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Le Rookery Building situĂŠ Ă Chicago, dans l'Illinois. AchevĂŠ par les architectes Daniel Burnham et John Wellborn Root de Burnham and Root en 1888. - source Myra ClergĂŠ.
The Worldâs Columbian Exposition of 1893 wasnât just a fairâit was Chicagoâs explosive declaration that it had arrived on the world stage, with fireworks, electric lights, and a Ferris Wheel so massive it made the Eiffel Tower jealous. It was a city trying to prove itself, a nation flexing its industrial muscles, and a spectacle that walked the fine line between genius and lunacy. Inside, the White City gleamed with neoclassical architecture, technological marvels, and the illusion of a utopian future. Outside, Chicago remained the gritty, violent, and wonderfully corrupt beast that it always had beenâcomplete with Americaâs first documented serial killer, H. H. Holmes, turning fairgoers into victims in his infamous âMurder Castle.â This was the fair that introduced the world to Cracker Jack, moving walkways, and the first Ferris Wheelâbut also to Americaâs love of spectacle, excess, and capitalist showmanship. By the time it was over, the White City had crumbled, the debts piled up, and, in true Chicago fashion, a fire had finished off what was left. Yet its legacy endured, shaping everything from urban planning to carnival culture. The Worldâs Columbian Exposition was a beautiful lie, a wild success, and a flaming disasterâjust like the city that built it.
Itâs Fine Press Friday!
On this Fine Press Friday we bring you a new acquisition, Make No Little Plans, by book artist and University of Alabama-Tuscaloosa book arts professor, Sarah Bryant, published under her imprint Big Jump Press. This book was printed in an edition of 20 at Penland School of Craft while Bryant was there teaching a workshop in Summer 2017.Â
Bryant borrowed the title of this book from a quote attributed to urban planner, architect, and the overseer of the 1893 Chicago Worldâs Fair, Daniel Burnham: âMake no little plans, they have no magic to stir menâs blood.â The text is âassembled from Platoâs Republic, a contemplation on the ethics of man and the state.â This book acts as a study for a larger project, The Radiant Republic, 2019, in which Bryantâs Platonic Solids, first appearing here, comprise the visual language. We posted about Radiant Republic earlier.
This small book consists of two sheets, one folded at 3 points into an accordion which can lay flat, with the second sheet folded once and stitched into the first fold of the accordion with a simple pamphlet stitch. It is letterpress printed with metal types, polymer plates made from her drawings, and linoleum relief print.
This simple book form exemplifies that simple structures with minimal text and imagery can be conceptually strong and magical objects that stir us, which contradicts the title and the aspirations of the philosophers and architects Bryant is referencing.Â
View more posts on Sarah Bryant and Big Jump Press.Â
View our post on The Radiant Republic.Â
View more Fine Press Friday posts.Â
-- Teddy, Special Collections Graduate Intern
Daniel Burnham (4 September 1846 â 1 June 1912)

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Flatiron Building
Happy 175th birthday to architect Daniel Burnham, best remembered today as the planner of Chicago's World's Columbian Exposition, but also architect of New York's iconic Flatiron Building
The Rookery Building was listed as a National Historic Landmark on May 15, 1975.