So, I went to see Alita: Battle Angel. I have never read the manga or seen the OVA; I went in as blind as I could, having seen the trailer once before another movie. I made this decision because I'm a big slut for cyborgs and general transhumanism, particularly when those cyborgs are having awesome fights with each other. I also went because I love a lot of the actors in it. I have a lot of complicated feelings about this movie, and I'm not going to try to avoid spoilers, so stop reading here if you care.
I'll get it out of the way: this movie is not particularly good. It opens strong, but the pacing is all shot to hell and the narrative arcs go all over the place. The effects are Nice Enough, but they don't sell the bone-crunching impacts involved in these cyborg fights. Like, there really is still no better depiction of cyborg combat than the various incarnations of Ghost in the Shell, and the fact that they're *animated* is a big part of that. (I do not count in this generalization the live-action abortion that was Scarlett Johansson's film, which was to Ghost in the Shell what LaCroix is to actual sparkling water).
I've never seen another movie with Rosa Salazar in it, but she does sell Alita. She really inhabits this person and when she gets pissed, she brings it, even through the somewhat-silly CGI job they did on her face. I also am a big Christoph Waltz fan, and he's terrific as usual. And Ed Skrein, who was fantastic in Deadpool and who really earned my respect when he walked away from Hellboy so his role could go to an Asian actor, is in his best element as the smug, horrible hunter-warrior (ugh, the dumbest terminology) Zapan. Mahershala Ali and Jennifer Connelly are great as the main villains, particularly Ali switching seamlessly between the Vector and Nova personalities. I enjoyed the *performances,* just not the movie they were in.
The biggest problem for me isn’t that the film isn’t as cerebral as GitS. The thing is the film doesn’t know what it’s about. You have the obvious class warfare angle represented by the literal floating city where the rich people and Big Bad live, and the Iron City urban sprawl underneath it filled with people trying not to get murdered by one another. You also have Alita’s quest to regain the truth of her identity. You have her burgeoning (and somewhat, frankly, rushed and dumb) romance with… Guy. Vaguely Sexy Guy. Can’t remember his name. Hugo, that’s it. Wow, that did not come off great for him. You have that burgeoning romance which might have provided a lens to explore how cyborgization and transhumanism interacts with human sexuality and relationships, and it seems like they took a swipe at that when Alita asks Ido, “Can a human love a cyborg?,” but that’s about all the introspection we get before we’re back to CGI people murdering one another. You have her registering as a hunter-warrior, her feud with Zapan, the whole motor-ball cultural obsession and her quest to become Final Champion… there is just a shit-ton going on in this movie, and there isn’t room for all of it. We don’t even get a proper climax; she kills Mahershala Ali, tries and fails to save her boyfriend’s life, and then we flash forward several months to her about to become Final Champion and go to the floating city to do… something. Finish her mission from her previous life by killing the Big Bad?
To put it more succinctly, the movie doesn’t have a single question it’s trying to ask us. Good sci-fi (of which cyberpunk is a sub-genre) asks a question. Ghost in the Shell’s question is, in most of its stories, “at what point does a human stop being human?” and it answers that in various ways. Alita doesn’t have a single, driving question. The first and most obvious one is, “Who was Alita before Ido found her in the scrapyard?” But that gets answered about halfway through the film, and then we kind of meander to the sequel-bait conclusion. It isn’t asking us “can a human love a cyborg,” because Alita asks that and it is immediately answered because of course they can, we’re not fucking idiots, cyborgs are by definition human. If all they wanted to do was make a movie where a cute cyborg girl kills a bunch of less-cute cyborgs with kung fu, and then call the kung fu “Panzer Kunst” for some ridiculous reason, they should have done that and leaned harder into it. The movie feels like it’s grasping at something Artistic, but it never quite makes it there.
In conclusion… meh? Very pretty, great performances, but just… meh.