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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch âą No registration required âą HD streaming
Boiled Spaguetti served along creamy spicy green sauce, it is made out of chile poblano, a type of spicy pepper, imagine a green pepper but with a spicy and smokey twist.
The sauce is creamy made with sour cream (many mexican sour creams are not that sour! in fact the most popular made in my own state is slightly sweet since is usually eaten with bread) cream cheese, milk, chicken boillon and of course, previously smoked/toasted chiles poblanos.
It is also served with corn - Unlike other countrie's corn, Mexican corn is not exclusively sweet (or yellow! We have naturally purple, blue, pink and even black corn, since tortillas are made out of corn there are also naturally black, green or even pink tortillas!) so it tastes salty and adds a delicious moist juicy flavour.
Why Frank?
I would serve it to Frank because so far he is the most patriotic character played by Sergio, going as far to correct a literal judge's pronunciation on his cousin's last name - during a deeply serious trial agains thim with solid evidence.
So I would love to see his face as I serve him one of hi "tipical" foods with my own twist (he would shoot me).
Professore Salvatore (Toti) Bellastella
Chilaquiles
What is it?
Food inside a corn based tortilla? Tacos.
Food inside a corn based tortilla that is then deep-fried? Flautas.
Food inside a flour basedd tortilla? Burritos.
Food inside a flour based tortilla that is then deep fried? Chimichangas (depending on the prep).
Corn based tortilla that then is baked until crunchy, then added food on top as a plate that you can eat along with the food as a topping? Tostadas, mistakenly baptized as "taco bowls"
All of the above can have sauce inside and it does not really alter their meaning.
But if a corn based tortilla with food inside is then FOLDED and the sauce goes on top of it all they are called enchiladas (some fry the tacos, some just barely pass the tortilla through oil, and others leave the tortilla be).
Corn based tortillas cut in triangle shape and fried? Totopos (mistakenly called "tortilla chips" by americans)
Tortillas cut in triangle or other shape to be aded yellow cheese? Nachos.
Tortillas cut in triangle shape, then added roasted smokey salsa on top, served with sour cream, cheese, and depending on taste eggs or onions? Chilaquiles.
Why Bellastella?
Chilaquiles are Mexico's hangover food by excellence, spicy, crunchy and filling.
I believe it is pretty self-explanatory why I would feed Bellastella hangover food.
Of course "aguachile" (roughly translated to spicychili-water) is much better but that is because it is MUCH MORE spicy to the point that it makes trained lifelong Mexican's cry, so chilaquiles it is for this Italian boi.
Timoteo
Tacos de ojo
Eye tacos, are literally what their name say, tacos made out of cow's or other animal's eye. Squishy and disgusting to my personal taste, because Timoteo does not deserve love or tasty meals, let alone even food.
As an additional fact "Echarte un taco de ojo." - "Shoving down/eating some eye taco." is a Mexican expression to looking towards someone with desire/lust, so it fits this disgrace of a creature perfectly.
Piloncillo (also called "panela" in some parts of latin america) natural sweetner, I would describe it to a stronger honey and sugary at the same time
Aniseed
Orange zest - a bit more unpopular
Chocolate de mesa - The rough chocolate bars that are basically compressed chocolate that mexican hot chocolate it is based on
Personally I would give him my mom's version which was a base of cinnamon tea, when the tea boils she adds chocolate de mesa which disolves, then adds some coffee.
My mom singlehandedly solved the tea vs coffee vs hot chocolate dilema.
Pan dulce can vary a lot so I would let him choose betwen conchas, cuernitos, semitas and cochinitos.
My poor baby deserves to relax and I love him so much, I want nothing bad to happen to my previous, emotionally detached pretty princess.
But as a bonus - bad joke:
Huevitos divorciados
Mexican food has a green version and red version of pretty much EVERYTHING (enchiladas, chilaquiles, pozole, tamales), most popular in the salsas, there is this debate of which is better, usually green wins.
Two corn based tortillas are laid in the plate, then two fried eggs on top of each, as shown in the picture some people and restaurants lay down some beans in the middle to separate them, then each egg is served one with green and another with red sauce, in some occasions the egg is cooked alongside the salsa so the flavours mix.
I chose this for Dr. Giovanni as a bad joke since "huevitos divorciados" means "divorced eggs". Yeah, I know.
Geoffredo baby Tedesco
Molito con pollo
My baby boi knows what is it to live in hunger so I would lovingly make him the most toe curling Mole he has had in his life.
Mole is a sweet and spicy, rich and a bit smokey mexican thick sauce that accompanies boiled chicken and different kinds of rice.
I would serve that to Tedesco because I want to fill his precious tummy with delicious food but...
Mole is a pre-hispanic, native Mexican dish, it would also be a way to hit his most likely Euro-centric and xenophobic Ideals while simultaneously feeding my precious pillow I mean his belly.
Do you agree with this post?Which characters should I do next?
Toti woke up with a start, mouth dry, the room too quiet.
The fan was humming. His feet were warm. His shirt was halfway unbuttoned.
But she wasnât in his arms.
He blinked once. Twice. Then turned his heavy head toward the other side of the bed.
There she wasâcurled up like a sea creature. Facing away. Blankets stolen. Not in his hold. Not in her place.
Weird.
It was weird.
She was always right there, tucked under his jaw, her forehead on his collarbone, her body radiating annoying but delicious heat. And now she was⊠over there.
Why?
Had he done something?
Waitâwas he snoring?
Yep. Probably.
How does one even snore with a nose that big?
A cathedral of cartilage, echoing like a war horn. Of course she would run. Flee the nasal acoustics.
He should have invested in nose strips. Or yoga.
He stared at her shape in the dim light, her back turned to him like a betrayal. Like a cold shoulder. Like something gone wrong.
Well. No.
No, no.
No, sir.
This was his bed.
That was his girl.
And so, without grace and with the dexterity of a very drunk bear, he reached out. Flopped his arm across the mattress, grabbed a fistful of blanketâ
âand dragged her.
Gently.
Gently-ish.
She stirred, a muffled noise in her throat.
