vampires apokuna is like peak tormented knightgirl to me if you plopped her in an anachronistic elden ring or hollowknight-like setting and gave her weaponry..well. she'd be out there. dodgerolling.

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vampires apokuna is like peak tormented knightgirl to me if you plopped her in an anachronistic elden ring or hollowknight-like setting and gave her weaponry..well. she'd be out there. dodgerolling.

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unknown || v, excerpts from a book i’ll never write #2 (via) || fatima aamer bilal, excerpt from moony moonless sky’s ‘i wish to be the sun.’ || Summer Underground, I Run Away || Anaïs Nin, Mirages: The Unexpurgated Diary of Anais Nin || Henry Miller, from 'A Literate Passion: Letters of Anaïs Nin & Henry Miller 1932-1953' || wormzandgutz || x || Helene Cixous, Love of the Wolf || The Antlers, Putting the Dog to Sleep || Hurray For The Riff Raff, Jealous Guy || molabuddy on tumblr || dazzlingtiredeyes || Audrey Emmett || the Silt Verses, Chapter 5, Season One || Henry Miller, from 'A Literate Passion: Letters of Anaïs Nin & Henry Miller 1932-1953' [again] || fatima aamer bilal, from moony moonless sky’s ‘i am your mould, but the shape of you is true absence, leaving me purposeless.’ || Langston Hughes, 'Poem'
@wormzandgutz happy birthday!
i drew this awhile ago bc i <3 making crossovers literally no one asked for
according to my dash they're doing this to pearlescentmoon in double life
look at me. you need to give that fictional woman in the story you’re writing more complexes and emotional issues. for feminism.

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apokuna could survive bloodborne but she'd fucking hate it the whole time
one thing about vsmp apokuna that i think is very fun is that she appears to not only be in love (with cherri) but also enjoys the idea of love. she values it in and of itself and she considers it to be a humanizing and redeeming motivation! she considers being in a romantic relationship with someone outside the town to be a justifiable motivation to murder all the humans inside it (granted apo is operating on a bit of a bias here) and she asks owen if he's ever loved someone before. do you think they would wander through the forest post-turning with a hand pressed to where cherri embroidered little apples on the inside of their dress?
interesting that (presumably dead) lords are responsible for naming children in Cyshane. it’s a fun little demonstration of the paternalism of the takeover + the idea that the dead are specifically superseding the living as authority over children.