#chaddanforth

I've had a writing epiphany: I need to begin where the story actually begins. Without delving into mundane details, I have been struggling with one of my Trelsi fics, because I was dead set on beguinning it during the latter half of HSM III, simply because I had envisioned plenty of great scenes for that period. The problem was, I couldn't make things gel together, and all I had was a bunch of great scenes bridged together by pointless conversations that did nothing to advance the plot or increase dramatic tension. For someone who drinks writing advice like a fish, I definitely can neglect the basics! Start where the story actually starts, and there needs to be dramatic tension and stakes from the first chapter. I think I've fallen too much on the "It's just fanfiction" excuse, which is inexcusable, because I want to tell a good story, which means good writing, and I'm currently writing original works, too. What's the point if I give myself reasons to slack off?

Having come to this grand epiphany, I've significantly sped up my writing process, and made it easier to write the synopsis. Furthermore, I was worried about repeating myself when I wrote other stories which would also be set during the latter half of HSM III, but here's the thing: those stories ended up having something to say during that period. So I could transfer my scenes there, and therefore cut the flab from the big one. And to be honest, the only reason my "major" Trelsi fic was even major was because I'd added a whole load of flab to the beginning before getting to the middle part. I literally could not figure out why the middle was better conceptualized in my head than the beginning, before I realized that the middle actually WAS the beginning. So now I don't have to worry about repeating myself, because I'm dealing with different time-frames. I had always suspected this story would be better off beginning after graduation, but I'd read another Trelsi story with a similar starting point and thought I might be copying. That's ridiculous, as my story is completely different, as it should be.

Anyway, why is this relevant? I'm currently rewatching HSM I in my beloved Google Play. Ever since realizing that Dropbox allows you to save and back up Screenshots, I've been hitting the Print Screen button like a maniac all through my favourite movies and TV shows. I like having visual images available when writing. And this is actually helpful for HSM, because I'm British and therefore relatively unfamiliar with the American school system and other things. I once spent an entire lunchtime reading about American roads because I needed this information for the scene where Troy insanely drives 1053 miles to see Gabriella. Another piece of great writing advice I read recently was that all fiction writers should read nonfiction. Truth is stranger than fiction, and this can help spark new ideas and provide necessary research that maintains reality in fiction. I have NO patience for writers or screenwriters who don't take the time to research the topic they're handling.

Why is HSM I important? It demonstrates the reason for Troy's attachment to Gabriella and to his illusions. If you want to detach Troy from Gabriella, you first have to understand how and why he became attached in the first place. Troy strikes me as idealistic, particularly when it comes to romance. You have to experience the twinkling lights, the innocence, the romantic music, the shy laughter and their final performance before watching it unravel and wondering why Troy wants to be trapped under the wreckage.

This is why I am updating huge chunks of my story, cutting out loads of unnecessary flab that I'd previously considered good/attractive, but serves no purpose whatsoever. I realized that I need to focus on TROY's evolution, his goals and his final redemption, when he is emancipated from his relationship with Gabriella. That's the whole purpose. (Other than him being with Kelsi). So I rewrote the summary to reflect this. So HSM I makes for important referencing material-- more so than HSM II, because if the story begins in HSM III or later, then the damage sown in HSM II was already done. But knowing how it all started will increase Troy's emotional conflict and pain later on. And emotional pain and conflict make good stories.

There are so many interesting things about Troy Bolton in HSM I that have nothing to do with Gabriella. For example, the rooftop garden scene is not memorable because Gabriella was invited there; if you watch carefully at the end, you will see that they run out of things to say to each other, and stare awkwardly in different directions. That already demonstrates that despite their obvious attraction to each other and one mutual interest, they don't have much else in common. No, this scene interests me because it shows how desperately Troy craves solitude, and even enjoys it. It shows that Troy isn't fully comfortable around his friends, not because they aren't his friends (although their behaviour certainly suggests this sometimes), but because they don't understand him enough. Note that he says of his rooftop hideout: "which means that my buddies don't even know it exists." He doesn't make any distinction between his regular buddies, and Chad, who has been his best friend since childhood. I'm a huge fan of Troy and Chad's friendship, but you can't ignore the significance here.

Interestingly, Troy does actually share many nerdy memories with Chad; in HSM III, we find out that the two used to play in Troy's treehouse and visit Riley's Salvage, pretending to be spies and superheroes. Chad says "I was a much better superhero than you were"; so maybe Troy was telling the truth when he said the red cape in his treehouse belonged to his friend. Why does Chad not know about the rooftop gardens (until it was convenient for the plot in HSM I)? I think it's because Troy does share many interests with Chad and when they're hanging out, they're not retreating from the world. They're being a part of it, considering themselves as brothers-in-arms. The big difference between them is that Troy is "The Basketball Guy", the one whose actions affect the "entire school" and who must lead his team to victory, presumably every time. Chad enables and encourages this pressure, whilst also becoming resentful when he feels Troy enjoys too many perks, too much praise, too many advantages. A further reason is that revealing the rooftop gardens would mean revealing his friendship with the Science Club, which is social heresy in Chad's book.

