#creative diary

First, the game provides premade neighborhoods filled with dramatic characters and unresolved, gossipy storylines. These worlds are not just backdrops, they actively invite interpretation. Even today, players continue to dissect Pleasantview's mysteries or debate about what really happened to Bella Goth. The game doesn't resolve these stories for you — it trust the player to care and play with them.

Second, The Sims 2 embraces a parodic, lighthearted tone in its narrative elements. The exaggerated animations and/or cutscenes, melodramatic reaction, and absurd scenarios prevent the game from taking itself too seriously. This humor is not superficial; it permeates every system and softens failure, encouraging experimentation rather than optimization.

In other words, the random events + player choice = authored consequences. Sims remember what you made them do, and respond to them emotionally. Most strikingly, they often react while looking directly at the camera, as if judging the player. Whether that judgment is positive, negative, or deeply questionable depends on how well the choice aligns with their traits and aspirations.

This creates a constant dialogue between player and game. The Sims are not passive dolls — they are performers responding to direction, and the memory system ensures that no choice is entirely erased. The humor flows naturally through the structure: outrageous decisions lead to exaggerated reactions, which are then preserved as narrative artifacts. In the end, the player chooses how their story should play out after an outcome.

Ultimately, The Sims 2 succeeds because it transforms mechanical systems into storytelling tools. It doesn't just simulate life — it remembers it. And by allowing players to shape those memories through chance and choice, the game produces stories that feel personal, reactive and replayable.

But, perhaps the more uncomfortable question is why this matters to us as players. Why being remembered — judged, even — by a virtual character feels more engaging than having perfect control? What kind of experience are we actually seeking when we play a life simulation: freedom without consequence, or meaning created through friction?

The Sims 2 suggests that fun, at least in this genre, may not come from mastery or optimization, but from being seen, recorded, and forced to live with the results of our decisions—even when they are absurd, unfair, or deeply human.

-- Attarte

Worked on new products for my small business (and content for our Instagram too)

Worked on a film script & filming preperations with my partner

Preperations & planning for a mixed media animation music video

October Zine!!

And of course Christmas gift preperations! (If you make gifts yourself, you really should start now haha)