A concise classification system for all known levels of powered abilities present in the city of Attollo (post-Rapture). Documented by Detective Vasilisa SOLOVIEVA, Ms. Hypatia CROWE, Detective Alastair ROSS, and Mr. Azizi ABARA for all civilians use.
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Notorious in Attollo's Under AND Upper City, Gasper Vakili made his debut 3 years ago when he took over The Arcs from his ailing father. Since then, Gasper has not only repaired the damaged organization, but has taken it to new heights in his personal war against both The Crowes Court and Ovo. From arson to burglaries, it seems that The Arcs want nothing but the destruction of both group's plans.
The only son of an already infamous mob leader pre-Rapture, Gasper has had nothing but family expectations placed on his shoulders since the moment he was born. When his powers of aerokinesis triggered at 14, these expectations were only built upon, with Gasper being declared the future leader of The Arcs after his other siblings passed it on.
Gasper's personal vendetta against two of the biggest organizations in Attollo is built on a foundation of morality and disgust; Gasper carries the firm belief that a government should be elected in, rather than passed from one member of a family to the next. Because both Ovo and The Crowes Court contradict this belief, Gasper fully intends on preventing either from stepping into power. Beyond this, a past offense involving the two groups that cuts deeper than a professional relationship also acts as a major motivator.
As mentioned, Gasper is the only son; rather than being raised by his father, however, he was raised by his 4 sisters who have also gone on to make names for themselves in the Under City. Gasper has a great deal of respect for his sisters and frequently maintains contact with them. Players can meet Gasper in chapter 2.
cabbage + feral + rusted for Vakili family reunion ☺️
You know what, I'll write em.
If there's one thing Gasper loathes about his family home, it's that—despite the number of rooms available—there is no concept of privacy. Even now as he sits at the dining room table (a pathetically long piece of furniture that exists more to intimidate than provide food), and his leg bounces in nerves, he can feel the crawling sensation of eyes on him.
That might be Cassia, who sits on the far end with her hands politely clasped and resting on the cold, oaken surface. The darkened walls and towering ceiling make her look like a ghost against the decor; her corpse-like skin, her veil over her face, and the way that her blackened lips are pulled back into what can be called a feral smile mimics something Poe would have nightmares about.
Her teeth are so fucking sharp.
He clears his throat, tries to clear the heaviness of the air, and looks out the window. The waters have receded enough that they were able to get to this area without the need for a boat—he has a few hours before he's stranded in this home of horrors for the night.
"Cass, where are Avra and Sibyl?" He finally croaks out, forcing his gaze to return to his sister. From across the room, Medea looks back at him, her own dark eyes glimmering with curiosity.
"They'll be here within the hour," is all Cassia hums in turn in a voice very much not her own, relaxing her smile enough for it to almost look natural on her face. Gasper's gaze is drawn to the pouch on her neck and he grimaces. He wonders who it is today.
"Maybe." Medea scoffs, looking back out the window. Rust lines along the edges, creating a pretty copper look that only seems to melt into the decay that the rest of the home has. If this place had a heart, it has long since stopped beating—and Gasper hopes the rest of the body will go down with it.
This place would look so beautiful as a pyre.
Instead, though, he tilts his head back to stare at the ceiling instead, all while trying to ignore Medea and Cassia's murmured conversations. He really hopes that Avra and Sibyl show up—not only would they ease up the tension in the room, but they'd also provide a sense of normalcy as well. Cassia and Medea are the farthest from "normal" that a Vakili can get.
So when the door to the dining hall opens, he jolts up in his seat with a hopeful expression on his face, which only slides into disappointment when he sees it's just one of the staff members. They're carrying a platter of food, which they set down closest to Gasper, before giving him a curt bow and hurrying back out.
He doesn't blame them. He'd rather be lurking in the kitchens as well.
Still, he grabs his fork and spears one of the—rolls?—available on the platter before taking a bite. Cabbage...not bad. Not his favorite, but tolerable.
"Gasper." His gaze snaps back to Cassia at the sound of his name. She's shifted positions again, her hands now resting flat on the table, and she's tilting her head as if in deep thought. He grunts to acknowledge that he's heard her voice.
"While we wait for the other two to arrive," his gaze goes over to Medea, who is now sinking down into a chair far too close to him for his comfort. He slowly swallows his food as she fixes him with her own painted grin. "Why don't you tell us what you've been up to all this time? It's been so long since we got to hear about your personal life, no?"
Personal life...he closes his eyes and groans.
Maybe he should've just played hooky and spent the night with Rico instead.
please give us the complete des rocs/attollo crossover we need.
Anything for Des Rocs (who I am still manifesting a Canadian tour from). Are almost all of these from his new album? Yes, but that album slaps so
Pariah: Don't Hurt Me — Lyric that works: [ I would brave the darkest night / To make you a promise / Oh that's some real cruel devotion ]
Vasilisia: Rabbit Hole—Lyric that works: [ Maybe not now but one day you'll regret it / Your whole life is ahead I hope you got to see it ]
Op: Hanging by a Thread—Lyric that works: [ These lonesome nights were living hell before we met ]
DW: Born to Lose—Lyric that works: [ How's anyone else gonna love you, if you don't love you too? / I'll figure it out, but for the moment just use me like you do ]
Sysba: Imaginary Friends — Lyric that works: [ Give in to the fire and the fear, the liar in your ear / And you'll never be lonely again ]
Suha: Ruby with the Sharpest Lies — Lyric that works: [ You told the sharpest lies / Yeah you carved them in my skin / And when we say goodnight / I know you'll kill me with a kiss ]
Ovo/Crowes: MMC — Lyric that works: [ We'd really like it if you sang a song like this / Or else you'll make me sew your mouth shut / It's such a chore to find another mannequin ]
Gasper: The Devil Inside—Lyric that works: [ Do you need the god above? / Me neither, me neither ]
Archivist & Hierophant: Used to the Darkness—Lyric that works: [ I'm just a man, I'm only flesh and bone / I can't blame it back on everything I've done ]
Attollo in gen: This is our Life—Lyric that works: [ This is our life /
This is when everyone is vicious to you ]
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gasper + basorexia (since that describes what people want to do to him sksksk)
basorexia - the overwhelming desire to kiss
Hot metal burns underneath his feet as he stares out at the inferno of his design. Plumes of black smoke stretch up to kiss the stars above, curling and twisting in an elaborate dance that only occurs with the music of chaos. His heart is pounding in his chest and he can't keep the grin off of his face;
Burn, burn, let it all burn.
The Crowes shipment house collapses in on itself as though struck with a great exhaustion, groaning and splintering as it does so. His hand comes up to run through his dark hair as the flames heat kisses his cheeks.
"Holy shit!" His head snaps to the right to see a familiar red-head—Rico— stumbling out of a sideshoot of the building; scarlet stains his palms and smoke darkens his lips as he stumbles over to Gasper, a grin on his face.
Perhaps it's the adrenaline of the moment, or the way the light reflects in his friends eyes, but Gasper reaches out to rest a hand on the back of the other mans head as he presses their foreheads together. Their victorious laughter mixes into a chorus of its own accord as Gasper swipes the smoke stains off of Rico's lips.
His heart is pounding and he's more than aware that if he leaned any closer, he could remove those stains with his own lips instead of his thumb. It wouldn't be the first time Rico and him ended up in that position (they weren't shy about the flexibility of their relationship), but still, he finds himself withdrawing and fighting off the urge.
Instead, he looks to the inferno once more, and he continues to bask in his victory with the person he trusts the most by his side.