There are many other things that build a picture of Troy's life outside of Gabriella in HSM I.

[Gabriella] "Well you sound like you've done a lot of singing too!"

[Troy] "Yeah, my showerhead is very impressed with me."

Again, this picture of him singing in the shower demonstrates the freedom he experiences when alone. Although he admits this to a girl that he's just met, which is significant, he downplays it. I initially believed this was because of his dorkiness, but maybe it's because he's modest about his talents and because he actually does enjoy singing in the shower, or takes it seriously. But ever conscious of this new girl who has sprung out of nowhere, he thinks that coming off as a dork will work better. He certainly seemed more interested and impressed by her experience singing in Church choirs and encouraged the notion of her having a solo career. Perhaps he isn't confident enough in his singing, even when clearly capable at it, and would never allow himself to dream outside the "Hoops Dude/Playmaker" box. The screenwriters could have explored all of this at the beginning, instead of giving the impression that only Gabriella awoke his interest in the Performing Arts.

Here's the thing: that whole beginning sequence is utterly forgettable. Sure, they kept each other's numbers, but their meeting could equally have had no effect whatsoever, had they either not kept in contact, or been too far away to get to know each other well enough. Meanwhile, information about Troy singing in the shower and his enjoyment of performing could have been triggered by a more meaningful meeting. Might I suggest one? His meeting Kelsi, 35 minutes later into the film lead to longlasting repercussions, all of them positive, for both characters. As I will explain in my Trelsi series (it IS coming), if the screenwriters wanted a more romantic beginning, this scene would have worked far better for several reasons. Firstly, it's not coincidental. Sorry, but I dislike coincidences. I still can't decide whether Troy intended to become friends with Kelsi, but he definitely made an active decision to help her pick up her manuscripts and to build her confidence after seeing Sharpay tear it down. Secondly, Troy and Kelsi clicked right away, whereas Gabriella just wandered off after their supposedly romantic first meeting without even saying goodbye, perhaps a sign of her subsequent behaviour towards Troy. Thirdly, meeting Troy made Kelsi open up (with enthusiasm) and brought about a change in her character, whereas Troy and Gabriella simply chatted about their singing experiences and agreed that karaoke was fun. Fourthly, meeting Kelsi led directly to Troy realizing his newfound interest in singing-- please note this scene could have happened with or without Troy meeting Gabriella. Fifthly, as I have said before, Troy's reaction to hearing Kelsi's song was far more profound than his reaction to singing "The Start of Something New".

Just saying.

By the way, Gabriella completely misinterprets the need for Troy's rooftop hideout.

[Gabriella] "So this is your private hideout?"

Sounds innocuous, but later on she says:

[Gabriella] "You pretty much have the school wired, don't you, Troy? Seems to me like everyone on campus wants to be your friend."

She thinks that he gets the rooftop gardens thanks to his status, that he gets anything he wants and that the world is in his hands. This might explain her lack of patience with him in HSM II, and her willingness to believe that he's wearing Italian golf shoes to show off, rather than because they were given to him. Perhaps there even might be some longing in her voice; she was previously the school's "freaky math girl" and would love to be popular and admired instead. She gets this without any struggle whatsoever, mostly thanks to Troy and Taylor. So even Gabriella doesn't understand Troy on the spot. Is that a crime? No. And certainly later on in this scene, Gabriella demonstrates that she knows Troy better than his friends. But again, it's worth pointing out that the "Playmaker" scene demonstrated instant understanding between two people. On the other hand, Gabriella eventually proves to be just as (deliberately) ignorant of Troy and his feelings as everyone else around him. Again, just saying.

What other interesting facts about Troy are revealed? "Unless we lose." This demonstrates that despite the adulation heaped on Troy's head, he's no longer interesting if he can't deliver for East High. This fits in well with Coach Bolton's later claim that "what you do affects not only this team, but the entire school." Remember even Principal Matsui expects Troy to get the team "whipped into shape". If Troy loses, the whole school has lost. If Troy can't focus on each and every game, then he's letting down the whole school. If you view these two lines of dialogue together, you get a sense of the overwhelming pressure that Troy, at this point only sixteen/seventeen, faces every day of the basketball season. It's insane to put that kind of pressure on a kid's head, particularly when he's so sensitive and doesn't have a picture of his own future, as he proved in HSM III. "Unless we lose," means that Troy has faced the consequences of losing many times. How do we know this? Later on, Coach Bolton says that the "West High Knights have knocked us out of the Playoffs three years running." Now although he later says that everyone must given 110% to the game, you have to take into consideration his later words directed only at Troy: "And without you completely focussed, we're not going to win..." Losing is not simply a part of life for Troy Bolton. It's failure, it's disappointing his team, his school, his Principal... his Coach AND father. And he's faced this several times. When he says "Unless we lose", he smiles in resignation and shrugs as though it's not a big deal, but we know that it is-- not just because it hurts Troy to lose, but because he shoulders everyone's hopes and expectations.

