my updated matrix supergirl collection shelf!!! pictures below the cut :3
seen from United Kingdom
seen from Italy
seen from United Kingdom
seen from China

seen from Türkiye
seen from China
seen from United States
seen from Mexico
seen from United States
seen from Germany
seen from Saudi Arabia

seen from Russia

seen from Netherlands

seen from T1

seen from Netherlands

seen from Saudi Arabia
seen from Poland
seen from Germany

seen from United States
seen from Brazil
my updated matrix supergirl collection shelf!!! pictures below the cut :3

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Disgusting... absolutely disgusting... 🫠
These three are definetely my favorites yet. Fantastic Four #247 is my probably my all time favorite Doom cover so no surprise there... and Uncanny X-Men #145 it's up there too ^^
Happy Fugitoid Friday! Here is my current Fugitoid comic collection :)
Guess my favourite character✨
Yay! Finally! They're all in my hands! 🥳🥳
MUAHAHAHAHAH!!!
Topolino #3608 with a story in Catanese (distributed in Sicily), Milanese (Lombardy), Neapolitan (Campania) and Fiorentino (Tuscany)... plus the italian version for commoners.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Latest additions to my Thrawn collection 😍
Star Wars #45 Alan Quah Limited edition exclusive variant Ahsoka #6 Takashi Okazaki Limited edition exclusive variant
🃟 It's been almost 20 years since I started down the path of visual communication. Here is a small selection of self-published works, plus a few commissioned ones. Artist books, zines, brochures, educational kits, maps, etc.. Hardcomics were the first to distribute my comics, including While We Wait #1. Later, Centrala U.K. launched Old Farts during Offprint London 2019. Done back in 2018 this piece about the harm reduction efforts of Carusel kind of summed up my search for visual solutions to complicated social issues, which need to reach the attention of everyday people. Aiding cultural and educational organisations in putting together materials which could stand alongside the loud messages plastering our daily experience seemed to be my metier. Yeah, something along those lines... 〠
This is my first online home, which later developed into a thing for film photography, to finally divest interests into two acounts > #1 < + > #2< whilst the 🍒 on top od the whole operation is the Behance account. Guess that all this accountant work is to say that I am taking a break for a while.
☻ Thank you for sticking around for the ride ✌︎