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Collection: Private Collection

The special meaning to Christianity of the story of Judah and Tamar lies in the fact that the “indecent relationship” between the two produced Pharez who, according to Matthew 1:3 (see also Luke 3:33), was a forefather of David and therefore an ancestor of Christ. Tamar thus appears in the genealogical tree as the progenitrix of the royal house from which - in addition to David and Solomon - Christ was born. Tamar’s significance for the genealogy of Christ therefore explains her important role in patristic literature and later biblical exegesis. For example, Tamar is equated with the Church (ekklesia), which gave twins to Judah, son of the patriarch Jacob. In other readings, Judah’s surrendering of his staff and signet to Tamar is interpreted as a reference to Christ, who gave the Church his treasures: the seal of faith and belief in the Cross. Nonetheless, pictorial representations of the story of Judah and Tamar are rare in medieval art. Even series of prints from the late Middle Ages and Renaissance that center on representations of men who were the victims of crafty women - and certainly Judah could count among them - do not include this couple.

Teenage Damian in a Robin's costume from an animated movie.

The jacket features three buttons, velvet cuffs, and a single vent with buttons. There is a Western Costume Co. tag present that reads: "No. 2850-1 / Name: Victor Buono / Chest: 56." The jacket differs from the the one seen in the film."

"Midoricchi" Nagoya city in Aichi.

𝑭𝒖𝒏 𝒇𝒂𝒄𝒕: 𝑻𝒉𝒆 𝒕𝒉𝒊𝒓𝒅 𝒆𝒚𝒆-𝒄𝒂𝒕𝒄𝒉𝒊𝒏𝒈 𝒄𝒐𝒔𝒕𝒖𝒎𝒆 𝒐𝒏 𝒅𝒊𝒔𝒑𝒍𝒂𝒚, 𝒂 𝑺𝒘𝒂𝒓𝒐𝒗𝒔𝒌𝒊-𝒆𝒏𝒄𝒓𝒖𝒔𝒕𝒆𝒅 𝒄𝒐𝒓𝒔𝒆𝒕, 𝒘𝒂𝒔 𝒘𝒐𝒓𝒏 𝒇𝒐𝒓 𝒕𝒉𝒆 𝒔𝒐𝒏𝒈 ''𝑩𝒖𝒕 𝑰 𝑨𝒎 𝒂 𝑮𝒐𝒐𝒅 𝑮𝒊𝒓𝒍'' 𝒘𝒉𝒆𝒏 𝑺𝒕𝒂𝒏𝒍𝒆𝒚 𝑻𝒖𝒄𝒄𝒊'𝒔 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓 ''𝑺𝒆𝒂𝒏'', 𝒔𝒖𝒈𝒈𝒆𝒔𝒕𝒔 𝑨𝒍𝒊 𝒘𝒆𝒂𝒓𝒔 𝒂 𝒘𝒊𝒈 𝒐𝒏 𝒔𝒕𝒂𝒈𝒆. 𝑴𝒊𝒄𝒉𝒂𝒆𝒍 𝑲𝒂𝒑𝒍𝒂𝒏, 𝒂𝒏 𝒂𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒄𝒐𝒔𝒕𝒖𝒎𝒆 𝒅𝒆𝒔𝒊𝒈𝒏𝒆𝒓 𝒉𝒂𝒔 𝒔𝒂𝒊𝒅 𝒉𝒆 𝒘𝒂𝒏𝒕𝒆𝒅 𝒕𝒉𝒆 𝒔𝒂𝒕𝒊𝒏 𝒑𝒊𝒏𝒌 𝒂𝒏𝒅 𝒑𝒆𝒂𝒄𝒉 𝒇𝒆𝒂𝒕𝒉𝒆𝒓𝒆𝒅 𝒄𝒐𝒔𝒕𝒖𝒎𝒆 𝒕𝒐 𝒍𝒐𝒐𝒌 𝒍𝒊𝒌𝒆 𝒂 𝒅𝒆𝒔𝒔𝒆𝒓𝒕. ‘𝑩𝒖𝒓𝒍𝒆𝒔𝒒𝒖𝒆’, 2010.

Siri Tollerod and Iselin Steiro and Jenny Sinkaberg for Costume Magazine