Small wonder that he doesn't "see my life as a ball game anymore" later on?

Thing is, Troy loves basketball. It wouldn't make sense for him to choose it (and announce it first) in HSM III otherwise. His eyes light up whenever he sees a hoop. One of the first advantages of the job at Lava Springs was basketball: "We got a hoop out back..." He takes any opportunity to work on his free throws at home. His bedroom, often representative of a character, is filled with basketball memorabilia, all collected of his own accord. Basketball is a source of bonding between him and his father-- sometimes the only way they can communicate. Basketball is what he shares in common with his best friend. He enjoys sports on the whole. You can see the genuine delight when he wins in HSM I and HSM III. It's not the game that he doesn't like, but the unnecessary adulation, the pressure, the insistence upon him being everyone's superhero when, as he quite reasonably stated, "there's twelve people on this team, not just me." He might not be as passionate about it as Chad, because he definitely sees his identity as being more varied than just being a basketball player. Chad's future is easy: "Hoops all the way!" But he certainly is invested in it.

I'm just rewatching Gabriella and Taylor's conversation about the Scholastic Decathlon right now. It's ironic that Gabriella is the voice of reason here, stating that Taylor should get to know Troy before making judgements about him. Calling someone a "particular sub-species" just because they play basketball is absurdly unfair. Taylor is bubbly and fun and intelligent, but intensely prejudiced and relies heavily on her preconceptions of other people. Furthermore, she expects other people to accept her judgements, hence why she constantly tells Gabriella what to think about her relationship during HSM II. (Gabriella (apparently later) forgets that she ever told Taylor to be more open-minded and decides to just swallow whatever Taylor feeds her).

Anyway, what's interesting about this scene is the cheerleaders in hysterics over Troy's looks. What's even more interesting is that Troy is not in the slightest bit interested in any cheerleader, and for most of the movie, doesn't appear to acknowledge their existence. This is a marvellous feat, given that they presumably sit at his lunchtable with the basketball folks. You can see this right before "Stick To The Status Quo". Troy has a notable flaw of ignoring people when he's engrossed in something, like during HSM II when he was showing the Redhawk player how to hold a golf club and ignored Chad and Jason. They found this insulting. Apparently, Troy's lack of interest in any single cheerleader (some of whom must surely have thrown themselves at him) does not insult them, judging by their giggling. And does this interest die down after Troy begins dating Gabriella? I don't think so. At the beginning of HSM III, as Troy is wading his way through dancers at his house, Martha and another cheerleader congratulate him. So I guess he's still their hero.

This is very interesting to me; because I ship Troy and Kelsi together, I have to work around his complete blindness to any other girl, which canonically includes Kelsi. I wrote loads of notes about what Troy's taste in Gabriella said about his romantic tastes, and then applied these to Kelsi, and then had to think up scenario's where he might notice Kelsi more. It was challenging, but stimulating, because I realized that this would actually make their romance better. Why? Because it falls perfectly in line with the first song of Kelsi's that Troy ever heard: "It's hard to believe, that I couldn't see, that you were always right beside me."

Again, just saying. The unexpectedness of meeting Kelsi, plus Troy's reaction to hearing her song and his ability to connect to it instantly speak volumes. No scene of such emotional intensity exists between Troy and Gabriella before perhaps their performance of Breaking Free.

Okay, back to Troy Bolton.

By the way, I've noted before that during HSM I, Kelsi wasn't in Troy's homeroom class. By HSM II, she's there, her desk directly to his left and she gives him a quick hug after the bell goes! (CUTE!) I'm still waiting for an explanation.

When Troy tells Chad that he's off to do homework instead of, *gasp*, practicing during free period and directing his team, the audience is supposed to take this as an excuse. Of course, Troy was using homework as a diversion. However, later on in the movie, we see Troy spending what I presume is a free period to check out some books in the library and take notes. Chad, on the other hand, is tailing him and filling his head with all kinds of nonsensical threats and meaningless anecdotes. This does demonstrate that Troy is, outside of basketball, a conscientious student. Chad* is not, and proud of this. He boasts about having been behind on homework since preschool, an untenable position for someone hoping to attend college. I understand that in the American college system, you spend the first year studying all the basic subjects to build credits. I've already discussed the importance of Troy hanging out with the Science Club, unnecessary if he doesn't care about academics. He also won a scholarship to Berkeley, impossible without having sufficient credits and having performed exceptionally well. In HSM III, he is seen holding a thick textbook which I think says "Literature" on it. Of course, by that point, Gabriella probably watched over his studies like a hawk; she orders him to "come on" so they can do homework. But I don't think Troy slacked off at other subjects (even though he is rarely ever seen carrying a bag, or holding books and pens!). It does counter the accusation that he simply sat around waiting for privileges, as his friends and girlfriend so insultingly assume during HSM II.

