Feb 4
Masayuki Murai (Japanese, 1947) - Eternity (2021)
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Masayuki Murai (Japanese, 1947) - Eternity (2021)
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Erechtheion: Portico of the Caryatids by Vasily Polenov
Caryatids, The Acropolis, Athens, Greece
Continuing my experiments with thick shells. Caryatids, another Drowned Hall of The House.
Available
My experience when I went to see the Caryatid was one of eerie loneliness. There she stood, placed in a corner that dimmed her light, making her feel insignificant, stripped of her worth. It felt as though she didn’t belong, like an outsider, because she shouldn’t have been there in the first place. The Acropolis Museum in Athens still waits, saving an empty spot for her return. There’s a sense of longing for her home, she stands steady, waiting, looking, holding on to hope.
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Château de Saulxures-sur-Moselotte, France
by Adrien | Bordeau Urbex & Prestige
A Caryatid seen from behind on the Acropolis,
The Caryatids of the Erechtheion were carved in the late 5th century BC at the height of Athens’ Golden Age. Far from the pale stone we see today, they were once painted in vivid colour, with bronze details woven into their hair and robes.
Today, five of the originals are housed safely in the Acropolis Museum in Athens. Their missing sister was taken by Lord Elgin in 1816 and remains in the British Museum.
The Caryatids were originally built to stand on the south porch of the Erechtheion temple on the Acropolis of Athens. That’s where they supported the roof for over 2,400 years.
This photograph captures one Caryatid gazing over Athens - strong, graceful, and still marked by absence.
A reminder that the debate over the Parthenon Marbles is not only about art, but about identity and return.
Photographed by Walter Hege in 1928.
The House of Caryatids, Athens - Greece
45 Agion Asomaton Street, Psyri
The House of Caryatids in Athens is a typical example of Athenian neoclassicism. The building is known for the two caryatids supporting its balcony. The Caryatids were created by the Aeginian sculptor Ioannis Karakatsanis, who also owned the house. The sculptures are believed to be modeled after his wife, Xanthi, and her sister, Eudoxia. The house was sold and a local barber who owned the shop downstairs invented an urban legend that attracted clients. The legend says that the caryatids represent daughters of the first owner, who were poisoned by the evil stepmother.