#characterization help

- Pettiness and shallowness. Obviously it can manifest in different ways, but IRL everyone has at least one or two little things that they're a bit surface level and "Just because!" about. Be it clothes, how they do certain rituals, what color m&ms they prefer ect ect. It can be little details or even major characteristics, and depending on which (and what) they are, it can be really telling about the character! Plus, it just adds a little extra depth and fun. Some examples including but not limited to: Being fussy over getting their clothes wet or dirty, only preferring some items because they look good, insisting on doing some action or tradition exactly a certain way, disliking an aspect of a thing or a person because they just don't like it, and so on. Obviously the big worldview points like morality and beliefs are very important, but when you've figured those out, take a moment to think about the smaller, everyday things your character feels about the world around them. No matter how good or wise a person is, they'll still always have some little thing that they can't give some profound noble answer to. Use this to your advantage to explore your character's shortcomings or flaws!

(In the same vein, Pet peeves is another detail that can flesh out a character!)

- How does your character perceive things? What do they notice about people first? How would they talk about, or describe another person to someone, if asked? How would they describe themself? And why? Just some things to consider. If your character maps out all the little details and deeply analyzes everything they see, it'll show in their interactions very differently than, for example, if they have the perception of a cabbage and are more oblivious than the love interest in a teen drama that the writers are stretching out for five seasons for no reason. Ykno.

- Additionally: what's their opinion of the people around them? Or if you've already mapped that out, what's their opinion of people they've never met before, or people who aren't in their immediate bubble, friends of friends, relatives of relatives, neighbours, or celebrities, mythical/historical figures and so on. Delve into hypotheticals sometimes, it can help you exercise your knowledge of the character. Even if none of these encounters or situations would happen in Canon.

- I'm sure you've already figured out what your character is most passionate about, ykno, whatever drives the story and impacts their relationships with other characters. But how about stuff they really don't care to think about? Just shrug? Not interesting? Doesn't pay attention to this? What is low on their priorities? It doesn't have to be negative (but can be!), it can just be "Meh", or something your character hasn't even noticed before, simply because it's not in their thoughtscape to think about.

- Does your character have any of those "What? I thought everyone did that/thought that/was like that!" - things? What do they take for granted, or weren't aware isn't a universal experience? Did they have a wildly different experience with something that most other characters hadn't even thought of? And yes I understand this is good for exploring trauma and other angsty things, but besides the obvious, think about maybe something that could be related to your character's species/living environment/abilities/opinions ect. This is great for exploring cultural differences, and anything that takes place in a fantasy setting. Very useful for villains and heroes alike! It's insightful. Everyone has small little perceptive differences or big and small thoughts that for some reason just haven't been properly challenged yet. Or brought up even. For whatever reason. Explore maybe what that reason could be, and figure out why it's been unchallenged for so long.

- Imperfections. Little divergences. It's fully possible to write a compelling and genuine feeling character using just archetypes, if you really explore them deeply. And whether you're doing that or not, think about the lines and molds you've set your character into, and let them spill out of them a little bit. Can be one huge aspect or one teensy detail, but make some diversion. Some crack in the picture. Doesn't have to be a flaw but can be! Just have some little aspects that set them apart and make the character themself. Get weird with it. Getting weird is one huge way you can truly make a character stand out and feel more unique and, oddly enough, genuine and real. Actual people have little oddities or things that don't line up with everything else about their person. And again it doesn't necessarily have to be anything big or shocking, in fact I'd argue it's even better if sometimes it's just a small, very ordinary, humanizing detail. Maybe unexpected, or maybe just something that doesn't factor into the surface image your character has. Think about characters similar to yours that you see often. What traits do they all share, or most usually have? Think about the kinds of people your character is inspired by. What are they often like? Make a diversion from that. Make multiple even? It can be the most random thing but think about it, even if you threw a dart at a wall of sticky notes, really chew out what this little thing says about your character. And focus on little cracks, imperfections, diversions and other odd details of your character. Over time they can grow bigger, or maybe not.

- Keep a clear picture of who your character is. Sounds obvious but I'll elaborate. Your character will obviously change and develop over the time you're working on them and whatever story events take place but I think it's very important to keep in mind who they fundamentally are. Basically I'm saying that try to keep them in character, yes even if you did drastic character development, you can still show that it's the same person in other ways even if one of their core traits was flipped. Be aware of what things will never change about your character no matter what they'd go through. Keep some consistency. Consistency matters alot in making a character seem genuine and, ykno, a good character. Even if that consistent trait is that they're inconsistent! The character can be that, yes, but as their creator, you should still keep sights of what's consistent for this character, you feel? If your character is a glunk of slime that slips out of it's container constantly and subsequently molds into whatever situation it gets put in, that's not really a character, that's.. Idk, plot device..? I know this may sound contradicting to my previous point but I fully think that, and this one can and should coexist.

