After all the mutants in the world (bar a handful) gathered on Utopia, Magneto decided that Cyclops was worth following. He rocked up and tried to make peace but they told him to piss off. After a few other grand gestures (which I'll cover) Mags realised he needed an article of faith to prove his sincerity.
Without telling anyone what he was up to he found a nice mountain to meditate on top of. Scott was getting calls and warnings from all over about massive magnetic fuckery so he and Emma decided to investigate. He's doing something very intense, bleeding from the nose and sweating like a pig.
Oho, what's this? Kitty Pryde saved the Earth by making a giant bullet that was fired at it intangible. Unfortunately, she's been trapped inside for a while in comic book time. Every expert was canvassed and nobody could get her out. Fortunately, it's metal.
Mags flashes back to when he was in space trying in vain to save mutants. Kitty and the bullet were detected, but they had other things to do. He uses that memory to get a better lock on the bullet.
Scott and Emma don't know what the crazy old man is doing. They can't touch him or read his mind.
Emma takes the time to psychoanalyse him a bit, explicitly comparing him and Scott. I think she's onto something here but I'll touch on that another time. The Magneto/Scott relationship is an interesting one that's only grown since then.
After a day or so, instruments start going off and it becomes clear what he's up to - bringing Kitty home. There's definitely tension, because it's Magneto, but they can't do much about it.
Colossus is speaking hyperbolically here - he knows what's happening it's just wild shit. A staggering display of power.
Holy cats indeed. (Who says that?) Motherfucker did it. Not only did he find the bullet in space but redirected it to Earth and dissipated it safely. Kitty wasn't 100% okay, but that wasn't his doing.
He says 'there you are, Kitty' (I think, online Yiddish translation is unreliable) and then collapses into a coma for weeks, only waking up at the end of Messiah Complex. Pretty wild shit, Mags. Very dramatic as usual.
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2007's Astonishing X-Men Vol.3 #23 pages 2-3. Script by Joss Whedon, pencils/inks by John Cassaday (R.I.P.), colors by Laura Martin and lettering by Chris Eliopoulos.
Magneto is ambushed by an alien who depowers him with darts and beats him up. Then, he is dragged to the storage room where Madison Jeffries is held. Before locking him up, the alien ties up and gags Magneto.Â
(3rd pic is a close-up of bound and gagged Magneto & Madison Jeffries)
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Beast has no room to judge, he's always making uber verbose witticisms nobody understands. Aslan-looking MF.
I don't care what these haters think, this was a great joke. Everyone knows Piotr grew up in an isolated Siberian commune in the USSR - he was always the least worldly of the 2nd generation of X-Men, blown away by things like cars, Spandex, capitalism, nudity and definitely anything supernatural or cosmic.
The idea that this ignorant communist farm boy would be aware of Breakworld, let alone plotting its destruction, is objectively hilarious. That's even through the layers of distaste Joss Whedon's person casts on his work - the Rowling effect. By the white wolf! Bring back the Proletarian, again.