#caldella

That maybe like he's been doing with his personal life, he should be asking some more questions about the impact of the jobs he's taking on, too? Add in the way Blitzø insists constantly that he's an assassin, not a bodyguard, but he is super protective of his loved ones and has proven to be really, really good at saving people...

Incoming IMP revolution theories might mess this up, but I am going to be SO, SO HAPPY if the eventual end-of-show route for IMP is that they transfer from murder to being bodyguards for hire. Like IMP is now Imminent Murder Prevention or something. Blitz is getting over his mentality that he can only make people's lives worse, and what better symbolism for that than his entire company eventually being devoted to protecting/saving people instead of destroying them?

They still get to fight/shoot/kill if needed, but to help instead of harm. The absolute symbolism. The way that would probably be really good for Blitzø's mental health once he makes that connection because he loves helping people he likes or thinks need it. Moxxie might like it, too. Just everything about this possibility.

Blitzø lost every close childhood connection after the fire and basically changed his entire self to create distance from who he was, even altering his name. When the show started, everyone who had known the old him (his dad, Fizz, Barbie) hated him. The Blitzø before Full Moon didn't value himself. He put on a cocky facade and tried not to think about the implications of his behavior.

And this was his mindset when he went to steal the grimoire. We're not sure if the IMP crew knew he was trying to obtain it. Personal guess? He told them he had an idea to improve their business and didn't elaborate. He knew how easy it had been to steal from Stolas as a kid and convinced himself it would work this time, too. Blitzø didn't let himself think too hard about the risks, or if Stolas didn't deserve to be stolen from a second time. Sure, he seemed to think Stolas was decent by the end of their time as kids. But that was 25 years ago. Blitzø was shitty now, life was shitty, everyone was shitty, surely Stolas was shitty now too, and everyone hated Blitzø anyway, so what did it matter if what he was doing was unethical?

But Stolas didn't see him as shitty. It would've been completely acceptable for a prince to have the imp who broke into his home obliterated. He didn't do that, or have him arrested, or even question him besides some teasing remarks. Stolas saw the grownup version of the kid he once admired and sat him down for conversation.

And that same vulnerability/callback to their child selves was also what snapped Blitzø out of his decision to just take the book and go. And his 'real fast' didn't end up being that.

And here's where my fan theory comes in.

This was Stolas' first situation where he felt wanted, where he had a crack of light in his very dark life that made him believe he could make choices for himself. But what about Blitzø? This dude got down bad, too. What happened that might've started the cracks in his own emotional walls?

Based on S1E1, Stolas allowed him to take the grimoire instead of Blitzø stealing it, and he knew Blitzø intended to use it for his work. Which meant at some point in this "real fast" night, Blitzø must have explained what he wanted it for. (Well lol Mission Zero blew this out of the water, but bear with me please, my point still kinda stands metaphorically)

This IMP concept was, from the start, an anomaly. Imps don't own their own business, especially in the Pride Ring despite this literally being Imp City. They don't have their own office. And Blitzø hadn't told the rest of his crew about the office before leasing it. When we got the flashback to Blitzø first renting it, his best friend, the person who believes he can do anything, thought he was reaching higher than she and the crew could handle.

But you know who would never doubt this goal of Blitzø's at all? Who would've completely supported this bonkers idea and hyped up Blitzø's confidence that he could do it?

Who was disconnected enough from working class reality that he wouldn't realize how out-of-touch this dream potentially was?

Stolas.

If Blitzø mentioned any of this - the IMP business, the goal of having Sinner clients, renting their own office - Stolas didn't see an imp trying to aim too high. He saw the same ambitious kid he used to know, working toward the dream he always had - even if the nature of the business changed. And he very well might have mentioned that, too. I think this childhood dream was something Blitzø had buried in the back of his head. But he'd spent 15 years losing or separating himself from who he was since the fire. He might not have made the connection that this dream of IMP was, essentially, who he always has been.

Stolas was the first person in Blitzø's life who knew him as a kid and still validated him as an adult. Who never treated any of his goals as out of reach. Who started making Blitzø confront that, under his new persona, and despite all the shit he'd been through, the Blitzø he had been as a kid was still there. (Edit - I'm actually wondering if that's part of why, when we see flashbacks of their interactions from Blitzø's POV, Stolas always looks rounder/softer and more like his kid self.) Stolas made a link between young Blitzø's and adult Blitzø's dreams and wanted to see them succeed, even if the methods eventually used were illegal and could carry significant consequences.

And then we had Blitzø, who grew up in a circus where coworkers/family were one and the same, using Stolas' grimoire for his own business. He tried to convince himself that Stolas' affections were fake. But as others have pointed out, he never tried alternate methods to access the living world when he could have. In my personal fan opinion, Blitzø started to tie Stolas into IMP's success the moment Stolas believed in Blitzø's goal and decided to support it, even if he didn't realize it. Blitzø does not want to do things alone. Even if this faith in him was fake - it had to be fake! Everyone hates him! - it was constant, and he didn't want to lose it. There was not IMP without Stolas' support, literally at first and eventually because Blitzø didn't want there to be.

And Stolas, for his part, never rescinded that support. Even when IMP was captured by humans. Even when the grimoire was easily stolen out of Blitzø's own office. Even when things started breaking down between them, Stolas tried to reassure Blitzø that his work wasn't in jeopardy. Because he knew this office, this business, was Blitzø's dream. It was more than a job - it was part of Blitzø's identity, who he was.