There are many other things I'd like to know about Troy Bolton, but the final thing I want to note here is his modesty. Like I've said before, he doesn't even know arrogance, let alone display it. Can he be inconsiderate? Yes. He put several members of his class into detention just because he wanted to speak with Gabriella, when he could simply have waited until they were dismissed. He can forget things that are important, be late, have a tunnel vision with regards to unreasonable goals, as well as ignoring sensible advice to attain said goals. But is he ever arrogant? Not that I can think of. During the first scene between him and Gabriella, he tells her she has an "amazing voice". He then repeats this to Ms Darbus, not even mentioning that his own voice is pretty good too. When Ms Darbus offers him (and Gabriella) a callback audition, Gabriella is delighted, he is astonished. On the rooftop garden, Gabriella says "You're a cool guy, Troy. But not for the reasons your friends think." Troy's reaction isn't even bashful; he genuinely appears astonished by this revelation, that his quirky, dorky character is a positive thing, and not something he should hide from others. That there are people who appreciate him without making him conform to their expectations, like (ostensibly) Gabriella. You can see him contemplating her words there, not even seeming to notice her until she thanks him for showing her the place. Later on, he gives his Game Ball away to Kelsi, whom most people either don't know or don't notice, and lets everyone cheer for her after the basketball game, which is what they actually came to see. It's actions like these which make me love Troy Bolton and enjoy writing about him.

More musings upcoming.

I have resorted to the crude methodology of using screenshots as I’ve wasted over an hour trying to find pictures of Troy and Kelsi on Google Images, amongst other such procrastinating habits. Apparently, the Internet does not believe in the power of Trelsi. Google Play and Dropbox are beautiful things, people. :D 

In this instalment, I continue with the following question:

Question: What makes the Trelsi friendship and dynamic so friggin’ special? Why does it make me want to weep and write poetry?

I am using the following website link: 11 Signs of A True Friendship to demonstrate the worth of Troy and Kelsi’s friendship throughout their lamentably short scenes together in the HSM franchise. As I’m coming to the end of that list, I will also discuss the overall disadvantage of having Troy spend so little screentime and off-screen time with Kelsi.

9- “They don’t talk about you behind your back.”

As I have repeatedly demonstrated when answering this question, the Wildcats ostensible displays of friendship are heralded by the franchise script as being emblematic of true friendship.

This includes the notable examples where the Wildcats are implied to have talked about Troy, negatively, behind his back. Returning to my example from yesterday, where Chad owns up to his part in the HSM I Wi-Fi/camera stunt, the lead-up to this rare moment of humility for the Wildcats could only have been possible if the Wildcats had been muttering about Troy behind his back. After Coach Bolton tries to pressure Troy into focusing for the upcoming game, and Troy storms out of the gym in a terrible mood, the rest of the Wildcats (none of them coming to comfort Troy, of course) are headed in a different direction to plan their next move. Which would include, of course, muttering about Troy’s alleged insanity in trying out a new interest so close to the game. 

Their decision to meet with the brainiacs to put their plan into action counts as talking about Troy (and Gabriella) behind his back, for the purpose of destroying a potential relationship based on selfish interest. In HSM II, I have already stated that their decision to shun Troy appears heavily pre-planned and I’m sure that Chad had been muttering about Troy behind his back prior to his personal decision not to speak with the latter. After all, he told Taylor and Gabriella, “there’s a guy out there that looks just like Troy Bolton, but I have no idea who he really is.” Not only is this patently absurd, but the melodramatic glum faces of Taylor and Gabriella give one the implication that their lunchtime was spent slanging Troy. 

Oh, and speaking of HSM II, let’s not forget Taylor’s instigation of Troy-bashing; telling Gabriella that Troy “forgot” his date without waiting to hear his side of the story (to Gabriella’s credit, she defended Troy!), encouraging Gabriella to hold Troy to ridiculous standards in a relationship (”ALL dates are official. Whether the boy knows it or not.”), planting suspicion in Gabriella’s head that Troy might be straying from her to get in good with Sharpay and the Evans despite there being NO evidence for this, implying that Troy’s motivations are completely unethical throughout despite Sharpay blatantly chasing him and harassing him throughout. Taylor is an excellent friend to Gabriella, and a rotten friend to Troy.*

All of the above scenes are supposed to be glossed over, because hey! We’re all in this together! Indeed, when it comes to stabbing Troy in the back, they are all in this together. However, the ONE scene where Kelsi stands by Troy in the silent Lava Springs kitchen and communicates with him UPFRONT the reason for this undeserved silent treatment once again pours scorn on the alleged Wildcat unity and friendship. Once again, one small gesture in a Trelsi scene outshining everything else. This makes me certain that Kelsi was not involved in the mutinous mutterings against Troy that most probably accompanied Chad’s shouting match earlier on, let alone the plan to ignore him. 