"Hush, hush," he mumbled like a child scolding a doll. âCome here. Stupid girl.â
And then she was against him again. Warm. Real. Right.
He wrapped his limbs around her like she was stuffed polyester and he was seven years old and the night was scary.
A plushie.
She was his plushie.
He nuzzled his face into her shoulder with a sigh of absolute satisfaction.
Everything was okay again.
You chose to move away from him.
It wasnât dramatic. It wasnât meant to be cruel. It wasnât even a punishment.
Heâd fallen asleep after scratching your backâslow, soothing circles with his fingers, a habit learned from someone who once loved him right. And that was the problem, wasnât it? Youâd felt a little too seen. A little too wanted.
And you didnât want to be wanted by a man like that.
Because it wasnât just that he loved youâif he did at all. It was the way he needed you. Clung to you. Pulled you into his broken softness like he was offering a place of comfort but asking you to be the comfort itself. He cradled you like a treasure, but sometimes it felt like he was hiding you there.
And that wasnât love. Not the kind that grew. Not the kind that lasted.
So you waited until his breath slowed. Until his snoring started in earnestâdeep, guttural, and ridiculousâand then you slid your body to the far end of the bed. Quiet. Careful.
You just needed some air.
Some room to think.
You werenât angry. You werenât sad. You werenât anything, reallyâexcept tired of pretending this wasnât complicated.
You pulled the blanket up to your chin, faced the wall, and closed your eyes.
This wasnât about him.
This was about you.
A reminder.
That you were not a safety blanket.
That you were not a mother, or a priest, or a fix-it-all.
You were not the warm light in a broken manâs chest.
You were a person.
And people?
Sometimes they need a little space.
You didnât tell him.
You just packed a small overnight bag, scribbled a sticky noteââGoing home for a bit. Need to be in my own bed.ââand left before he could wake up and ask questions.
Because how do you explain it?
That your body feels like itâs folding in on itself, that every inch of your abdomen aches and groans, that your back hurts and youâre bloated and irritable and bleeding like some gruesome Renaissance painting. That you feel ugly, not in the self-deprecating, poetic wayâbut in the real, animal way. The mortal way.
On top of the immense emotional pain he has caused you so far, on top of all the offenses and the way he seems to crawl back every time he needs safety just to run away just when you reassure him, you had another problem.
Your period, which came in the worse moment, while you were sleeping at his stupidly expensive bed
At least now you could excuse yourself, him, being the manchild he is would not get close to you with a ten foot pole the second you asked him for a pad.
You crawl into your bed at home, wearing the loose T-shirt with the holes in the sleeves and the sweatpants you wouldnât dare let him see. You bring the hot water bottle to your belly and turn off all the lights.
He texts you midmorning.
âDid I do something wrong?â
You ignore it.
An hour later:
âShould I bring pasta?â
You ignore that too.
Another hour.
âI cleaned the espresso machine. Not because Iâm upset. Just saying.â
You smile at that, but stillâno reply.
You donât want to be taken care of right now. You donât want to perform, or smile, or be precious. You want to bleed in peace. You want to feel gross and human and alone. You want to live through this cramp-heavy hell without having to make it palatable to a man who still doesnât understand the difference between a tampon and a pad.
You fall asleep eventually, curled up and sweating, a heating pad on your stomach and a cooling one on your forehead, mouth dry, skin clammy, heartbeat loud in your ears.
You wake up to a knock.
Two knocks.
And his voice.
Soft. Sheepish.
âAmore? I brought pads. All the kinds. I didnât know which one was right.â
âŠYou groan into your pillow.
You love and hate him equally.
He stands in the doorway holding three crinkling drugstore bags like offerings to some ancient goddess. A heating pad, two brands of chocolate, something herbal in a suspiciously expensive box, and every size and style of pad known to mankindâall still in their clunky plastic wrap.
You blink at him from your cave of pillows and self-loathing.
ââŠHow did you know I was on my period?â
He shifts his weight. Looks strangely solemn, like heâs about to deliver bad news.
ââŠDonât feel ashamed,â he says, gentle. âIt wasnât your fault.â
âWhat?â
âYou⊠stained my bed. Just a little.â
Your face burns instantly. You open your mouth, close it again, then bury your face into the pillow with a muffled sound of dying dignity.
âOh my Godââ
âNo, no! Itâs natural!â he rushes to reassure you, coming closer, bags rustling. âI Googled it. I even read an article on a medical site. It said not to shame women. And that you shouldnât be alarmed by the color.â He nods with strange authority. âIt said it can be bright red, or dark. Almost like⊠prune juice. Very poetic.â
You peek at him. âYou read a whole article?â
âSeveral,â he replies proudly. âApparently youâre shedding the endometrium. Thatâs a real word. I wrote it down. Endo-me-tree-yum.â He butchers the pronunciation.
You sigh and close your eyes. âYou didnât have to come.â
âI wanted to come,â he says, setting the bags down. âI didnât like you going away. It was like when you take the batteries out of the TV remote, and youâre left pressing buttons into silence.â
You crack a tired smile.
He begins unpacking the loot. âI didnât know what kind of pads you liked. These have wings, those donât. These are called âovernightâ but they donât seem like theyâd last the whole night. Thatâs false marketing.â
âBellastellaââ
âAnd I got you this,â he adds, pulling out a soft stuffed lamb, pink and white, stupidly cute. âThey say comfort is important. This one has beans in it. You can warm it in the microwave.â
You stare at him.
ââŠIsnât that for children?â
He shrugs. âSo are most of my coping mechanisms.â
You reach out, still weak and furious at your own body, and pull him into bed.
âThank you,â you murmur.
A stupid smile beams on his equally (or more) stupid face like he won a prize. âYouâre welcome. My endomeetrio princess.â
He sits at the edge of your bed, sheep microwaved to precisely what he believes is âuterus-friendlyâ temperature, wrapped in a kitchen towel because the microwave plate was âa bit suspect.â He places it gently on your lower stomach with the reverence of a man laying flowers at a grave.
âThere,â he whispers. âBattle sheep, for the cramps.â
You stare at him, barely upright under your weighted blanket of hormones and death. Your body is at war with itselfânauseous and hungry, horny and repulsed, sad and amused, in pain and somehowâŠaroused?
