Apr 9, 2025
Day's End.
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Day's End.
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灬♡Ещё зимой я думала, что хочу нарисовать ботаническую иллюстрацию и выбор пал на печеночницу благородную. Эти чу́дные цветочки меня завораживали своим фиолетовым сиянием. Не судите строго, я очень редко рисую в диджитале:) 灬♡
~•`В тени старых деревьев, где солнечные лучи лишь изредка пробиваются сквозь густую листву, притаилась перелеска - словно маленькая фея, укрывшаяся под своим волшебным плащом. Каждый лист печеночницы, с его характерным трёхлопастным силуэтом, напоминает о древних ритуалах, когда лесные духи собирались под покровом ночи, чтобы обмениваться тайными заклинаниями. Их ярко-зелёный цвет, переливающийся на солнце, кажется, шепчет о забытых легендах, о том, как этот скромный цветок мог исцелять недуги и оберегать от злых духов. Люди, знающие о её целебной силе, собирают печеночницу в тишине леса, как будто она сама их зовёт, шепча о своих свойствах. Перелеска - это не просто растение, она хранительница лесных тайн, готовая поделиться своей мудростью с теми, кто умеет слушать.~•`
Walk around the parkland of Chevening near Sevenoaks in the Kent Downs AONB by Adam Swaine Via Flickr: This walk takes you from the pretty ‘estate village' of Chevening onto the dramatic scarp of the North Downs.This is the stunning view from the village churchyard
Autumn 2024_159 4 seasons in the neighborhood, Japan
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Portfolio day!
(I will be very glad to reblog) (◍•ᴗ•◍)❤
Dante Gabriel Rossetti, (1828–1882), “La Ghirlandata” & details, 1873, oil on canvas. English poet, illustrator, painter, and translator. Pre-Raphaelite Brotherhood and Symbolism. Currently at the Guildhall Art Gallery in London.
Spar making update: I’m getting better but the points still need work. Between two of us, we’ve got to make 4000 of them for a thatched roof though, so I’d better get on with it!!
The process involves taking one of the 28” hazel rods in the background of the photo (called ‘gads’) and, using a billhook or a splitting hook (the bigger and blunter of the two blades at the bottom of the photo), and splitting them first in half, and then into either quarters, sixths, or eighths, depending on the thickness of the rod to start with. Then with a pointing hook (smaller of the two blades) you put a three-faced point on each end. They’re kept from drying out and stored for a short while, and a thatcher then twists them into a pincer or staple shape to skewer and secure the thatch of a roof into place.
Spar making is on the Red List of Endangered Crafts so it’s an honour to be continuing this ancient ancient tradition with a few other people.