10- “They allow you to have other friendships without getting jealous and possessive.”

Consider the value of being friends with Troy Bolton. You have earned instant status points, you’re considered cool, you have direct access to East High’s Primo Boy, you get to hang on his every word and make sacrifices at the altar of eternal worship. Being friends with Troy Bolton is like being elected Cardinal to the Vatican. You have entered an elite circle. It is my firm belief that Troy was Kelsi’s first real friend, at least in high school. She is never shown with anyone else with whom she shares the same level of familiarity, comfort and affection as she does with Troy. This makes their friendship doubly fortunate. Beforehand, she was sitting with the Drama Club students, working on her music. Now, she is well-liked amongst the Wildcat gang and has graduated to sitting at the Cool Girls table, made up of Taylor (who appears to be the head), Gabriella and Martha. People actually notice her now, they know her name and they appreciate her talent as a composer. Mega status points for Kelsi. 

But throughout the entire movie franchise, she never seeks to impose her own presence upon Troy’s life. In fact, I may have noted before that they rarely ever hang out outside of musical-related activities; Troy still spends the vast majority of his time with the Wildcats and with Gabriella. Kelsi is respectful to all of Troy’s other friends, is pleased when the Wildcats display unity and support Troy’s ambitions and goals, and does everything she can to maintain this harmony. In such benevolence, during HSM II, she appeared shocked when Chad and Troy had a row in the Lava Springs kitchen (TINY scene)-- later on, she persuaded Chad to forgive Troy. Now the BASIS upon which Chad was to forgive Troy is completely bogus and nonsensical in my view; Chad agrees to the following comment: [T] “I was a jerk.”, which as I have stated time and time again, is categorically untrue. 

However, Kelsi certainly never considered Troy to be a jerk throughout this film, and clearly saw that Troy (unjustly) renouncing his privileges in a show of solidarity with his team would appease Chad’s anger. So, either before or after finding Ryan, she runs to Chad, the very same person who called her “small person” in HSM I and with whom she has only shared a little dialogue** previous to plead Troy’s case.*** She doesn’t want to see Troy and Chad’s friendship ruined for anything and seems happy when they get along. This is evidenced by yet another TINY scene where Kelsi is smiling as Troy and Chad do that skipping routine in the kitchen. Scenes like that restore my hope in Troy and Chad’s friendship. 

Due the fact that Troy is one of the friendliest, most open and likeable characters in the entire cast, almost everyone is clamouring to be his friend. Those who get there first consider themselves to be the rightful owners. Cue Chad Danforth, whose has turned possessiveness into an art form. Remember, these two have been friends since pre-school, and although Chad was written as the sidekick, he is clearly the more dominant of the two. “For the record? I was a much better superhero than you were.” I know, I know I criticize Chad a lot, but I do REALLY LIKE Troy and Chad’s friendship. It IS a true brotherhood. They have great banter, their friendship is resilient as hell (secretly filming your BEST friend to destroy his relationship? Wow, Troy forgives like there’s no tomorrow), they make great partners in sport, they clearly bonded quite quickly as kids have great complementary qualities. BUT out of the two, it is Chad who feels that his blueprint must be followed. Troy NEVER imposes any idea upon Chad-- not in their professional spheres or in their social spheres. Rather, it is Chad who decides what Troy should think, what he should like, who he should hang out with, what he should decide and what he should do. And that presents a stark difference between how Chad treats Troy and how Kelsi treats him:

(What Troy should think)-- “The music in those shows isn’t hiphop... or rock. Or anything essential to culture. It’s... showtunes. Costumes and makeup. It’s frightening!”

(What Troy should like)-- “You’re a Hoops Dude. Not a musical singer person!”

(Who he should hang out with)-- (This one is indirect) “...the Drama Geeks and the Brainiacs think that they can... talk to us! Suddenly everyone wants to do other stuff, okay: stuff that’s not their stuff!”

(What he should decide)-- (Upon hearing that Troy is undecided about Juilliard) “That’s not what I wanted to hear!”

(What he should do)-- “You and me... we’re goin’ to U of A.”

Now, perhaps it is worth reiterating that despite all this, I still like their friendship! :D But with no such dialogue coming from Kelsi, who rather encourages his decisions and treats his ambitions with respect and is thoroughly devoted to his success, the glaring problem in Troy and Chad’s dynamic becomes clear. And yet they tell me that Troy is the jerk...