Your skin feels like it's buzzing, like it wants to be touched and left alone at the same time. You could cry because he forgot your favorite snacks. Or kiss him because he tried. Or hit him just because he exists (well, hormones or not you always felt like doing the last one).
âYou didnât want to cuddle me last night because of this, didnât you?â he says suddenly, voice dropping to that ridiculously gentle, mournful tone he uses when heâs about to make something your fault but in a loving way.
You blink. âToti, noââ
He nods to himself, cutting you off, already spiraling into quiet martyrdom. âYou didnât want to hurt me with your pain,â he sighs dramatically. âYou distanced yourself so I wouldnât have to feel it with you. How noble.â
âNo, idiot, I did not cuddle you because it is a deeply intimate act that requires equal parts of physical and emotional effort, which I do not have now, not for you.â
That is what you should have said, if you had the mental strenght, but you donât, and this arrangement is finally getting your hard work some recognition AND designer products, many other scholars fight claw and teeth for the level of prestige that Bellastella was handling you, many other women also dedicated their lives to get men with half his influence or net worth to take them for a week on a yatch.
So you donât say that.
You lift the sheep to look him in the eye. âNo. I just didnât want to bleed on your ridiculous silk sheets again.â
He shrugs. âYou shouldâve bled on me instead.â
âBellastellaââ
âSymbolic. Intimate. Red like love. Or war. Both are fitting.â
You let your head fall back with a groan.
He touches your hand, warm and calloused, grounding. âDo you want soup? Or painkillers? Or to scream into a pillow while I hold it for you?â
âI wantâŠall of it.â
âUnderstood.â He stands and leans down to kiss your foreheadâso delicate, like youâll shatterâand whispers:
âYouâre not alone in this bloodshed, amore. We fight together.â
You glance at the sheep, now slightly cooling. Youâre still nauseous. Still hungry. Still furious and aching and adoring.
But it feels a little better. Like someone finally put a Band-Aid on your open-heart surgery.
It's absurd.
And itâs him.
Heâs standing in your kitchen, peeling a banana like heâs trying to crack a safe, side-eyeing you from the corner of his eye as you lie on the couch in your oversized hoodie, looking like death warmed over and run through a blender.
You groan. Loudly.
â...You okay, amore?â
You donât answer. You make a low, guttural sound of pain and flop your leg dramatically off the side of the couch. âMy legs. My legs hurt now.â
He flinches, physically jolts. âYour legs?â
âYes, my legs,â you snap, sharp and irrational and halfway to tears.
He blinks. âBut...but cramps are for your tummy. And your mood.â He nods to himself, remembering. âMy sister used to say that. âMy tummy hurts and I hate everyone, give me the remote.ââ
You lift your head. âToti, your sister lied. Or didnât know better. Or didnât want to traumatize you. Or was just built different.â
âI was seven!â he says in self-defense, holding up the banana like itâs a shield. âI thought a uterus was like...a little angsty sponge.â
You throw a pillow at him. He doesnât duck.
âMy thighs feel like theyâve been steamrolled. My back feels like Iâm 94 years old. And I swear to God, if you say anything vaguely philosophical right now, Iâm going to vomit on your shoes.â
He hesitates.
Then he walks over and kneels beside you with an expression so sincere it makes you want to punch him and sob at the same time. âAmore. My precious, sexy, violently hormonal little lamb. Iâm sorry.â
You donât respond. Youâre too busy vibrating with nausea and rage and arousal and inexplicable grief. The heating pad is too hot. The blanket is too heavy. He smells too good. And you are entirely, unforgivably made of pain.
âI brought snacks,â he says.
âI donât want them.â
âI brought a hot water bottle too.â
âItâs not hot enough.â
âI brought a new sheep.â
You blink. He holds it out.
This one is pink.
âI thought variety might help,â he says softly, like youâre a hurricane about to hit land. âAlso, this oneâs name is Goffredo.â
You take the sheep. âGoffredo is a stupid name.â
âI agree.â
You press it to your belly and groan again. Then you burst into tears.
âOh no,â he whispers, horrified. âDid I make it worse? Is it the banana? Is it Goffredo?â
You shake your head, shoulders shaking. âNo, noâitâs everything and nothing and I love you and I hate you and I want to die and also make out and also sleep for nine years and also bite you and also why do my legs hurt?â
He hesitates. Then he kneels at your feet and gently lifts one leg into his lap. â...Muscles contract, right?â he mutters. âThereâs tension. Pressure. I can help. I think.â
âYouâre gonna make it worse.â
âProbably.â
He starts massaging anyway, big clumsy hands trying to find patterns. He hums a lullaby his mom used to singâcompletely off-keyâand you hate him a little less.
âYou are...the most confusing creature I have ever met,â he says quietly.
âSame.â
He smiles and keeps rubbing.
ââŠso in the last chapter they visited a chapel and they found a veil inside! And she put it on him and told him that he was beautiful, but she doesnât know that he is a priest yet a-â
You glare at him. âToti, for the love of God, stop talking and just rub my legs!â
He blinks.
Then his entire face lights up.
Like you just told him he won the Nobel Prize and he gets to give a speech in Latin while wearing a designer suit.
âYes, maâam,â he chirps, grinning ear to ear, and gets back to it with enthusiasm.
You instantly regret it.
âNoâwait, no, I didnât mean it likeâugh.â You throw your head back. âSorry. Iâm justâcramps. And youâre breathing too loud. And existing wrong. Iâm sorry.â
He hums. âOh no. Donât take it back. That was delightful.â
He leans in with a dreamy look on his face. âYou scolded me.â
You stare at him. â...You liked that?â
âI loved it.â
Of course he did.
You cover your eyes with your arm. âYouâre broken.â
âProbably. But youâre yelling at me, and youâre in pain, and I feel helpful, and honestly, this is the closest Iâve ever felt to being a real husband.â
You groan. âYouâre impossible.â
âAnd youâre mean.â he beams.
