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Riley Green is making waves with “Change My Mind” from Nashville Harbor, revealing his signature storytelling and relatable themes. Tucker Wetmore is catching fans’ attention with “Brunette,” a catchy track from BBlocks/Merc/Mercury Nashville that showcases his unique sound. Gavin Adcock poignant ballad “Never Call Again,” released under Warner/WRN, captivates listeners with heartfelt lyrics and emotional delivery, solidifying his place on the charts. Tucker Wetmore Luke Combs continues to dominate with “Sleepless In A Hotel Room” from SMN/Columbia, blending his rich vocals with relatable narratives. Stephen Wilson Jr. is rising quickly with “Gary,” a standout track from Big Loud/Mercury/Republic that highlights his distinct sound and storytelling prowess. Chase Matthew’s “Holdin’ It Down” from Warner Nashville/WAR offers a feel‑good vibe that resonates with fans, making it a fast climber on the charts. Corey Kent and Koe Wetzel team up for “Rocky Mountain Low” from SMN/Combustion/RCA, combining irresistible melodies with relatable lyrics for a collaboration listeners can’t get enough of. Randy Houser turns heads with “Back In The Bottle” from Magnolia Music, showcasing his rich vocal talent. Flatland Cavalry’s “Never Comin’ Back” through Lost Highway/ICLG captures the essence of classic country with a modern twist, further propelling their career forward. Read the full article

Luke Combs’ “Days Like These” (SMN/Columbia) extends his streak of heartfelt country anthems, resonating with fans nationwide. His ability to pair relatable storytelling with stadium-ready choruses continues to define modern country’s mainstream appeal. Dustin Lynch’s “Easy To Love” (Broken Bow) adds breezy, radio-friendly charm, a reminder of how lighthearted tracks can balance the format’s heavier themes. Greylan James’ “Water At A Wedding” (Nashville Harbor) delivers vivid storytelling, painting cinematic scenes that showcase the enduring power of narrative-driven songwriting. Together, these tracks highlight the strength of both traditional and modern country sounds climbing the charts. Carly Pearce Carly Pearce’s “Dream Come True” (Big Machine) highlights soaring vocals and emotional depth, cementing her reputation as one of the genre’s most expressive voices. Shinedown’s “Searchlight” (Atlantic) injects a rock edge into the format, demonstrating how AC40 and country audiences alike are embracing diverse influences. Alexandra Kay’s “Straight For The Heart” (Wheelhouse) blends sincerity with powerful delivery, further proving that authenticity remains the cornerstone of country’s appeal. Megan Moroney’s “Beautiful Things” (SMN/Columbia) continues her rise with relatable lyrics and warm delivery, positioning her as one of the most promising new voices in Nashville. Read the full article

Luke Combs’ “Days Like These” (SMN/Columbia) extends his streak of heartfelt country anthems, resonating with fans nationwide. His ability to pair relatable storytelling with stadium-ready choruses continues to define modern country’s mainstream appeal. Dustin Lynch’s “Easy To Love” (Broken Bow) adds breezy, radio-friendly charm, a reminder of how lighthearted tracks can balance the format’s heavier themes. Greylan James’ “Water At A Wedding” (Nashville Harbor) delivers vivid storytelling, painting cinematic scenes that showcase the enduring power of narrative-driven songwriting. Together, these tracks highlight the strength of both traditional and modern country sounds climbing the charts. Carly Pearce’s “Dream Come True” (Big Machine) highlights soaring vocals and emotional depth, cementing her reputation as one of the genre’s most expressive voices. Shinedown’s “Searchlight” (Atlantic) injects a rock edge into the format, demonstrating how AC40 and country audiences alike are embracing diverse influences. Alexandra Kay’s “Straight For The Heart” (Wheelhouse) blends sincerity with powerful delivery, further proving that authenticity remains the cornerstone of country’s appeal. Megan Moroney’s “Beautiful Things” (SMN/Columbia) continues her rise with relatable lyrics and warm delivery, positioning her as one of the most promising new voices in Nashville. Read the full article

As fall unfolds, fresh radio singles heat up the airwaves—setting the perfect tempo as we edge into the holiday music season faster than you can say “deck the halls”. These tracks get you primed for pumpkin-spiced vibes and countdown playlists, while laying musical groundwork for those festive jingles that always sneak up on us. This summer of 2025 provided us with some amazing music highlights. It did seem however to end almost before it began. In the top of the pop charts, if your name was Sabrina Carpenter, you could say that you had a very productive and chart-breaking summer. If you were in the Country field and your name was Megan Moroney you could say that it was a breakout summer for you at that format. Regardless music provided a little something for everyone and that made radio and their listeners all pretty happy campers. For the fall season major labels are lining up some enviable releases this season—with Doja Cat’s “Jealous Type” (RCA), Zara Larsson’s sultry “Crush” (Epic), and the dynamic duo of Marshmello & Jelly Roll bringing “Holy Water” (Mercury/Big Loud). Expect these tracks to resonate on mainstream radio and streaming playlists all fall long. They are already off to a very impressive start and we will see how it all plays out very soon. Read the full article

“Loving Buck McCoy’s “Paris Texas Man” (Weir Brothers) on Country KGRS” Jason Kranz/Stillwater, OK Read the full article

“Loving Buck McCoy’s “Paris Texas Man” (Weir Brothers) on Country KGRS” Jason Kranz/Stillwater, OK Read the full article

“Loving Buck McCoy’s “Paris Texas Man” (Weir Brothers) on Country KGRS” Jason Kranz/Stillwater, OK

Luke Combs’ “Back In The Saddle” (SMN/Columbia) is already a massive hit, with radio stations across the country praising its catchy melody and signature Combs charm. As one of country music’s biggest stars, his music always resonates with listeners, and this track is no exception—program directors are reporting growing requests for the song. Riley Green, along with E. Langley on “Don’t Mind If I Do” (Nashville Harbor), has struck gold with this feel-good anthem. The song blends classic country vibes with a modern twist, and radio stations are loving its infectious hook and fun lyrics. Fans are already flooding social media with praise. Megan Moroney’s “6 Months Later” (Columbia) is a heartfelt, emotional ballad that has taken country radio by storm. Moroney’s unique blend of storytelling and raw emotion is earning her rave reviews from music directors and a rapidly growing fanbase, ensuring the song’s success in both requests and spins. Luke Combs Morgan Wallen’s “I Got Better” (Big Loud/Mercury/Republic) is skyrocketing on the charts and taking country radio by storm. Wallen’s unmistakable voice and relatable lyrics are resonating with listeners, and radio stations are already reporting high engagement, with requests pouring in from fans. Kelsey Hart’s “Fireworks” (Curb) is another song making serious waves on country radio. The track combines explosive energy with heartfelt lyrics, making it a perfect addition to AC and country playlists. Read the full article