Stolas fumbled over this in Full Moon at first, when asking for the book back, but he made it very clear right after that he did not want to make any decisions that would prevent Blitzø from being himself. Even as he felt he was losing Blitzø, he believed in him.

We've realized over S2 how much Blitzø did for his IMP team, and also Stolas. But I think this is an important connection, and I hope it gets touched on in S3, even if just in a brief conversation. Yes, Stolas was guilty of putting Blitzø on a pedestal many, many times. But I think that unfaltering belief was part of what made Blitzø get so attached to him. And why part of his breakdown in Ghostfuckers included letting the IMP business falter and nearly crash. The Full Moon not-a-breakup caused a spiral in his self-loathing, and his self-destructive fear that he would push everyone away. But additionally, IMP it currently was - the office, the clientele, etc. - only got off the ground because Stolas unequivocally believed in Blitzø. He had been an unseen force/support behind IMP and Blitzø ever since S1.

And if the person who most believed in Blitzø's success was gone, what was the point of having it?

Trait Two: Extroversion

Both Blitzø and Verosika seem to be extroverted and prefer being around other people (or demons, whatever). In fact, I think they emotionally rely on it. From what I recall, Ozzie's is the only time Verosika shows up alone anywhere. Other than that, the closest she comes is showing up for work in Spring Broken with Tex her bodyguard. She's otherwise constantly surrounded by her employees/coworkers or hosting events for people she invites. While her screentime has been limited, I get the feeling she doesn't like being by herself. Neither does Blitzø, who's made an entire found family for himself for that same reason.

Trait Three: Crass

In a show with plenty of swearing and crude humor, both of them are pretty high on the list for quick insults or crass remarks. They're both so blunt that the other's attitude probably never phased them while they got along. But I'm guessing that also prevented them from having a lot of more meaningful conversations without reverting to this as a safety net.

Trait Four: Deflecting Accountability

Both of them have some seriously damaging behavior: Blitzø with his sabotaging relationships and Verosika with her insistence that she's too successful for rehab. Blitzø uses his deflection to avoid getting close to people or looking too far at his own self-hatred. Verosika sees rehab as an admission of weakness that could damage her image/career. Both hide serious problems under a mask of confidence.

Trait Five: Using A Painful Reminder to Make a Statement

It seems that Blitzø never officially changed his name's spelling to Blitz. Instead, he insists on the "O" being silent, distinctly marking that his association with his circus/clown origins are done. Similarly, Verosika chose to cross out her Blitz tattoo instead of cover it up - a black heart would've literally matched her face marking - and she wore pants with a crossed out version of Blitzø's forehead mark in Apology Tour. Perhaps she got her tattoo altered before rehab, or perhaps she got inspiration from Barbie's crossed out forehead marking. Either way, both she and Blitzø don't actually eliminate these signs of their past selves, the hurt selves that they're afraid to let the public see. They instead use the reminder as a sign to the world that they're different now.

Trait Six: Coping with Emotions via Violence or Self-Destruction

I agree that the Anti-Blitzo party was weirdly violent with its imagery (and the foreshadowing of the cake being beheaded isn't lost on me). But whenever I see people bring up how violent the party was, they don't seem to consider that Blitzø takes out his feelings via violence, too. He does it literally, especially if he's frustrated/avoiding introspection. That isn't dissimilar to Verosika using performative violence to cover up her emotional pain. Perhaps she learned some of it from him.

Both of them also lean towards self-destructive behaviors to handle negative feelings. Verosika is shown as an alcoholic from her first appearance. Blitzø's binge in Queen Bee seems to be a one-time thing and not a habit, but between that and his spiral in Ghostfuckers, it's clear that he also uses self-destructive behavior to avoid addressing his vulnerabilities.

Trait Seven: Projecting Negative Generalizations Onto Others

(Yes bringing back the 'everyone's shitty' screenshot again)

I have to thank this post from timkontheunsure for actually having this piece fall into place for me. Both of them, when facing (real or perceived) rejection from someone they've developed feelings for, turn it into anger. They respond by putting people into a category and assuming that they must be the same as everyone else within it. Blitzø struggled so bad with the idea that Stolas could have feelings for him that he rejected it and assumed Stolas would function like every stereotypical uncaring royal. His negative perception of royalty as a whole was thrown onto one person despite conflicting evidence. He did the same with the Anti-Blitzo party, when Verosika tried to confront him on his own behavior. No, HE wasn't particularly shitty, he was just a denizen of Hell. Everyone there was shitty.

And Verosika did similar with Stolas, by assuming he would be just another bitter ex completely wronged by Blitzø. She assumed that the party and venting about Blitzø would be cathartic for him like she felt it was for her. There was no room for gray area in the situation. With the drastic way Blitzø hurt her, surely everyone else he's hurt must feel the same way and need the same outlet.

Conclusion:

We'll see if the show ever addresses it, though I don't think it's something they really need to. I'm guessing that their combined ambitious personalities and 'I don't give a fuck' attitudes drew them to each other. And since they dated before Blitzø adopted Loona, he was likely in his wilder party phase as well. Verosika probably felt like they could take on the world (Hell) together, but either Blitzø was not as attached or his self-destructive tendencies sabotaged things the moment they became serious, as he's had a habit of doing. I think Verosika made the anti-Blitzø motif such a drastic part of her persona to prevent a public scandal about the hurtful/embarassing breakup. She's a major celebrity under the public's eye. She's a species entirely devoted to lust over love. To her, it was safer to have a justified target than to be the target herself.