You try to scoff but your face softensâbecause heâs back to massaging your calves, completely focused, doing his very best. For once, heâs not flirting or pretending to be a monster or quoting Dante.
Heâs just...him.
âDo you want me to yell at you more?â you mumble.
He grins wider. âOnly if you mean it, dolcezza.â
Salvatore Bellastela,
He looks so happy when you kiss him.
Like a kid who got an extra scoop of gelato and was told heâs special. He makes a soft little âmhh!â and closes his eyes, cheeks slightly pink, lips parted in surprise. He leans closerâ
âand you shove him.
âWHY are you smiling like that!? This is not romantic! This is me being in pain!â
He stumbles back with the most pathetic pout, confused as a dog who was just told to get off the couch. âIâI thought that was a love kiss...â
âYou thought wrong!â you bark, grabbing a pillow and smacking him lightly with it. âI am bloated, miserable, and bleeding like a stabbed saint! Stop looking at me like Iâm your blushing bride!â
He raises his hands in surrender but doesnât move, the idiot. âOkay, okayâno romance. Just...support? I can be support.â His voice goes soft, too soft, like heâs talking to a wounded animal.
You squint. âStop that.â
âWhat?â
âThat tone.â
âIâm justââ
âToti I will cry and it will be your fault!â
You donât give him time to react. You grab him by the shirt, drag him into your arms like heâs a human hot water bottle, and absolutely sob into his chest.
Like a Victorian widow. Like a child denied candy. Like your uterus has declared civil war on your internal organs and Bellastella is somehow personally responsible.
He freezes for half a second.
Then wraps you up like a burrito, softly rocking you. âIâm here, amore. Let it out. Be horrible. I like it.â
âI hate you sometimes,â you whimper against his shirt.
He pets your hair, completely unfazed. âI know. Youâre adorable when you hate me.â
You pull back and glare, your eyes red and full of rage.
âWhy do you smell nice right now?! Who told you to smell like that?!â
He opens his mouth, then closes it. âI...thought it would make you feel better?â
âWELL IT DOESNâT!â
(You cling tighter.)
Toti adores this life.
Not the glittering gala dinners. Not the legal chess games where millionaires bet on him like a prized stallion. Noâhe adores this. Walking into your too-small apartment with a bag of groceries, his shirt half untucked, his sleeves rolled up like some suburban father of two. He hums while unpacking. He comments on how your kitchen smells like you. He waters the one plant that seems to be dying just out of spite.
He doesnât ask to be thanked. He just does it.
And when youâre in the bathroom, muttering curses at your uterus or demanding soup from across the apartment, he rushes to obey like a man grateful to be useful.
He never felt like this with Titi.
Titi, with her red lipstick and colder words. Titi, who made it clear that their house was hers, their dinners were her victories, and that his only place was to show up, behave, and stay out of her way unless needed for press. Toti married his way into the top floor of a Milanese empireâand it felt like being locked in a museum. No fingerprints on the counters. No TV too loud. No yelling. No being too soft, too emotional, too clingy.
But with you?
You scream at him. You cry in his arms. You cuddle him like a bear and then tell him to get away because youâre sweaty and gross and bleeding like the Virgin of Sorrows.
And he lives for it.
He folds laundry with one AirPod in and the TV blaring some terrible soap opera you like. He mutters plot theories. He texts you from the kitchen âWHY DID THE PROFESSORE KISS THAT GIRL? Is that legal?â and runs to rewatch that scene with you when youâre done with work.
This is what being a husband should feel like.
Not the legal contracts and quiet dinners, not the polite silence of a cold penthouse, but this: screaming, cuddling, dishes, drama, affection that doesnât need translating. Heâs the man who makes your soup and folds your pants and scratches your back just right.
Heâs home.
And he loves it.
âOh, look,â he beams, voice half-muffled against the pillow, hair a mess and one sock dangling, âI love your hair when you just woke up⊠so prettyâŠâ
You groan. âToti, shut up.â
He rolls onto his back like a starfish, already squirming with delight. âNo but really. This whole lifeâyour apartment? Your weird fridge that hums like an old man? The ugly mug with a chip you wonât throw out? I love it. It's like⊠cozy. Like a nest. Like a ratâs nest. But sexy.â
You squint. âWhat?â
âI love your rat nest, amore,â he insists with childlike conviction. âItâs so full of life. Like, your towels donât even matchââ
Thatâs the last straw. You sit up, blanket falling from your shoulders like a shroud of rage.
âNo. Absolutely not.â
He startles. âWhat?â
âYou donât get to romanticize this,â you snap. âThis isnât quirky. This isnât some whimsical indie film about poor-but-glamorous women who drink bad wine and write poetry on typewriters. This is me, living paycheck to paycheck with a fridge older than the Berlusconi trials, with a landlord who thinks mold is a personality trait!â
He stares, eyes round. You continue, fuming:
âYou go back to your villa with three floors and two espresso machines, and you talk about my chipped mug like itâs vintage. Youâre not visiting reality, Bellastella. Youâre playing house with a woman who has no backup plan. You donât get to cosplay poverty when your bank account has commas in it.â
You pause. He hasnât moved.
âAnd thereâs research on this, by the way,â you add, in full academic fury now. âRomanticization of austerity by the upper class. Itâs literally documented. Do you know how disgusting it is to frame survival as aesthetic? You think itâs charming that I canât afford a second blanketâyou get to be enchanted while Iâm cold.â
Heâs still staring.
You blink. ââŠAre youâare you even listening?â
He swallows. Nods. Then murmurs, dreamily, âThat was the hottest thing Iâve ever seen.â
You slap a pillow into his face.
He comes back from whatever rabbit hole the internet dragged him into this timeâprobably while pooping, because thatâs when he does most of his researchâand slams his phone down dramatically on the counter.
âI have something important to tell you,â he says, chest puffed up like heâs about to come out as a time traveler.
You raise an eyebrow.
âIâm a sapiosexual,â he declares, dead serious. âThat means Iâm sexually attracted to intelligence. It explains so much. Like why Iâm so into you. Your brain? Hot. Your rants? Pornographic. Your thesis? Erotic masterpiece.â
Without missing a beat, you grab the nearest spray bottleâkept exclusively for moments like thisâand give him a spritz right between the eyes.
