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Tfw you realize Marceline being dubbed The Star in the vampire universe calls back to the VK's Court being named after Tarot. Upside down Star tarot indicates that strategies need to be rethought. A loss of hope in the universe. Marceline casually trounces PB's strats. PB's troops are felled one by one. Fionna and Cake leave this universe with the creatures of night triumphing.
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Thinking of D as an inevitable villain and it's such a goldmine of what-ifs. The horrifyingly immense repertoire he could use to drain his prey. Something as a mix of both primal and methodical.
Behind the veneer of the sophisticated and stern extant is a beast of unending resource. There is so much that man has done in the name of science but they are temporary fixes in the face of the unknown. Sometimes an unstoppable force does not have an immovable object.
Wardrobe Parallels
I think it's super interesting how 'The Star' Marceline is a direct parallel to the episode 'Henchman' as well as 'Stakes.' From the purple wardrobe to the fearsome presentation of some of her powers. Henchman goes from a fakeout where she makes a meal of a guy (Eberhart, who can also be seen in the black tie party in Fionna and Cake's actual universe). But it's actually his bow because she drinks red. In this newest universe Marceline actually drains and kills Martin. There's another reference she makes to Henchman about how she rips out a guy's throat. But this time she's not talking about it through song....
She's a radical dame who likes to play games murder as a little treat.
Vampire Hunter D Bloodlust for the PS1 is so hilarious to me because it's a bargain bin FFVIII. That wants to be Silent Hill. Except you are The Horror. The Unstoppable Force. But the game feels weirdly campy in the way that it pads out the playtime with puzzles. I, the Goth of all Time have to find keys and music box passwords to open doors.
VHD Bloodlust for the PS1 I want to flatten you with a hammer.
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One of the biggest things about Adventure Time is that as seasons progress the series gets more mature. The show goes from a young brilliance to gradually mellowing out without losing its base identity. Because it grows up along with its audience.
Growing up means realizing that sometimes you will come across emotional roadblocks. I mean, good god, just think of the trend of characters’ rocky relationships with their fathers.
Sometimes during those roadblocks you realize that a simply sorry can’t fix everything. If you change for the better it doesn’t necessarily obligate anyone to take you back (Re: Finn with Phoebe). And sometimes the more you push the more you make the other person distant.
Hurting sucks, but it’s better if you have a shoulder to lean on. If you want to learn to love again you need to be honest with yourself and others. (Princess Bubblegum and Marceline.) You can’t always look to objects for abject emotional stability. You need people. People need you. (Princess Bubblegum again)
But god, one of its most poignant parts is that its morals and characters don’t get always solved instantly... or even at all.
In a world of magic solutions and intentions aren’t.
a universe in which marceline feared herself becoming a monster vs her being proud of it
the girls are fightinggggggg
