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The Immaculate Consumptive was a project consisting of Lydia Lunch, Nick Cave, Marc Almond and JG Thirlwell. In October 1983, The Immaculate Consumptive played two shows at Danceteria in NYC and one at the 9.30 club in Washington DC. Chris Bohn and Anton Corbijn came along to write about and photograph the project for NME. 42 years ago today.
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Now the last traces fade away Of His creation gone wrong
Fish return to the river And whales sing their ocean song The bears roam in the mountains And buffaloes roam the plains Eagles fly in freedom Now nothing of man remains
In the kingdom of God The kingdom of God
Let silence be the music That settles on the Earth And thunder be the rhythm That drowns man's last words And let melody be the sound Of the wind and the lashing rain Blowing away man's harmonies Until nothing of him remains
In the kingdom of God The kingdom of God
So nothing of man remains In the kingdom of God The kingdom of God
— Laibach
New music with The Wire magazine.
Chris Bohn Adventures in Sound and Music including Autopsia Reconstructed EP Vol.3
“(…) positively Joycean in its dirty celebration of the body. (…)”
I feel compelled to correct this statement and clarify my stance on this issue, since he implies my alliance with dominant music industry rhetoric about file sharing being the demise of the music economy. That is a position with which I would never align myself.
Terre Thaemlitz replies to Chris Bohn's (The Wire Magazine) recommendation of Thaemlitz's Soulnessless.
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Maybe it’s because over the last twenty-five years and working at The Wire, I’ve heard so many boring, tedious records pretending to be ambient or atmospheric. Somehow this album neutralizes such crap with its complete indifference about where it fits in, musically speaking.
Chris Bohn recommends Oren Ambarchi’s and Thomas Brinkmann’s 'The Mortimer Trap' album. Find the full recommendation over here.