He yelps like a cat, shielding himself with his hands. âHey! Iâm being vulnerable!â
âYouâre being insufferable. Youâre not âcoming out,â Toti. Youâre just a rich old perv with a type.â
He wipes his face on his sleeve. âA type that includes your brainy little behind, might I add.â
You roll your eyesâbut later, when he's not looking, you do start thinking.
You scroll back through memory. The parade of women that have been mentioned in half-finished stories or seen in passing on his phone when he forgets to hide his tabsâyes, theyâre all stunning. Models. Heiresses. One woman youâre pretty sure was Miss Switzerland 1999. Butâ
Wait.
The heiress? Law degree from Oxford. The model? Neuroscientist. The one who looked like a literal Renaissance painting? Published anthropologist.
Even his ex-wife, Tizianaâruthless, vicious, terrifyingâheld two PhDs and founded a nonprofit before turning 30.
You remember once hearing a story about him dating a woman in a wheelchair who was also a chess grandmaster. Another was deaf, taught classical Greek.
Heâs dated skinny women, thick women, tall, short, Black, brown, Asian, mixed, plus-sizedâbut never once someone without a graduate degree or three terrifying braincells that could build and dismantle empires.
Damn it.
The idiotâs right.
You mutter under your breath, âHe really is a sapiosexual.â
From across the room, without turning, he grins. âTold you so.â
You spray him again.
âCome meet me in courtâ just a text, so of course you go after him.
But today feels different
You werenât expecting itâhonestly, you never do with him. One moment he's snoring on your couch with crumbs on his tie, the next he's all silk and thunder, walking through the faculty hall like he owns the air.
Today, it's the latter.
Professor Bellastella. Full regalia.
Three-piece suitâmidnight blue. Tie perfectly knotted, cufflinks like tiny handcuffs in gold. Hair slicked but not too slick. Cologne warm and expensive. He walks like a man with an empire under his soles.
Heâs mid-conversation with a board member, something about restructuring the law curriculum, when he catches you walking by with a stack of documents hugged to your chest. His voice doesnât lower, but his tone changes completely:
"Ah, and here she is. My brilliant assistant.â
You freeze.
He waves you closer with a flick of two fingers, the kind that should offend you but somehow always makes your spine snap straight. âGentlemenâthis one right here? Best acquisition Iâve made in the past five years. Unmatched work ethic. Razor-sharp mind. You give her any problemâacademic, bureaucratic, moral, existentialâsheâll cut it clean with precision.â
Thereâs a beat.
You look at the board member. He's nodding, impressed.
You look at Toti. His eyes are gleamingâfond, proud, dangerous. The kind of man whoâs used to breaking people just to rebuild them better. And yet right now heâs standing beside you like youâre the prize on the pedestal, not him.
âSheâs already contributed to the Comparative Systems draft. Found errors no one else saw. Do you know what that means? Sheâs smarter than my entire editorial committee.â
You canât help it. Your fingers tighten around the papers. âProfessorââ
He cuts you off with a hand on your shoulder. âDonât be modest. You were made for this.â
There it is. The hit of dopamine. Of recognition. Of power.
He gives you that lookâthe one that reaches into the chasm where your impostor syndrome lives and sets it on fire.
Validation like fatherly warmth with just enough edge to be mistaken for flirtation. Validation like an expensive drug. Validation likeâ
âYouâll be running circles around all of us soon,â he murmurs low enough for only you to hear. âYouâll write the papers Iâll want to sign. Youâll win the grants I never managed. Youâll be the name they remember.â
You stare at him.
He smiles.
And just like thatâyour boss, your academic idol, your part-time sugar daddy, your full-time emotional parasiteâgives you everything youâve ever wanted to hear. All at once.
Male validation.
Father-figure approval.
Academic glory.
Career blessing.
Wrapped up in a smile that says: Youâre mine.
And somehow, in that moment, it doesnât feel like a prison.
It feels like a throne.
You slide into the passenger seat of his convertibleâtop down, engine already humming like an overfed housecat. The second you close the door, the illusion of âProfessor Bellastella, Italyâs top legal mindâ dissolves like sugar in hot espresso.
Heâs taken the suit jacket off, crumpled it on the backseat like itâs worth ten euros instead of ten thousand. His tieâs loose, hair tousled by the wind, and he has a single red gummy bear stuck to his collar.
Toddlastella is back.
âDid you know,â he starts, mouth full of something chewy and blue, âthat wombats poop in cubes?â
You blink. âWhat.â
He nods, dead serious, like he just delivered the final argument in a criminal appeal. âItâs because their intestines contract in, like, a weird rhythm. Very architectural. Symmetrical. Truly, natureâs engineers.â
Thereâs a beat of silence.
Then he turns to you, eyes wide.
This manâs nickname is âPrince of the Forumâ
Your mind traces back to all the articles, always praising his poise, his elegance, his brilliant mind that seemed to have no rival and maquinated the most wonderful ide-
âWould you still love me if I chewed a crayon?â
You sigh, slow and deep. âAre you actively considering chewing a crayon?â
âIâm just saying,â he waves a hand, âI understand the temptation. The texture. The smell. Like wax and childhood and self-destruction.â
ââŠDo you need lunch?â
âI need validation and possibly a snack.â
âYou had tiramisu an hour ago.â
âI need a salty snack, amore. My blood sugar is emotional.â
You lean your head against the seat and stare at the road. Heâs softly humming now, drumming the wheel with two fingers. Out of nowhere:
âDid you know hippos canât actually swim? They just bounce off the riverbed like fat bullets.â
You pinch the bridge of your nose.
âYouâre supposed to be Italyâs most feared litigator.â
âI am,â he says, offended. âBut Iâm also a well-rounded man of knowledge. Did you know that if you microwave grapes theyâ?â
âNo.â
âOkay.â He sucks on a blue candy and mumbles, âYouâre no fun. But Iâd still eat a crayon for you.â
This man. This impossible man.
Half-saint, half-psychotic toddler.