You need to simultaneously be aware of the ways your character will differ from something and be fluid, and the ways your character will not bend, and cannot become. It's simply a matter of knowing their boundaries and restrictions, knowing which way they can lean and which way not. Obviously this'll be up to you as their creator, bc yeah you're allowed to drastically edit your character if you feel like it's for the better, but try to commit to that change then. Don't let the character slip from your hands, or let the story bend them into whatever shape it needs to make the plot go forward. Your character, and more importantly you, should be in control of that.

I emphasize the point of you controlling your character and not the other way around also. I've seen some character owners slip into "Well it's just what the character would do! I can't help it, it'd be out of character if they didn't do x!" even if the thing is completely awful, doesn't fit, or would ruin an aspect of the story. A smart writer will know how to work with your character's traits in a way that prevents them from running off the tracks and becoming their own little gremlin, while also complying with the story. Respect your character's.. Character, while also respecting yourself and the point of the story. This is even more crucial if it's a roleplay character, by the way..

as someone who grew up with a lot of speech/motor delays, i get really annoyed when i see all these fanfics with child characters that are just written so offensively and badly. this is especially prominent in the sanders sides fandom, i've found, but i'm sure it's apparent in other fandoms too. anyway, the way that some of y'all write children is atrocious, so let me give you some tips! warning, this is a pretty long post, but i wanted to put all my tips in one place!

a comprehensive guide on how to write children in fanfiction:

Touch: What textures does this character enjoy? What do they dislike? Are there special reasons for either? What would they refuse to touch under any circumstance? What do they really enjoy touching? Are they sensitive to touch?

Taste: Do they have favorite flavors? Least favorite? What do they want to taste but haven't gotten to? How do they react to different flavors? Do they prefer strong or mild flavors?

Sight: Is there something they can't bear to look at? What do they enjoy looking at? Are they sensitive to light or bright colors? Flashing? Do they prefer darkness or light?

Hearing: Are they sensitive to noise? Any noise in specific? What sounds do they like? Or hate? How do they feel about silence?

Smell: Any scents they like? Any they hate? Are they sensitive to strong smells? How well do they tolerate bad smells? Do they like to fragrance themself? Is there a specific way they want to smell?

Temperature: Do they prefer cold or hot? Cool or warm? Do they get cold or hot easily? How well do they tolerate extreme temperatures?

it's a strange thing, loneliness. surrounded by friends he's known for years, friends he would give his life for and trusts that they'd do the same, a part of him still lies hollow. he doesn't let him himself notice it, busies himself with laughing at denki's jokes and ochako's latest gossip news, talks with shouto about his plans for his agency, exchanges lighthearted quips back and forth with a snappy katsuki. he doesn't let himself dwell on the the imperceptible emptiness that's made a home in his chest.

he hates being at his house. hates the ringing silence that echoes along the walls of his too big living room. he tries to drown it out, putting on an arrangement of music—rock, lofi, acoustics, pop—anything to swallow the all-consuming quiet that always seems to overtake his senses. hates the floor to ceiling window that came with the apartment, curses himself for ever thinking it was a good idea. to enjoy the view, he'd thought. but he hasn't realized that the view would be the sight of everybody going on about their day, mothers running back to families and fathers picking up children and siblings playing with each other. he hasn't realized that the view would force him to witness everybody living their lives, to look at couples hold hands and kiss and propose under the great open sky and his longing eyes. he hasn't realized that the grand view would make him realize the extent of his own solitude—an isolation he's always felt crawling in his ribs, from the age of seven when he was ostracized for being quirkless to carrying the world on his tired shoulders at the age of 23. the luxurious sight leaves no room for him to run away from the fact that he's lived through two decades and has never once felt the vacant hole in chest lessen or fill up with something. it seizes him by the throat and forces him to confront the possibility that perhaps he never will, that walking around with a gap in his heart will forever be his reality.

and yet, the prospect of ever being without it is strange. daunting, even. because when you've felt an emptiness in you for so long, it eventually becomes a new normal for you. he doesn't angst over it. it doesn't make him ache or cry, doesn't make his eyes burn with salt every time he thinks about how he's never loved someone enough to forget how they look like. it doesn't claw through his flesh and smear the pain on his skin, simply because there is no pain. it's a dull thing, really, something he's lived with for as long as he remembers—and that's why it doesn't hurt. the strange hollowness is familiar now, like an old face from his childhood. its turned itself into a part of him, of who he is, and he doesn't think he could remove it if he tried to.