I will discuss Gabriella’s controlling tendencies later on, but the Wildcats’ possessiveness of Troy becomes clear when he’s becoming popular with the Redhawks. After all, they invite him to scrimmage within moments of meeting him, give him a jacket and a ride in their (cool!) car. They talk and joke with him like he’s their best buddy, and he gets lunch with them and Mr. Evans. Of course, Troy is cultivating friendships with them for good reasons (and don’t let anyone deceive you otherwise), but to the Wildcats, this appears as though Troy thinks he is too good for his friends. (Their interpretation, not mine). As a result, they shun and insult him. According to Zeke, who has no reason to be so insulting, “...Troy bailed on us, so whatever!” In other words, the Wildcats act like a spurned lover when Troy doesn’t lavish them with the attention they feel entitled to. This gives the impression that they friendship with him is at least partially motivated by the status boost they receive, and if Troy’s attention is on other people, that threatens their own popularity. Interestingly, they do not apply this theory to Kelsi, who is quickly absorbed into their group despite her high uncool points. But maybe this is because Troy likes her, so they see this as a sign of approval.

Long story short: the Trelsi friendship NEVER has these problems. 

11- “You have so many inside jokes and funny memories with them that you’ve lost count.”

I have to use speculation here, since there are no scenes to give an appropriate insight into what Troy and Kelsi hanging out what look like. But there are several canonical points worth remembering: 1)- their friendship is uniquely esoteric, 2)- it is built upon unspoken understanding, 3)- they both have a great sense of humour, and are fond of sarcasm, 4)- they share many great friendship moments together. In light of this, I can see them having inside jokes and funny/great memories were they allowed more scenes together, particularly scenes that didn’t involve preparation for the musicals. Perhaps there are some canonical funny memories though: (Kelsi, from HSM II about the Ladies Luncheon) “Won’t exactly be rocking out!”. My screenshot way up above shows Troy’s amusement and somewhat affectionate indulging in Kelsi’s sarcasm. And Kelsi certainly finds his decision to steal Jimmie’s clothes in HSM III hilarious. (Don’t ask me). In the same film, we get a glimpse of the potential teasing, sarcastic sense of humour that could characterize their off-screen conversations: “Hoops Man! Over here! You look like you’re having the time of your life!” To add to the esoteric nature of their relationship, the use of nicknames seems likely. 

On the topic of nicknames, Troy and Kelsi are the only ones who use nicknames in a reciprocal fashion. Gabriella calls Troy “Wildcat” (in an often patronizing fashion), but Troy just calls her “Gabriella”. Chad calls Troy “Hoops”, but Troy just calls him “Chad”. With his and Kelsi’s friendship, such is the equal nature of it that even the nicknames are shared. He confers on her the status of Playmaker, she calls him Hoops Man. Interestingly, Troy does not mind this coming from Kelsi-- most likely because she has never viewed him entirely through the prism of being a basketball player. Even MORE interestingly, she uses a basketball-related nickname during THEATRE rehearsals. The very side of Troy that he still struggles to reveal thanks to how his basketball career overshadows his past, present and future. Why does Kelsi do this? At first glance, this might appear counter-productive. But consider this in context; they have had a disastrous rehearsal, everyone is pissed with Troy, the energy is down. Kelsi calling him Hoops Man snaps him right back to attention. He’s focused. It’s like the Coach during practice, and Troy knows this like the back of his hand. Instantly, he turns around, his attention drawn away from the disastrous rehearsal. So Kelsi is once again bringing him back from the brink of self-doubt and endless blame. Also, the nickname “Hoops Man” is a definite compliment. Chad calls him “Hoops”, which makes him sound like an inanimate object. Kelsi calls him “Hoops Man”, showing there’s a human being behind the skill. This is coming from someone who doesn’t know what a Game Ball is and wanders around twirling it in her hands, looking extremely awkward, not to mention “basketball class”, and “Playmaker...??” And by referring to Troy’s skill in basketball, she is basically telling him that he can kill it on stage just like he does on the basketball court. The results of this pep talk (minus the odious Gabriella worship!) are to calm Troy considerably so that by the next scene, when he is preparing for prom, he is showing happiness and excitement for the first time in a while. (Of course, this is cruelly crushed just moments later, but... *sigh*) 

I will expand on why Troy and Kelsi NEEDED more scenes together in the next instalment and provide some areas where this might have helped.