Legal god, academic lion, domestic nightmare.
And somehow, inexplicably, yours.
He drums his fingers on the steering wheel as the convertible hums along the cobblestone road, sunglasses perched stupidly high on his forehead like a crown, shirt unbuttoned just one too many buttons for a man of his title. You're trying to focus on the folder on your lap, but it's hard when heâs still yapping like a Chihuahua with a PhD.
âSo, listen to this,â he says between sips of espresso from a tiny paper cup he absolutely should not be drinking while driving. âThereâs this Colombian soap opera, right? Itâs about this ugly girlâbut like, super uglyâshe starts working at this high-end fashion company, and the boss is this tall, perfect, handsome devilâso basically meâand he treats her horribly because sheâs not beautiful.â
You shoot him a side glance. âYouâre aware youâre describing yourself as the capitalist pig antagonist, right?â
âWhat? No! Iâwait. No, no. Iâm the victim here.â He adjusts his sunglasses and squints at the traffic like it personally wronged him. âHe falls in love with her, okay? Sheâs brilliant. She has glasses. Thatâs practically you.â
You snort. âSo let me get this straight. The beautiful rich boss realizes he loves the ugly underdog assistantââ
âNot ugly, just⊠subjectively plain!â he protests.
ââand you identify with the boss?â
âWellâheâs misunderstood! And beautiful. And always stressed! Andâwhy are you looking at me like that?!â
You cross your arms. âBecause you are the rich, powerful man in a suit treating his underpaid assistant like sheâs disposableâthen making goo-goo eyes when itâs convenient.â
He pauses. Blinks. Mouth opens.
â...Okay, fair,â he mutters.
You go back to reviewing the legal summary in your lap. Heâs quiet for maybe two seconds. Then:
âYou know, when I finally feel⊠good enough,â he says, unusually soft, âand I get over this whole brain nonsense and we startâyou knowâhaving sex like hot, well-adjusted people doâŠâ
You slowly look up at him.
ââŠWe should do a roleplay.â
Your eyes narrow. âI swear, Toti, if you say 'boss and secretary'ââ
âI WAS going to say 'boss and secretary,'â he interrupts proudly, âbut I want to be the secretary.â
You blink.
ââŠWhat?â
âI want to wear little glasses and have a clipboard and spill coffee on my blouse and go âOh no, Mister Bellastella, how clumsy of me!ââ He giggles to himself like a twelve-year-old. âAnd youâd be the mean boss who slams the desk and says, âYouâre five minutes late again, Miss Bellastella!â and thenâboom! Sexy disciplinary action.â
You close your eyes in defeat.
âToti.â
âHmm?â
âYou are an idiot.â
He beams, delighted. âBut Iâm your idiot.â
You roll your eyes again. He hums. âYouâll think about it, right?â
You donât answer.
He keeps driving. âIâll start shopping for blouses.â
The rest of the road is not enjoyable at all, he keeps rambling and rambling and wonât let you speak, not necessary, you know exactly where you two are headed.
Color me your color, baby
Color me your car
Color me your color, darling
I know who you are
Come up off your color chart
I know where you're coming from
Call me (call me) on the line
Call me, call me any, anytime Call me (call me) I'll arrive
You can call me any day or night
Call me
Youâre testing the waters now.
Thereâs no illusion left: Bellastella will never be faithful. He might not even be a good person. But he's yoursâor at least desperately wants to be. And that gives you power. Itâs a dangerous game, but youâve never been one to play it safe when your heartâs already on fire.
Barbara brings you coffee, her voice casual but her eyes just a bit too observant.
âHe left to meet that model. You know, the one who just went through the scandal with the footballer?â
âOh, the blonde one with the million-dollar cheekbones?â You sip slowly.
âSheâs the one. Messy divorce. Heâs helping clean her record. Reputation laundering. All legal, all charming. Classic Bellastella.â
âAnd where is that? How far?â
Barbara checks her phone. âA little past the coast. Hour and a half with no traffic.â
âWhen did he leave?â
âTen minutes ago exactly. Why? You needed him for something?â
âNo,â you say, the ghost of a smile tugging at your mouth. âBut I will. In an hour and fifteen minutes.â
Barbara looks at you like she wants to laugh but thinks better of it.
One hour and fifteen minutes later.
Bellastella is just stepping out of his car, adjusting his coat, casting a quick glance at the restaurantâs glass doors. He looks immaculate, disarmingly soâone of those rare men who can make expensive clothes look like second skin. Heâs barely taken two steps when his phone rings.
He sees your name.
He answers instantly.
âPiccola?â
âToti?â you say, with that carefully practiced breathlessness. âSo sorry to bother you, I just... I couldnât find the authorization forms for the Vassallo hearing. I was filing andâugh. Forget it, itâs probably just on my desk. I didnât know you were busyâpardon meââ
âDonât move,â he says, already pivoting, already walking back to the car. âIâm coming back.â
âYou donât have toââ
âIâm already in the car.â
âButââ
âNo buts. You need me, I come.â
You hear the slam of the car door, the engine. Tires.
âSheâs been on his calendar for months,â she says without lifting her eyes from the folder. âHad to reschedule her three times. He moved court dates for this one.â
You hum thoughtfully. âReally?â
âMmh. Heâs even wearing cologne. The real one, not the decoy.â
You smile.
A dangerous one.
âIt would be a shame,â you say slowly, âif I suddenly needed a ride to the other office.â
Barbara snorts. âYou wouldnât.â
âI just remembered,â you continue, reaching for your phone, âthey asked for the original deeds. I canât carry them by metro, too bulky.â
âYouâre evil.â
âIâm a public servant. And an afterthought, apparently.â
You type out the message, casual and sweet as syrup:
âToti? I hate to ask, but would you have time to give me a ride to the other office? They just dropped a file on me and the box is hugeâŠâ
You donât even have a box.
You send the text and keep watching.
In real time, you see him feel his phone buzz.
He pulls it out. Reads. Blinks. Straightens.
You watch the perfect date's face shift as he leans in andâvery gentlyâreaches for his coat.
You feel no guilt.
None.
Youâre not the girl who gets left behind anymore.
