Mostly going to let the story speak for itself with this post, though I love the way recent events show both a type of freedom obtained through believing in Nika.
And a freedom achieved that is free from the influence of Nika.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
This exchange is brimming with intrigue. I have to wonder if it's worth considering that SWORD understands something deeper about the info in Vegapunk's broadcast, because of something Drake potentially told them. Could he have learned something while he was in Wano, that fits together well with what the rest of SWORD have learned from the broadcast?
Kujaku, Grus, and Koby seem to be responding to this info from last chapter. The damage the Mother Flame caused and what it seemingly takes to travel to Laugh Tale.
Roger learned the secrets of the world and spent his last moments spurring the world to chase his treasure. What made him sure that someone needed to reach Laugh Tale after he did? In spite of the apparent consequences.
Vegapunk's understand this as well as he does because his own actions, creating the Mother Flame, creating the Seraphim/Pacifistas as well as York, turning Kuma into a cyborg etc. have caused a lot of harm, in spite of his intentions being largely positive.
So the question I think Vegapunk is asking is, how can someone(Luffy,) reach Laugh Tale, while being wary of the potential consequences his actions may lead to. If Luffy is careless, as Vegapunk was, innocent people will get hurt.
I think Tom's philosophy about ships apply really well to Vegapunk and how Vegapunk treats his own creations. VP being someone who learned that lesson too late.
Taken from the wiki
"I don't care what kind of ship you made, it's neither good nor bad. You can make any ship you want! But even if the ship kills someone or destroys the world, a creator must never disown a ship he designed! He must always love it! The ship is not to blame! When a man builds a ship, he takes pride in what he built with a don!"
They aren't ships but the Mother Flame, the Seraphim and Pacifistas, and York as well are all made by Vegapunk and he should love them, regardless of how the influence of the WG has turned them against him and the people he cares about.
Tom built the ship that allowed Roger to reach Laugh Tale, which is considered the biggest crime by the WG, and he built the train that brought Franky and Robin to Enies Lobby, but he would be proud of what he built, regardless of how the WG used it.
Sandman on Twitter (and the original text) tying into my ithiughts that perhaps Rayleigh’s words are a little bitter. That by not helping the next generation out, they put them in danger to a degree. (Rayleigh is reflecting on Vegapunk’s words). Maybe the scans implied this.
I love that Stussy is starting to see her own humanity, her story is quickly becoming my favorite part of the events happening on Egghead.
And I hope that Oda has more about her, as well as York, in that regard too.
If York thought her entire life would be nothing but doing the bodily functions for 7 people, that's already motivation for her wanting more to be honest.
I don't think becoming a Celestial Dragon was something she wanted from the start however, though feel she did generally want more than the role she had been handed.
It just so happens that the first chance she learned of something which would allow her to be free from that life style was when Stella took her to Mariejois.
Fullmetal Alchemist spoilers:
York fittingly reminds me of Greed. He said he wanted to be king of the world if I remember, though really just wanted friends who saw him as his own person, who he choose himself. Rather than how Father saw him as a possession, and wanted him to be with the other homunculi, who saw him and themselves as possessions as well.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
I really do love that we get this moment of Vegapunk apologizing for his mistakes. As a character that has been shown to place scientific advancement above (for the most part) any potential negative side effects or outcomes, it is nice to see him acknowledge that own flaw within himself (even if it did come too late).
It really does speak to Vegapunk's own willful ignorance that he never thought that the same government that has commissioned him to create living weapons that could only be controlled by a select few might also try to get their hands on the very powerful energy source he was working on to power even larger, more devastating weaponry.
Granted is doesn't appear that Vegapunk knows who exactly took a piece of the Mother Flame, nor does he know who has the Ancient Weapon. But I think that speaks even further to his ignorance and naivety that he doesn't even seem to speculate that the government that has forbidden anyone from learning about the Void Century (which is where the nearly all of the knowledge about the Ancient weapons come from) are the ones how have the weapon in their arsenal. (It also could be that he didn't want to speculate about that on a broadcast going out to the entire world so as not to cause a panic.)
Also, other people have already made this comparison, but the Mother Flame and how it was used to power an island destroying weapon is (in my opinion) a very clear allegory for nuclear power/energy. A power source capable of providing vast amounts of energy worldwide, only for it to fall into the hands of a militant and corrupt government, and have it instead be used as a weapon of mass destruction. If that's not a nuclear power allegory then I don't know what is.
