I made another canon designs redesign (and I gave to Lard Nar his own blaster)
headcanon about Professor Membrane:
Professor Membrane often lacks sleep, which is why he has dark circles under his eyes (and also because of the glasses pressure on his eyes for several hours while he working)
he is usually only without a robe at home, he goes out as disguised as possible, fearing that his children will be compared to him and suspected of being too similar like they're his real clones.
headcanon about Almighty Tallest Red and Purple:
one Red's antennae was shot off by Lard Nar's blaster during a more serious invasion of the Massive by The Resisty, and Red also has many scars on his body under his uniform (unlike Purple, he's absolutely clear), since he is the most combative Tallest and he mainly solves problems of various threats to the Massive and The Empire, while Purple rests behind him and enjoys the protection of his partner.
LINKS:
read post about Mr. Dwicky:
đŹ 0  đ 4  â€ïž 81 · MISTER DWICKEEEYYY!!! · Did you ever had a thought that Mr. Dwicky and Pr. Membrane may have more in common than it seems
read post with Lard Nar's mention:
đŹ 2  đ 6  â€ïž 65 · It's not my first IZ OC, but I made it for another my own IZ fan project (I was inspired by other artists ideas for Vortia
post with main character's redesign:
đŹ 1  đ 3  â€ïž 50 · HAIII I just wanna say I adore your ZaDr art sm T__T <333
def one of the best fanartists I have seen in a long time since
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Aside from my own Headcanons and Theories concerning Essi Daven, I wanted to compile a character reference sheet for those of you who may want to write her or think about her independently from my own creative perspectives. This is, of course, still subjective, but Iâve linked my conclusions directly back to the source text and kept strictly to canon information for this. There is still conjecture, but that is largely where the role of fanfiction steps in. I hope you enjoy.
Physicality
Right away, we see Essi as a blonde-haired, fine-featured, petite young woman. Nothing remarkable or extraordinary about her appearance aside from her eyes. As we come to know her more and more, itâs her behaviour and physical mannerisms rather than her appearance that make her more alluring as a side character. Throughout this story, we see her âsmile oddlyâ, âsnearâ, and on more than one occasion, sheâs seen âdefiantlyâ tossing her head (usually accompanied by blowing her lock out of her face).
On more than one occasion, sheâs seen drawing her head to her shoulders. To me, this is not shyness or desire to hide. It is a turtling at times if sheâs feeling particularly vulnerable or overwhelmed, but itâs also a very casual pose. On the terrace during the banquet, Geralt finds her leaning on her elbows with her shoulders hunched up looking at the water. Sheâs capable of poise and all the social graces required of a banquet, but when she has time to herself, she slouches, reverts to whatâs comfortable, is a dork when sheâs in her own head. Yet she âdaintilyâ steps onto the pier to join Geralt the following morning. Based on this information, I put to you that she is someone whose eccentricity cannot be fully tamed by ârefinementâ.
We see more evidence of this in her handling of her âbirthday presentâ:
At first, her reaction to the stinky mollusk is, âYuk!â and she responds in a âtypically daintyâ way, holding the shell at armâs length. That is, until she's given permission to like the shell. No longer socially ârequiredâ to find the smelly slimy ocean thing disgusting, Essi lets her more relaxed side out, pulling a knife from her belt (!), and dumping the insides out the window with the practical announcement that âthe cats can eat it.â Her ability to turn 180° from âEwwwwâ to âOh, here, let me just shuck this with my casual waist-knife and chuck it out the windowâ makes for a high likelihood that she wasnât that grossed out to begin with, but was rather performing societal expectations.Â
This brings us to:Â
PersonalityÂ
Weâve already touched on this a little, but I want to focus now on Essiâs personality, which is rather complex. One of the most general details about her personality, however, is in her speaking: sheâs direct. Oftentimes blunt. Even if sheâs feeling unsure, sheâs not unsure of her words. She often says or asks things seemingly out of the blue, and doesnât shy away from Depth in her conversation. Rather, it seems to be her comfort-zone, since she defaults to asking Geralt what he associates with the sea rather than making smalltalk.Â
That last statement, that sheâs neither calm nor composed, to me says a lot. She speaks what she feels, often more easily than what she thinks. And I suspect that she often experiences her thoughts as feelingsâsomething that comes from her gut rather than her head which is reserved for biting wit and incisive observation.Â
Essi knows people. Knows them well enough to push their buttons, either jokingly or politically. Sheâs not afraid of authority, and even though her emotions fill her entirelyâto the point her hands will shakeâthey do not render her helpless to them; rather, it seems, her emotions fuel her rhetorical capacity. Being a bard, this makes sense since the language of song and poetry are driven by the dialogue between emotion and intellect.Â
Moreover, she speaks what she feels to be the truth of her experience, whether itâs her experience of someone else, or her experience of herself. What she believes to be true (however subjectively) she speaks. And if she doesnât know something, she asks and bluntly:Â
