Mar 14
Prince Rainier and Princess Grace of Monaco attend the bullfights at Palma (Majorca) during their stay on the occasion of the opening of Son Vida Hotel. Photo taken on July 2, 1961.
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Prince Rainier and Princess Grace of Monaco attend the bullfights at Palma (Majorca) during their stay on the occasion of the opening of Son Vida Hotel. Photo taken on July 2, 1961.
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03-31 | Matadors have to have great cheeks to flesh out those tight costumes. misterlemonztenth.tumblr.com/archive
Nothing like Monday night at the bullfights to start your week off right. #bullfights (at Newman, California) https://www.instagram.com/p/CTzr6kLJvux/?utm_medium=tumblr
Read Mike Centeno on shattering the macho illusion of his grandfather, in our ANIMALS issue.
Bulls don’t hate the color red. In bullfights, they charge at the cape because of the motion it makes when the matador waves it. The reason the capes are red is to mask the bloodstains from the fight.
Photo : Hans Watson / Flickr
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Bulls chase daredevils through Pamplona's narrow streets
For eight consecutive mornings, runners dodge bulls as they race through Pamplona's old city. See more of the thrill-seekers and the Sangria-fueled celebrations here.
Horses tortured in bullfights
Horses used in bullfights are old horses, sold after serving throughout their lives. Their vocal cords are mutilated to not scream of fear when the bulls approaches them or of suffering pain when they enforces. So the public does not realize when animals suffer. When the Bullfight starts, horses were blindfolded, Vaseline and cotton in the ears and nostrils, depriving them of their senses.
The danger inherent to the bullfight is evident in this print of a tragic event that Francisco Goya witnessed in Madrid on June 15, 1801. A bull escaped from the ring into the crowd of spectators, killing two people. Several decades before the invention of photography, Goya captured the spontaneity of a freeze-frame moment, placing the viewer in the role of one of the spectators in the stands. See this and more of the masters prints now on view.
"Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Terrejon (Desgracias Acaecidas en el Tendido de la Plaza de Madrid, y Muerte del Alcalde de Torrejon)," 1815–16, published 1816, by Fracisco Goya