. Stories of stolen culture, destroyed families, and enduring pain that echoes across generations.
That’s why I believe Australia Day shouldn’t be a celebration. Instead, it should be a day of remembrance and respect for the resilience of the Indigenous people whose lives and legacies were forever altered by nothing but pure cruelty.
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The Blue Mountains from June this year. As we enter winter in the UK I am reminded of the stunning landscape and experience of our first winter in 2022 with @bigciaustralia. . . . . . #gundungurra #darug #bluemountains #australia #nsw #sydney #atmosphere #landscape #fujifilmgfx100s @fujifilmx_au #bigci (at Bilpin, New South Wales, Australia) https://www.instagram.com/p/ClndabCoSV4/?igshid=NGJjMDIxMWI=
Switzerland-based architecture firm Leopold Banchini Architects has never been one to shy away from bold projects that use simple materials and geometric shapes in exceptional and unexpected ways. The firm's past houses, apartments, and commercial facilities like the Moon Ra hut and Al Naseej Textile
“ The architects augmented those 200-year-old electrical posts with spotted gum timber that grows in the Darug region for the beams of the ceiling and floor. In other parts of the space, repurposed turpentine timber from an old jetty built by settlers on the creek bank has become furniture and other small details. The cabin steps down along with the slope of the land, resulting in an interesting terraced interior around the home’s single large north-facing window. This window can also be lifted up using counterweights to open the space to the fresh air”
Friday essay: how a long-lost list is helping us remap Darug place names and culture on Dyarubbin, the Hawkesbury River
Friday essay: how a long-lost list is helping us remap Darug place names and culture on Dyarubbin, the Hawkesbury River
Darug women Leanne Watson, Rhiannon Wright and Jasmine Seymour at Dorumbolooa.
Avryl Whitney
Grace Karskens, UNSW; Erin Wilkins, Indigenous Knowledge; Jasmine Seymour, Indigenous Knowledge; Leanne Watson, Indigenous Knowledge, and Rhiannon Wright, Indigenous Knowledge
In 2017, I came across an extraordinary document in Sydney’s Mitchell Library: a handwritten list of 178 Aboriginal place names…
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Tilt Tray Towing: What a beautiful day in the foot of the #bluemountainsaustralia #darug #towiedotcom m.towie.com 🇦🇺👍 https://www.instagram.com/p/BxgG_3WH-nV/?igshid=1depkx3amn75o
Warami wellamabami hello welcome wherever you may come from, Banggaray yanara bamuruwu wurungwuri swamp wallaby, walking on grass, this side of the river, Burraga yuu ngunyul mulgu gabanrawa badumarri The bandicoot and feathered swan with eggs by the great water.
Recently launched at Berala Community Centre is our mural for @cumberlandcouncil Warami Wellamabami, 2018 by Geoff Sellman, 480x60cm, digital print on acrylic photo by Councillor Depty LM @elmoreglenn with #ChrisTobin #darug #welcometocountry #warami #wellamabami #indigenousart #geoffsellman #digitaldesign #collaboration with #simonalexandercook #socialcanvas_au #naidoc2018 #becauseofherwecan @sydneypacifica @pacificdivaworld (at Berowra Community Centre) https://www.instagram.com/p/BqgQIp8lOkV/?utm_source=ig_tumblr_share&igshid=cdsehlmjafsa