THE BURIAL OF ATALA | 1808 | by ANNE-LOUIS GIRODET DE ROUSSY-TRIOSON
The painting depicts the solemn scene from François-René de Chateaubriand's novel where Chactas, an indigenous American, mourns over the body of his love, Atala, in a lush wilderness setting.
There are three figures in the painting: Atala, Father Aubry, and Chactas. Atala has her head turned to the viewer while her hands together in a prayer-like position. Father Aubry is standing beside her and is lifting her body while Chactas holds her legs. The background of the painting has been well detailed by the collection of tall trees helping to signify the sublime nature of the scene.
The overall painting is highly symbolic. The spade in the foreground speaks of burial. The lines from the Book of Job on the wall of the cave speak of the brevity of life. The cross in the distance speaks of the Christian theme. Against this background, Atala's white dress stands out graphically, indicating how pure and innocent she is even in death. The natural surroundings symbolize the untamed beauty and spiritual connection of the wilderness.
The figures of the painting depict immense emotion.Girodet succeeds in depicting profound sorrow and reverence in the scene. Atala has on a countenance, which is calm, but Father Aubry has on a sorrowsome one. Chactas' melancholy is all over as he hangs on Atala's legs. His body bends forward in a depiction of sorrow and resignation.
From the rough stone slab to the intricately rendered foliage and drapery, Girodet pays extremely close attention to the rendering of textures. The figures themselves are treated with a great sense of anatomical accuracy, not to mention emotional depth, which serves only to enhance the realism of the scene.