I really do love what Oda has done with Vegapunk as a character. It is such excellent commentary on how blindly creating for a government entity leads to more problems than solutions, and the few solutions that do exist end up becoming double edged swords used to power nuclear levels of destruction.
Catch the classic Wano trick? Scattershot chapter but the title gives you the clue; conflict. It was smoother but we've stepped away from the Straw Hats, they aren't in this one. I said this when we finished Bonney's cutaway. If you look at what's left it's Stussy as a springboard to Bakkin/Marco which we haven't checked in on since their first appearance parallel to Egghead. SWORD also has an unfired Chekov's Gun with Drake. Either of those can pull a Kuma and rewrite Wano. Only one person there can do that and it was the girl playing coy in the end.
Last week, it was "If he's gone, who am I to live for?" This week it's this titular line about inner conflict, how it's proof of your humanity. Especially with the Seraphim and building off of CP9 being these vicious government dogs who just need the order to indulge bloodlust right by it. That role doesn't have to be who you are, and if circumstance deals you a bad hand that forces you to go against your nature those conflicted feelings are proof you're not losing yourself to it. The difference to me though is like we said with Stussy maybe needing her own "Okobore" era. I don't think this is really Kiku's story replacing humanity with gender identity...I see it more as a parallel to the implied backstory and growth that allowed you to give it your all freely on one final show with the old gang. Also, don't forget Bakkin was last seen with Marco and that's all tied up in Sphinx Island as one of these wayward villages in need of a humble guardian.
Oh yeah, and doing this while York introduces a truckload of ambiguity. This is a cool scene. Because we really have to stop and think about what York knows, what Stella knew, and of course these weird gaps when we also now know Vegapunk Prime was with Bonney during the Void Night. As above, so below and all that right? A story about the Void Century on the surface when the micro clash on this island has that big blank night before raising so many questions.
Specifically highlighting the idea VP is a horrible liar and a bad actor. Is there like, anything specific we could pair this with in York's conclusion that would enhance the aroma?
Hey look! We got Robonosuke and Momonosuke in the same chapter! If you count the cover page we also got both Tsurus which is nice. York's theory is that Robonosuke is set to guard the broadcast. My point is that, alongside Stella telling us his limited version of the Void Century after a string of unreliable narrators we have York offering us this theory in frustration. Specifically highlighting solid reasons to be flummoxed. Vegapunk may have pulled a big brained plan all along, he was dicking around with Robonosuke when we met him. But he also like, weirdly disappeared from that scene too which is one of those little things I try to remember about Egghead. Vegapunk also wasn't really far along at getting Robonosuke online.
This becomes some really good shit though if there is a mystery interloper. Because really it could go both ways. If York's right, they could already be there and ready to make use of it. A trap. If York's wrong, the chaos just gave you a perfect distraction and it's a perfect sign of beating the genius by getting in her head. I still think there's something to the idea that Vegapunk didn't have time overnight to fix this dude. Luffy's G5 heartbeat being a signal or that backhanded way of someone making good on his assumption you just need to know Robonosuke's real name? That works in a night we still haven't filled in. And no matter what this big, bad mofo is about to start wrecking shit. Which is pretty cool.
Last but not least we have our reactions to the message. One big thing I thought was cool was seeing a lot of Alabasta stuff but not Vivi directly. V cool. Not like these breakout stories anchored around the three ladies are exclusive; Stussy had that great beat introducing her inner conflict during Bonney's and Bonney was incidentally involved in the stuff @ Mariejois. Before we get to our main man here too I'd highlight Shakky potentially carrying over that idea from Nojiko & Miss Goldenweek last week. Practical, grounded women aren't paying much attention and going about their day-to-day.
But then you got Rayleigh. Love this little line of conflict between Vegapunk and Ray. Because like we hinted at last week on a meta level this is kinda fucked up for VP to be just dumping all the Void Century stuff. Or it would be if he wasn't walking that fine line of not really revealing too much. Notice how he's kinda back to talking about his own stuff over the past few months as York puzzles it out. We can forgive Ray for not catching the subtleties though because he's drunk. I like this balance honestly, especially when you have Crocus kinda straddling the two.
One last thought too that just can kinda go anywhere with this message...Robin still has like, four regular Poneglyphs we've seen but not really fleshed out. The other two in Big Mom's stash, the one above the secret passage in the Flower Capitol, and the one Law found on Onigashima. She might already know something important Vega doesn't and her being mysteriously injured last night is a great excuse for not giving them time to touch on it.