#costume evolution

Okay, so while I’m not a fan of the *execution* of the concept to the extent that it didn’t really showcase an *equal* degree of struggle when it came to each hero using the other’s powers and understanding their role in battle, I did have an interesting idea regarding symbolism in the show going forward. Essentially, I’ve always imagined in my personal AU that Ladybug and Chat Noir would have their costumes change twice during the original conflict with Hawkmoth, and the aftermath of the kwami swap would be the first instance of this, with Cat Noir gaining gold and green elements on his suit to resemble Lady Noire’s appearance, whereas Ladybug’s suit would develop a more armoured design akin to Mister Bug’s, having a more even distribution of red and black while still retaining the ladybug design theme. I feel like this could serve as physical reflection of how swapping Miraculous (in this scenario a two-week long venture instructed by Master Fu) has allowed Marinette and Adrien to properly understand one another and recognise the value in each other’s contributions as heroes, thereby growing closer as a result now that they’ve been in each other’s shoes. This would also help to hopefully give the swap a bit more meaning, especially since it was the first time in the series that *anyone else* had wielded the Ladybug or Black Cat Miraculous.

Scarlet Witch costumes throughout the MCU (so far)

bonus:

this is the first costume Bette Kane ever wore and she did it as Bat-Girl. i find it charming and very cute

This is Bette’s first Flamebird costume, i personally love this and find it a nice homage to OG Bat-Girl

This is her second Flamebird costume and I love it

Another stunning rendering of Flamebird 2.0

Then we get the ugly as all hell Hawkfire suit (burn it)

Finally we end on her beautiful Batwoman suit. (art credit to @lucianovecchio​)

Inspired by Corpsehusband believe it or not

The Evolution of Gamora’s costumes

#1 - Gamora’s original costume was netted with several emblems of skulls; presumably to get across the idea that she was the deadliest woman in the universe. She was the last surviving member of her race; exterminated by the Universal Church of Truth (later retconned to the Badoon). This costume was worn up until her absorption into the soul gem and during this time period.

#2 - Gamora joins the united front against Annihilus’s Annihilation Wave, desperate to regain her reputation as the most dangerous woman in the universe. Her attire at this time is reminiscent of barbarians; bringing the illusion of people from all backgrounds and personality types uniting in the war against Annihilus.

#3 - Following the wars against Annihilus and Ultron’s Phalanx, the Guardians of the Galaxy are formed. Her previous costume is given red trim to fit in line with the teams uniform.

#4 - With the announcement of the movie, the comic was relaunched after a hiatus. The costume for Gamora, as with Star-Lord, was inspired by trends of the time, such as the Mass Effect games. Out was the skimpy barbarian garb and in was technology based battle armour.

#5 - During the Black Vortex crossover with the X-Men, Gamora submitted to the Black Vortex, giving her a massive boost in power. Her skin became black and cosmic looking and her outfit was similar to her Annihilation costume.

#6 - Eventually the powers of the Black Vortex faded and Gamora’s skin faded back to it’s original colour. She continued to wear the costume she was cosmically given for a while afterwards.

#7 - During Civil War 2, the Guardians became stranded on Earth. Gamora learned that Thanos was imprisoned here at that time so began a mission to hunt him down. Her outfit at this time changed to a purple costume, with a similar cloak to her Annihilation and Black Vortex looks, but the rest a bit more in line with the movie Gamora.

#8 - GOTG relaunched once again, with the Guardians finding their way back into space. Gamora changed outfits once again; straddling a line between the movie costume and an almost sporty-combat look.

Dick Grayson costume evolution