The fact that she âblanchesâ yet doesnât stumble over her words here tells me sheâs an excellent performer, and reinforces my previous comment that while her emotions fill her, they donât rule over her. And yet, we also know she is impulsive and impetuous from her conversation with Geralt on the terrace:Â
In this exchange, we see one of Essiâs most fascinating self-contradictions at play. She claims not to know how to control herself, says she is impetuous, reactive (the next morning she bluntly admits to being ânoseyâ and owns it). And yet her ability to recognize and acknowledge her lack of self-control indicates a depth and a level of self-awareness that reinforces my previous statement that she experiences life as a series of feelingsâimpulses, emotions, âvibesââmore than what we would categorize as âthoughtsâ. Essi doesnât have an internal monologue; she has an external monologue of whatever internal experiences make their way into a verbal headspace. Sheâs not one to prattle on, talk for the sake of talking (like some Other Bards we know) because even though she has a lot going on internally, only some of it will ever make its way into words. Â
As demure, dainty, and fragile as Essi seems to be, she also has, as Dandelion puts it, âa dark sideâ.Â
Exactly what that is, we never really learn, but we get a glimpse of it from Geraltâs perspective at the banquet:
What did she say? While we may not be meant to ever know the answer, we know that a) Essi was smug about it; and b) whatever it was was cutting and more than likely sexually demoralizing in nature.Â
Which brings us toâŠ
Sexuality and Romance
There are several instances throughout A Little Sacrifice that indicate a level of sexual maturity and confidence in Essi that contrast interestingly with her emotional naivety (which Iâll get to in a moment).Â
Itâs possible, in this instance, that Essi simply doesnât not abide by the same ârulesâ about physical boundaries and various social meanings behind physical touch. This moment is certainly not enough to draw any conclusions one way or another. However, the description of her kiss with Geralt on the terrace is less ambiguous in this way, more ambiguous in another.
I first want to fully acknowledge that this scene is a mess of different signals, and I believe the lack of further insight on the part of the author is not intriguing, but lazy. But I digress. She kisses him eagerly and expertly, which suggests that she, mechanically at least, knows what sheâs doing with her face and someone elseâs. The fact that she distances the rest of her body from Geralt suggests a few things: a) she wants to kiss Geralt but doesnât know whether he feels the same way, so doesnât want to commit fully; b) she knows that Geralt doesnât know why heâs kissing her, and so is trying to distance herself from him so that neither of them makes a mistake; c) sheâs caught off-guard and doesnât mind having a good smooch but doesnât want him to get the wrong idea about her wanting anything else; d) all of the above.Â
I would include the possibility that she feels threatened by him and is merely going through the motions, but thereâs enough evidence before and after to refute that as a forefront possibility. Thatâs not to say it isnât in the background, but the use of âeagerlyâ would suggest that sheâs enthusiastic about a little lip action. We do know that sheâs not âlooking for a man for the nightâ from the end of their conversation before going back inside.Â
I have a few headcanons about Essiâs sexuality and I shuffle back and forth between them depending on the day. Thereâs enough evidence to support a halfhearted claim that Essi is a virgin (which doesnât inherently negate the evidence for sexual confidence), but I lean more toward the notion that Essi is sexually experienced (thought likely far less than Dandelion), picky (hence the red-eared young man at the banquet), and romantically inexperienced. There is, I will say, a level of modesty, vulnerability, and hesitation in her interactions with Geralt that lead me to believe she has had minimal directly-sexual encounters.Â
Is it projecting to say she reminds me a lot of myself in my early-20s? Yes. But to say this character resonates very strongly with my personal experiences, I think, gives some character insight where information and road signs are lacking from the author. And I will say, it is very in-keeping with Essiâs ongoing self-contradictions to be both bawdy and sexually inexperienced. Her canon story arc, unfortunately, doesnât allow us to imagine her a few years older, but the idea of a more confident, self-assured Essi at 23/24 makes me very happy.Â
Now, Iâm not going to slog through the dialogue disaster that is Essiâs emotional outpouring to Geralt, but suffice it to say, itâs clear sheâs never been infatuated/in love before, though she is clearly a romantic. She hates the feeling of being in love, hates that it turns her needy, hates the way it makes her skin crawl and her stomach churn. But thereâs something appealing about it as well, and I think thereâs a part of her that is desperate to make love. Regardless of whether or not sheâs sexually active, to me itâs clear that she wants an emotional-physical connection of some kind; she seeks out comfort from Geralt, seeks out affection, tenderness, but she is also seeking an emotional returnâthe little sacrifice that Geralt cannot find within himself to give. If sheâs had bedmates in the past, it would be remiss to call them lovers.Â
Thatâs it, folks! Thatâs all Iâve got for the time being. As always, questions and observations are welcome (as well as disagreements as long as youâre willing to do it nice and polite like).Â
Happy April Foolsâ Day! Hereâs a translation of the first-press DLC event from the recently released Kuroko no Basuke 3DS game, Kuroko no Basuke: Mirai he no Kizuna. This in-game event âŠ