Youâre the emergency.
Youâre the reason he leaves.
The cramps hit like a truck. Youâre curled on your office chair, hoodie drawn tight, heat pack barely making a dent. Barbara hovers nearby, watching you with the mix of pity and exasperation only close coworkers can muster.
"Want me to get you something?" she asks.
"No, just leave me here to die. In silence."
She nods solemnly and walks off.
Ten minutes later, the office door swings open like a storm front. Bellastella strides in, hair perfect, coat slung over his arm, balancing a paper bag and what suspiciously looks like a fuzzy blanket. Barbara, behind him, looks far too smug.
He drops the bag on your desk.
âHot water bottle. Chocolate. Advil. Tea. Two types,â he lists off like a waiter. âAnd this,â he unfurls the blanket and throws it around your shoulders like a cape, âis for dramatic effect.â
You blink at him.
"How did you know?"
He shrugs like it's obvious. âI have eyes and ears everywhere.â
Barbara tries (and fails) not to snort.
You look between them, squinting. âYou... told him?â
âI may have mentioned you were slowly disintegrating,â she says with zero remorse.
"Youâre welcome, by the way," Bellastella says, leaning on your desk. âThis is also a reminder that youâre not allowed to die on me.â
"Touching."
"And," he adds, winking, âif you do die, I call dibs on your office. Best light.â
You glare.
He smiles wider.
And despite yourselfâdespite the pain and the hormones and the fury of being seen by this manâyou kind of want to laugh.
The bag he brought sits on your lap like a peace offeringâor a bribe. Inside, along with the tea, meds, and chocolate, is his debit card. No note, no explanation. Just the casual, reckless trust of a man who thinks the world will never say no to him.
You stare at it, curl a little deeper into the blanket, and open your browser.
Your laptop is wheezing like itâs in its death throes. One tab open and the fan sounds like it's about to take flight. You check a few prices. Mid-range models. Reliable. Sleek.
Then your stomach growls, and you remember you havenât had a full meal since... Thursday?
You text him.
âIâm between a new laptop and eating three meals. Thoughts?â
A beat later, he replies:
âSend me the link.â
You hesitate. Then:
âI donât think itâs fair. Barbie needs one too.â
This time, he doesnât even pretend to negotiate:
âThen Iâll be getting two.â
You show Barbara the exchange and she mutters something in a mix of disbelief and awe.
He reappears, fixing his cufflinks in the mirror. Tonightâs look is dangerously sharpâpinstripe suit, cologne that makes you a little dizzy.
âI think Iâm going out tonight,â you say, eyes on your phone, pretending not to watch him.
He pauses, glancing at you through the reflection.
âOh?â
You shrug. âItâs a shame I havenât really visited any part of Rome yet.â
He smiles faintly. âYouâre right.â
Without even looking, he opens his drawer, pulls out a thick stash of cash, and hands it to you like heâs giving you napkins.
âFor the shame.â
You take it. Fold it. Say nothing.
He kisses the top of your head like you're some little pet he's leaving with a sitter.
âTry Trastevere,â he says as he heads for the door. âAnd donât get kidnapped.â
âDepends on the ransom,â you murmur.
He laughs, disappears.
You and Barbara stare at the door. She raises an eyebrow.
âWhat are you?â
âI donât know,â you say. âBut Iâm getting lasagna and a MacBook.â
She laughs as you head to lunch together.
âWhen did you two become so close?â
ââŠI donât knowâŠâ
It comes back to you in fragments, like dreamlight through blindsâblurry, warm, unbearable.
You were in pain.
That kind of pain that makes the world feel too sharp, too loud. Like your skull was filled with static. And then he appearedâToti, with your pills in one hand, a glass of water in the other, and a face full of worry.
He crouched in front of you, calm, steady.
âShhh... is it hurting?â he asked, his voice low, almost tender.
You nodded, unable to speak past the pressure behind your eyes.
âMedicine isnât magic,â he murmured, pressing the pill into your hand. âItâll need a few minutes... but some sleep might help.â
You tried to mumble agreement, but your voice failed. Everything felt too muchâtoday, life, yourself.
Your body was full of noise and your brain was overheating, like a laptop thatâs been forced to run too many programs for too long. You wanted to shut it all down, just click Power Off and lie there.
He reached for your feet and began unclasping your shoes. No dramatics, no teasingâjust quiet care. You leaned back, breathing through the hurt, letting his hands ground you.
He rose and settled behind you, arms folding around your shoulders, tucking you gently into him. His breath was calm against your hair.
âTell me three things you can see.â
You blinked, tried to focus. âThe lamp... the curtain... your tie.â
âGood. Now three things you can hear.â
âThe... traffic. Your watch ticking. Someone brushing their teeth.â
âNow three things you can feel.â
âYour shirt... the towel... the couch under me.â
âAlright,â he whispered. âNow breathe inâslowly, until I count to four.â
You did.
âNow out, until six.â
You did.
And again. And again.
Slowly, the edges dulled. The sharpness faded. You werenât better, not really, but you were no longer drowning.
You did not realize when he begun to rock you, but he did, and you were not eager for it to finish.
You rested, wrapped in his silence.
A while later, half-asleep, you caught the soft sound of brushing teeth again. Then a belt unbuckling. Somewhere, a siren echoed through the Roman streets, lost in the hum of the city.
But you stayed there, in the space heâd carved out for you. Not healed. But held.
The weight of the mattress shifts.
Toti lies to your side.
You flinch slightly. âWhat are you doing?â
âItâs my suite, is it not?â
You stare at him. âI thought you had a date tonight.â
âI do,â he says, scooting closer without hesitation.
âToti,â you warn, already exhausted. âIâm not in the mood.â
âI didnât ask for that.â
His voice is calm. Not playful, not seductive. Just... quiet. Matter-of-fact.
âJust know,â you say, more firmly, âthat my answer is final.â
âSo is mine.â
You expect him to try something. He doesnât.
Instead, he gently reaches for the back of your jumpsuit and undoes a button, then another, and then softly drags his nails up and down your back. Featherlight. Measured. Not lustful.