TO BE CONTINUED

(*FOOTNOTE-- I like Taylor McKessie. She’s fierce and fun and bubbly and smart. But her prejudice and subsequent behaviour towards Troy is inexcusable. What is interesting is that prior to Gabriella taking an interest in Troy, Taylor was quite happy for the world to hear about her disdain for Primo Boys/Sports Stars. During the detention scene in HSM I, she barely uses a whisper when she mocks Chad, who is sitting right in front of her: “That’ll be tough for Chad since he probably can’t count that high!” And later, she has a derogatory poster of Troy made with no shame whatsoever. (Again, I give Gabriella credit for not finding this amusing or persuasive). It’s hilarious and completely uncalled for. But she’s openly disdainful. By the time we get to HSM II, she’s smiling to Troy’s face and denigrating him behind his back. Why the change? I think it’s because she can’t bring herself to admit that Troy DOESN’T represent any of the stereotypes that she attaches to Primo Boys; her apparent vendetta against him is based on his status more than it is on him. In HSM I, she called him a lunkhead twice. In HSM II and HSM III, she no longer does this. Sadly, based on her behaviour in HSM II, it’s not because she had some moral epiphany, but she’s found another way to criticize him. You can see the rationale in her head: based on HSM I, she now concludes “Troy’s a nice guy”, and then BUT... Cue the new round of criticism. This is astonishing, as out of the two it is CHAD who is more of a douche throughout the movies, but she’s willing to give him the benefit of the doubt because of her feelings towards him. As she has no feelings for Troy, it is easier to maintain her prejudices against Primo Boy status. And Chad, who is supposed to be Troy’s best friend, allows her to talk smack about his buddy in front of him with no comment whatsoever. ([C] “Troy would never do that!”/[T] “You’ve got eyes: use them!”) Insane hypocrisy, but I’ve come to expect this from the Wildcats by now).

(**FOOTNOTE-- Despite Chad’s dismissive way of addressing Kelsi in HSM I, it appears by HSM II that he quite likes her. I am intrigued by what they were discussing prior to the Silent Treatment scene. [K] “It’s okay, Ryan can help!” Help what? By this time, they know that they will not be able to participate in the Lava Springs Talent Show, and yet I am always led to assume that Kelsi meant something dance-related. Maybe I am wrong. And the recipient of this help appears to be Chad, who says, [C] “I don’t know...” But Kelsi remains optimistic: [K] “He’ll get it, eventually!” I have no idea what they are referring to, much less when Chad and Kelsi were on friendly chatting terms over breakfast. Not that I object to this, as Kelsi would no doubt be a good influence on Chad! But the show never shows the transition from calling someone “small person” to discussing something like one might discuss the weather. However, I will draw the viewer’s attention back to early HSM II, where Kelsi babbles on about her beloved Talent Show, claiming “I’ve got ideas for EVERYONE; you guys can sing the lead, and maybe CHAD and ZEKE can do backup and everyone can dance!” (Capital emphasis my own). How did Kelsi come upon the information that Chad was capable of doing backup vocals? Did Chad suddenly show an interest in music in between the Winter Musical and the Summer Holidays? Did Kelsi do a survey? It would have been nice to have these details. Anyway, this apparent knowledge that Kelsi has of Chad’s musical skills further undermine his silly pantomime of braggadocio in that glorious waste of time called “I Don’t Dance”.)

I like the dynamic between Kelsi and Chad during the HSM franchise, although it comes out of unexplained circumstances. We have no idea how they became friends, or what they may or may not have in common, just a series of careless clues. Since I love unravelling mystery, I will attempt to shed light on this coincidence.  

In the above scene, the whole group of Wildcats see Kelsi staring despondently at the rearranged callback times. 

So why does Chad adopt an accusatory tone towards Kelsi, of all people in the following line:

[Chad] “Do you know something about this? Small person?”

I can only assume that it’s because Chad treats anyone connected with Drama (or Music, or Skating, or Cooking, or Academics) with suspicion and contempt. Also, as an athlete in a sport where height is an advantage, he isn’t used to seeing people who are, er, vertically-challenged. The irony of this scene is that ever since their underhand scheme to discourage Troy from participating in said callbacks, Chad and Taylor are seen walking together into East High during this scene. 

I have to admire Kelsi’s reaction here. Rather than cowering in the face of such rudeness (and yet I still like you, Chad), she completely blanks him out. This despite technically responding to him earlier:

[Kelsi] “Actually, I think it’s two rats, none of them named Darbus.”

(Still funny). 

Either this was a reflex reaction, a method of venting her frustration, or she wanted to exonerate Ms. Darbus despite the latter capitulating to her students, rather than exercising proper authority. From this and several other scenes, it appears that Kelsi respects and even likes Ms. Darbus. 

But after Chad belittles her height, she brushes him off and walks straight over to Troy. Not Troy and Gabriella, who are both being affected by this change, but just Troy. This is interesting, because it’s unnecessary. Kelsi should already know that all the Wildcats assembled there are upset about this change. Furthermore, she herself gave a huge hint (to Chad) that Ms. Darbus wasn’t technically at fault. Why does she need to explain to Troy directly (again, not Gabriella) why the show has been rescheduled? 

I believe it’s because Kelsi wants to do the callbacks for Troy, for reasons which I explain here. 

The fact that Kelsi treats Chad’s comments like they’re nothing can only be attributed to an increase in confidence caused by her new friendship with Troy. Previously, she had cowered under Sharpay’s glare and tumbled back onto her piano stool. 

