8: To Be Young, Gifted, and Black: An Interview with Ehiko Odeh
One of the best parts of Toronto is the large, flourishing community of black creatives that has developed over the years within the city. After engaging with her vibrant, sometimes larger-than-life pieces on Instagram (and hopefully, soon, in person) I was intrigued by the work of local artist, Ehiko Odeh, who's artwork centers around life, the divine, and her Nigerian heritage.
I had the opportunity to ask Odeh a few questions about her creative process and her inspirations, holistic healing, and her words of wisdom to other young, black creatives on their respective journeys.
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Segen Assefa: At what point in your life did you realize that you wanted to be an artist and why?
Ehiko Odeh: I moved to Canada in 2015 and was about to graduate from high school in Hamilton. I knew I wanted to get into art and be more serious with it. Life is all about creativity. Art is magic and my way of connecting the divine, as well as being a tool that has healed me in so many ways. I hate how people see artists as unsuccessful - I want to show artists that success is what you make of it - not just what it can bring for you monetarily - and that art should be taken seriously.
SA: And just to clarify, do you consider yourself an artist in the traditional sense, or would you prefer to give yourself a broader title?
EO: I don't like to put myself into categories since there is more to oneself than labels. Therefore, I am a multidisciplinary artist, because there are multiple ways to express oneself and the divine.
SA: You draw a lot of inspiration for your art from Nigerian culture. Why is this important to you, and more importantly, why do you think it should be important to others? How has this changed your relationship with your background and your roots?
EO: I wasn't really exposed to my culture(s) that much, growing up in Nigeria, and identity is something has always been important to me. When I came to Canada [in 2015], I became obsessed with knowing more about my culture and my history to maintain a grasp on myself and where I come from - I didn't want to "lose" myself, you know? Art was a great way to channel that, in addition to doing more research on my heritage.
My journey of cultural exploration has been important to me because there is a comfort in knowing who I am and the people who came before me. It's important to keep an open mind because there's so much we can learn from one another - making art about my background has drawn me closer to those who came before me, those who are still here, and those who are yet to come.
SA: Knowing that you have a Nigerian background, and coming from an African background myself, I know how parents can be when you tell them your passion is doing something other than what is considered the “norm”. How did your parents feel about you wanting to pursue a less traditional career path?
EO: At first, they weren't so comfortable with it - they thought I was joking. But I wrote them a whole letter about my intentions on this path, showing them how serious I was and that I wasn't going to fold on what I wanted. Since then, they've been incredibly supportive, and I feel blessed to have that.
SA: I see you have a deep appreciation for herbs and natural healing (from what I’ve seen on your story ☺). How is this important to your personhood - as a creative, a Black woman, and as a person in general?
EO: Yesss! Learning more about herbal medicine has been the best thing I’ve ever done for myself, just because it brings me so much joy! For me, herbal medicine began when I was trying to revert my menstrual cycle back to being more regular, after having an irregular cycle for years. These doctors were trying to put me on birth control, and I said fuck no! I began finding different herbs to heal the womb, as well as beginning Yoni steaming and being more intentional in the means in which I heal myself. The whole learning process of natural healing and herbal medicine has been my biggest flex.
I think it’s so important for people - especially Black women - to know that there are many other alternatives than what has been given to us. It's just about doing the work and discovering what works for you. I've had doctors tell me that irregular periods and other bodily ailments were normal when they're not, and treated me and others as if there aren’t alternatives for healing your body.
Holistic medicine saved my life and has taught me so much about living in balance, respecting nature, and taking only what you need. Anything can be healed when you address the root of the problem and are disciplined in your healing journey.
SA: So, would you say there's a specific connection between art and health for you?
EO: I'd say in a way, there is. To me, making art is medicine within itself. Being on top of my health and in alignment with my body allows me to create better and be more in tune with my work, as well as more intentional in my processes.
SA: How has this pandemic changed how you maneuver your creative processes and how you view the world in relation to your art?
EO: I really miss working in the painting studio at school, but the pandemic forced me to re-evaluate how I see and utilize the space I do have. I turned half of my room into a mini studio space and it's been blessed ever since. I haven't been able to create really large scale works or work with mediums like oil paint, but over time, I’m finding new ways to manipulate other mediums. This pandemic has allowed my works more intuitive and expressive, rather than planned and structured.
SA: Ok, and lastly, if you had to give any advice to other creatives, specifically Black women, what would it be?
EO: Surrender to the process - let it teach you. Keep creating because you never know whose watching you. Trust yourself. Take each day as it comes and try not to compare yourself or your art to others because no one is YOU!
Ehiko Odeh is a Nigerian multidisciplinary artist based in Toronto. Her work can be found both on her Instagram, @ehikoo, and on her website, ehik0studio.com.











