#dark episodes

On an old blog of mine, long since defunct, I used to occasionally write retro reviews of hokey cartoons I grew up with. Not affectionate nostalgia pieces, but mildly irritated autopsies. Challenge of the Go-Bots. Captain Planet. That sort of thing. Shows that meant well, maybe, but didn’t hold up, and were kind of fascinating in how little they did. When Inspector Gadget popped up in my YouTube recommendations, part of me assumed this would be another one of those exercises. A quick rewatch. A few notes. A gentle but not particularly flattering retrospective.

I hadn’t seen this episode in decades. Inspector Gadget was never a favorite of mine, not even close. I have nostalgic fondness for it, sure, but it’s not a show I revisit, analyze, or defend. And yet I clicked.

The episode was “The Boat,” and it has been sitting with me ever since.

On paper, it’s a standard setup for Inspector Gadget. A luxury cruise ship packed with the wealthiest people in the world. Priceless jewels on board. Dr. Claw and MAD infiltrate the ship, replace the crew, and plan a heist. Gadget, Penny, and Brain arrive to investigate. If you remember the show, you already know how this is supposed to go.

But this episode doesn’t quite behave the way the others do.

Gadget does his usual incompetent routine, placing the entire ship under arrest and interrogating rich people who have no idea what’s actually happening. His investigation would have solved nothing. Penny, meanwhile, finds the real story. The crew has been captured, bound and gagged, hidden away in the hold. The plan isn’t just theft. It’s erasure. Penny uncovers it, tries to act, and is captured herself. Locked in a cage by a MAD agent.

So far, still familiar territory. Cartoon peril. Then the episode takes a turn.

MAD steals the jewels and prepares to rendezvous with a submarine. And Claw gives an order that, even now, sends a chill down my spine. He tells his agents to “get rid of the crew.” In the middle of the ocean.

What am I supposed to think that means?

What really seals it for me is the exact wording. Claw doesn’t just say to deal with the crew. He says, “It’s time to lighten our load. Get rid of the crew and our unexpected guest,” after earlier referring to them as “excess cargo.” That isn’t theatrical villain language. That’s logistics. It frames human beings as weight, as inventory, as something to be discarded for efficiency. And Penny is explicitly included in that calculation. Whatever was about to happen to the crew was about to happen to her too. At that point, there isn’t much room left for a harmless interpretation.

In most episodes, bound victims are left behind to be discovered later. That’s the unspoken rule of Saturday morning cartoons. But here, the wording is different, and the context matters. These are witnesses. They are workers. They are expendable. There is no benign interpretation of that order. The episode doesn’t spell it out, but it doesn’t need to. The implication is clear, and it’s ugly.

Penny isn’t stopping a jewel theft anymore. She’s preventing a mass murder of people who went to work on a ship full of billionaires and were never meant to leave it alive.

Things get worse.

Brain manages to get Gadget down to the hold, but MAD captures them too. Gadget is bound and suspended from a crane controlled by Claw. And Claw doesn’t kill him quickly. He plays with him. He repeatedly dunks Gadget into the ocean, pulling him out and dropping him again, like a cat tormenting a mouse. Claw never steps out of the shadows, but he’s there, speaking directly to Gadget over the PA, exerting power in real time.

This is one of the only times in the entire series where Gadget and Claw actually speak to one another directly. And the show cannot hide how asymmetrical that encounter is. Gadget is helpless. There is no gadget that saves him. No clever reversal. If Penny and Brain don’t escape by sheer luck, he dies.

And if one MAD agent had been slightly more competent, Penny and Brain would have died too.

That’s what really gets me. The margin here is razor thin. The episode doesn’t soften it. It doesn’t undo it with a joke. Penny and Brain get free, summon Chief Quimby, the police arrive, the jewels are recovered, the MAD agents are arrested, and Claw escapes in the MAD Mobile as usual. Gadget gets the credit. The system congratulates itself. What really seals the discomfort for me is the very last beat. When the police arrive, they announce that the jewels have been recovered, the MAD agents have been arrested, and unfortunately Dr. Claw escaped. That’s the summary. That’s the closure. No one mentions the crew at all. I’m sure they were rescued. The episode gives us no reason to believe otherwise. But the fact that their survival isn’t even worth stating is telling. Property is accounted for. Criminals are processed. The ongoing threat is noted. The workers who were bound, gagged, classified as “excess cargo,” and nearly thrown into the ocean simply vanish from the narrative. After everything we’ve just seen, that silence lands harder than any villain speech.

But the episode never convinces me that this was anything but a near catastrophe.

And the class logic of it all is impossible to ignore. The ultra wealthy passengers were never truly in danger. At worst, they would have been stranded on a ship without a crew. Someone would notice. The coast guard or navy would arrive. Insurance would take care of the rest. The crew did not have that insulation. They were disposable. When Claw ordered them eliminated, no powerful institution was waiting to save them. Only Penny was.

That’s why this episode feels darker than the rest of the series. Not because it’s explicit, but because it briefly allows the implications of Claw’s power to land without cushioning. It shows what happens when the blindness that usually keeps the show light almost fails.

Inspector Gadget normally survives on misattribution. The system credits the wrong person. The villain targets the wrong enemy. Everyone is wrong in just the right way for the comedy to continue. In “The Boat,” that balance nearly collapses. Claw comes too close to doing something that would break the tone forever. Penny comes too close to paying the price for it.

I don’t think this makes Inspector Gadget a great show. It doesn’t suddenly elevate it into something it isn’t. But it does make this episode linger in a way I didn’t expect, especially seeing it again for the first time in decades.

For twenty two minutes, a goofy cartoon about a bumbling cyborg cop drops the mask just enough to remind you what the stakes actually were all along.

And then it puts the mask back on and moves on.

I want to be clear about something. This doesn’t make “The Boat” a bad episode. If anything, it’s a strong one. Tense, memorable, unusually focused. Whatever discomfort it generates now isn’t the result of sloppy writing or cruelty, but of a story that briefly lets its implications stand without sanding them down. In 1983, that likely passed unnoticed. Or at least unremarked upon. Seen through a modern lens, it’s harder not to notice who the danger is actually aimed at, who is insulated from it, and whose survival the system feels no need to even mention.

That isn’t a flaw in the episode. It’s a reflection of the world it came from, and the assumptions it was quietly carrying along with it.

Greeting Sudrians of all ages. I hope you’re ready for this year’s spooky celebration...I know I am. The engines of Sodor feel the exact same way. However, there was a time in their past where they had mixed feelings about being scared. Some of them have even cheated death! To further the Halloween vibes, I’ve uploaded a top 10 list comprised of Thomas & Friends’ most darkest episodes ever! Keep in mind, they are not horror film dark, but they surprisingly come close.