Prior to the above scene, Kelsi and Chad have no interaction whatsoever. As we can see earlier, the Drama Geeks’ lunch table is on the upper-landing of the cafeteria: the basketball players are below. Because we’re not shown any substantive discussion between Troy and Kelsi during HSM 1, there’s no evidence that she learns about his friends. 

So after the callbacks, we have to assume that she met Chad somehow and grew to like him instead. How? Why? No information is given. 

Instead, we move straight onto HSM 2 and get this:

[Kelsi] “Maybe Zeke and Chad can do backup and everyone can dance!”

Hold on a minute: since when did Kelsi deem Zeke and Chad suitable for backup singing? I highlight the singing part, because she said earlier that the employees got to do a number (a song), and Troy and Gabriella could sing the lead (without auditioning, despite Kelsi working for a Talent Show and surely knowing full well that everyone must audition). 

So Kelsi somehow knows that Zeke and Chad can sing. Otherwise, she would not entrust them with her compositions or her songs. I have studied Kelsi’s character here, and have found her to be territorial over her work and who is suitable to perform it. I have criticised her favouritism towards Troy and Gabriella, although conceded that some of her reasons are justified when considering her character desires.

When did this happen? A number of possibilities present themselves:

1)- Additional roles were given in the musical and Kelsi discovered the singing talent of Zeke and Chad. 

Verdict: Unlikely, as there is no evidence to support this. 

2)- Kelsi wanted to meet more of Troy’s friends after the callback auditions went successfully. 

Verdict: Given Kelsi’s extreme shyness once again on display when Troy hands her the Game Ball, this may not be likely.

3)- Troy introduced her to his friends after the show.

Verdict: Likely, because of Troy’s gratitude to Kelsi, as evidenced by the Game Ball award, and his attempts to include her as a friend. 

4)- Kelsi met Zeke and Chad via Jason.

Verdict: Just thought of this a second ago, and it actually seems the most likely. When Troy gave her the Game Ball, she was shy about the praise, and awkward with the Ball. When Jason helped her shoot a hoop, she relaxed and smiled. If we are to assume that she began dating Jason not long after this scene, and that Kelsi became a Wildcat, as well as the fact that Jason and Zeke were close friends, then it makes sense she would meet them this way.

But that doesn’t explain how she learned that Zeke and Chad could sing. 

So, we must read between the lines. In HSM III, Ms. Darbus’ class prepare for the Spring Musicale. But in HSM I, they are preparing for the Winter Musicale. 

Therefore, could Kelsi have been involved in the Spring Musicale for Junior Year as well as Senior Year? That would, at least, explain why Sharpay instantly offered her a job at Lava Springs over the summer in HSM II. After Kelsi owned her brilliantly during the Winter Musicale, I can’t see Sharpay’s ego appreciating that until she had at least seen incontestable evidence of Kelsi’s talent demonstrated either at the live show or over two shows. Lava Springs is, after all, an exclusive club. Sharpay could have chosen any other composer-pianist. 

But could Zeke and Chad have performed in this Spring Musicale? There’s no evidence, so we can’t assume anything-- particularly since everyone looks surprised and annoyed when Kelsi signs them all up for the Show in HSM III. 

Then again, why do this unless she knew they were capable of performing onstage?

However, if we turn to a small scene in HSM II, where Martha is beatboxing and Kelsi is DJ’ing, we may have a satisfactory answer. 

Suppose Kelsi’s influence as a musician, Martha’s recent confession to being a hip hop aficionado, Troy’s recent enthusiasm for singing, and Chad and co’s appreciation of that talent, were demonstrated on an ordinary day when the Wildcats were just hanging out. Suppose this scene were just like the beatboxing scene of HSM II. This would be a likely point where Kelsi would learn of Zeke and Chad’s talent in (backup) singing. 

The same conclusion can be used for Kelsi’s declaration that “everyone can dance”. 

Remember that Kelsi doesn’t suffer fools gladly, even if her shyness prevents her from calling them out. Her look of contempt bordering disgust at some of the people auditioning for Twinkle Towne speaks volumes. Indeed, when Ms. Darbus offers Cindra a fake compliment after her eardrum splitting performance, Kelsi gives her teacher an “Are you insane?!” look. 

So if Kelsi says someone can be in her show, it’s a compliment. 

Also, if Kelsi allows someone to play her music, that’s an even bigger compliment. The scene between Kelsi and Ryan in HSM III could have been a demonstration of Kelsi’s respect for Ryan as a musician. She budges over, allowing him to play her songs and enjoys his rendition. (Significant, given how she despised his take on “What I’ve Been Looking For”). It would have been a great character arc for Kelsi, who initially judged Ryan with resentment, and gradually realized his positive characteristics. Instead, the scene was ruined with fake romance. 

In HSM II, Kelsi is delighted when Chad and the rest come to sing “You Are The Music In Me”.

We can therefore assume that her friendship with Chad was solidified either before or at this point.