Nobody talks about Murray's arc but after losing Alexei, he is significantly gentler with Joyce in season 4 about Hopper. He's still silly and fun, but when it comes up, there aren't callouts like before. He gets physically on her level and softens his tone when he talks to her about it in 4x02.
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Character Arc - the path a character takes over the course of a story.
A character’s arc involves adversity and challenges, as well as some changes to the character, and ultimately leads to resolution.
Character arcs generally progress in tandem with traditional three-act story structure. Most protagonist character arcs start with the inciting incident that sets up the stakes and central conflict facing this character.
The way the arc progresses from there depends on what sort of story you are telling and how the character functions.
How to Write a Captivating Character Arc
Once you have an understanding of how character arc works and the broad categories that most character arcs fall into, it’s time to think about how you’ll chart out your own character arcs. Whether you’re writing a good character who will undergo a negative character arc or vice versa, here are some tips to consider as you plan out your character’s arc and flesh out your character development:
Think about genre. Genre often informs the way that your character arcs will unfold. If you’re writing a tragedy, your protagonist will most likely undergo a negative arc—ending the story at a much lower point than where they began. If you’re writing an inspirational story, you’ll probably have a character change for the better and follow a positive character arc.
Consider the character’s role in your story. Some characters have more elaborate character arcs than others. A good story generally has a strong set of well fleshed out characters in addition to the protagonist. Knowing what role characters play in your story will help inform what character needs they have and what shape their arc will take. For instance, if your story has a clear-cut protagonist and an antagonist, they will most likely have opposite character arcs.
Have a strong story outline. It’s important to have a strong outline with a clear first act, second act, and third act before you start mapping out character arcs. Characters change alongside your larger narrative. Knowing where an important plot point or turning point might be will help you map out a corresponding character arc.
Types of Character Arcs
There are many archetypal character arcs that can be found in literature and films. Most character arcs are change arcs. In change arcs, we watch a character change over the course of a story in either a positive or negative direction. Flat arcs are a less common form of arc in which a character remains static throughout a story.
Transformational arc: A transformational arc is a character arc in which the main character goes from being a regular person at the beginning of the story to a hero over the course of the story. This type of character arc is associated with epic stories and the archetypal hero’s journey story structure.
Positive change arc: A positive change arc is similar to a transformational arc but usually not quite as dramatic. A positive arc requires that a character experience positive change over the course of a story. Characters generally start out with negative outlooks or characteristics and develop a positive worldview by the end of the story. Example: In A Christmas Carol, Ebenezer Scrooge starts out as a rich old miser consumed by greed. Over the course of our story, he comes to change his views and becomes a benevolent and charitable person.
Negative change arc: As the name implies, a negative change arc involves a character starting out as good or benevolent and descending into evil or ill fortune over the course of a story. Example: At the beginning of The Godfather, Michael Corleone is a squeaky clean army veteran who enjoys a good reputation despite being from a New York organized crime family. By the end of the story, Michael’s path has followed a negative character arc and he finds himself at the head of the crime family, consumed by a bloodthirsty need to maintain power and control. Similarly, in Breaking Bad, Walter White starts out as a down-on-his-luck public school chemistry teacher who is struggling to provide for his family. By the end of the series, Walter has betrayed his morals and become a successful drug kingpin at the expense of his happiness and family’s well being.
Flat or static character arc: A flat arc is a much less common form of character arc that can mostly be found in action and thriller stories. Example: Indiana Jones remains an emotionally stoic, highly capable adventurer regardless of the danger in which he finds himself. A tendency of action-adventure screenwriting is the creation of flat protagonists who maintain a calm and cool persona under pressure.
Art Club - 23/07/25: Character Arcs (20mins each)
First art club in ages! We made random characters in the theme of 80's vibes summer movie, and passed them along to give them their 3 story arc forms!
- first pic is my Janitor Joe, in his first arc
- Second is @milkybishop's fencing student in her second arc (camp slasher vibes!)
- Third is @thecoffeerain's alien after their wax robot melted, hoping for some mercy
A goofy exercise but fun!
Obviously he’s got some issues; he’s intense, not very good at social/emotional stuff, maybe trying too hard, definitely hates when he’s less than perfect
But I think he’s got potential
Genuinely, I do think, under all that he is trying, and means well, and stuff
Mel could make a good mentor for him, maybe McKay or Dennis too
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Like, Sir Pentious was originally made as a ONE-OFF VILLAIN FOR THE PILOT, he was literally only there for Angel, Cherri, and Alastor to fight. He was LITERALLY MADE TO LOSE. He's a joke of a character, from his over-the-top "evil" design- he's a VICTORIAN SNAKE for fuck's sake- to his goofy minions and his just... everything.
And yet, because Vivzie and the team took a liking to him...
He's went from that level of joke, to a minor antagonist of an episode, to a recurring Hotel member, to having his own romance arc with Cherri, and finally to BECOMING THE FIRST DEMON TO EVER ASCEND.
Meaning this- again- ONE-OFF VILLAIN...
Eventually became the living proof that Charlie's hopes are not a dream, but a reality.