Soothing.
You shiver, involuntarilyâbut not from fear.
âThis is what Mommina used to do when I was a kid,â he says, barely above a whisper. âShe said it would help me fall asleep when my head wouldnât stop spinning.â
His fingers pause just for a moment, like heâs remembering.
âDid it work?â you ask.
He exhales through his nose. âIt did.â
A beat.
âUntil it didnât.â
You donât ask what changed. You already know. She left.
That little boy who learned to calm himself with scratches along the spine never stopped needing them. He just got taller. Louder. Louder with his money, louder with his charm. But not here. Not now.
Now heâs just breathing next to you, hand moving gently up and down your back, tracing the shape of someone he doesnât dare ask to stayâso he soothes instead.
You let him.
For once, not because you owe him, or because youâre too tired to fight.
You let him because, somehow, it helps.
The afternoon light slants golden over the cobblestones when you arrive. It had been a nice lunch, unassuming, forgettable even. But now you stand outside the gleaming windows of a jewelry store, the name etched in gold on the glass. Bellastella waits for you inside, his silhouette framed by bright halogens and crystal reflections. Something's off. You feel it before you even push open the door.
He doesnât greet you.
"You wanted to see me?"
He nods once, slow. "Come here."
You walk to him, careful, attentive. He's looking at something behind the counter, but you know it isn't about the jewels. You glance at the velvet trays anywayârings, rows of them, some gaudy, some minimal, all expensive. And still, it isn't about them.
"Are you mad?" you ask, the question crawling past your throat, featherlight, testing the air.
He doesn't answer right away. Then, with a clipped breath: "Mad? For you calling me at the most inconvenient moments? For costing me hundreds of euros in missed meetings, changed reservations, and private drivers turned around mid-route? No."
The way he says it is almost flippant. Almost.
You blink. You should say something, apologize maybe. But your instincts tell you to stay still. Something else is coming. Something heavier.
He steps toward you.
You forget how tall he is until moments like this. He's always in motionâtalking, joking, sighing theatrically. But now? Now he's still. Poised. Suddenly he's not Toti the jester, not the spoiled manchild with women in every district of Rome. No. Now heâs a man. And a dangerous one.
"But do you know what actually maddens me?" he says, voice low, threading through the space between you.
Heâs close enough that you can smell himâleather and cardamom, tobacco and something faintly sweet. Youâd mocked that cologne once, but now it sinks beneath your skin. You inhale despite yourself.
Your body betrays you further. You're supposed to be on your period. Instead, your skin tingles, hyperaware. Your chest tightens. Your senses bloom. His cologne sharpens. His breath tastes like coffee and mint and heat. You see every line around his mouth, every glint of irritation in his eyes.
"What truly makes me crazy," he says, now only inches away, "is that you won't accept me."
Your breath hitches. He reaches forward, places both hands firmly on your shoulders.
"You keep using me. Playing me. Bending the rules so I have to come running. And you know what?"
You want to back away. You want to step into him. You do neither.
"You're making me crazy."
His voice is a low growl now. Not loud. But feral. Controlled. Dangerous.
You meet his eyes. Something in them glintsâsomething between desire and fury, lust and hurt.
"And the worst part?" he leans forward, just slightly. "I'm going to let you."
You swallow.
He doesnât move. Doesnât blink. His thumbs stroke slow circles into the fabric over your shoulders. It's too much. Not enough.
You want to yell at him. You want to cry. You want to laugh.
"Totiâ"
"I would give you everything. Every euro, every second, every piece of me. I already do."
His voice cracks then. Just slightly.
And there it is. Beneath the fury, beneath the arrogance and the silk suit: a boy unloved. A boy desperate. A boy trying not to beg.
He softens. Just a shade. Enough to let you breathe.
"Say the word," he whispers. "Tell me you want me. Not my money. Not the things I do for you. Me."
Silence crashes between you.
You feel the edge of tears. And anger. And want. So much want.
You reach up and place a hand over his. He flinches. Then steadies.
"I donât know what I want, Toti."
"Thatâs a lie. You know exactly what you want. You just wonât let yourself have it."
He leans in, nose brushing yours.
"I am not your mother," you whisper.
His grip tightens. But only for a second.
"I know. Thatâs why I want you."
A pause.
"I am not your savior either."
He lets go.
You exhale. Air rushes back into your lungs like you've been underwater. He steps back, smoothing his lapels like nothing happened.
"Pick one," he says, nodding at the case.
"What?"
"A ring. Any ring. If youâre going to ruin my life, at least do it wearing something from me."
The bastard smiles.
You stand there, breath caught somewhere between your throat and your ribs. The ring he slid onto your finger moments ago still feels foreign, heavy â an artifact of something you donât know how to name yet. Something between a bribe and a promise.
âYou could take it all back,â you murmur, low, afraid of your own voice. âYou could leave any second. Just vanish. Strip me of everything youâve given. Or worse â all of it could just⊠stop meaning anything.â
Bellastella doesnât answer right away. He looks at you for a moment with a strange sort of tenderness, then turns to the counter. âShe thinks gold loses value,â he mutters to the jeweler, shaking his head like youâve just insulted an ancient truth.
You watch him â that maddening, infuriating man â reach for something again.
He pulls out a bracelet. Itâs not delicate. Itâs a bold, almost obnoxiously thick chain â unmistakably real. The light bounces off of it in warm waves. It gleams the way only pure gold does.
âTwenty-four karat,â he says, voice calm now. âThe purest. No alloys. No dilution. It doesnât tarnish. It doesnât oxidize. And it doesnât lose value. It actually appreciates.â He lifts your hand and clips the bracelet onto your wrist with ceremonial precision. âThatâs what I give you. My time, my power, la mia fottuta ossessione. And now this. Solid. Certified.â
He places the authenticity certificate in your hand. You donât know what to say. Your lips part, but nothing comes out.
He takes a step closer. You feel the heat radiating from his chest.
âIs that enough?â he asks.
You can only stare at the gold wrapped around your wrist. Itâs warm. Not from the shop lights. From him. His skin. His obsession. His madness.
âWhyâŠâ your voice comes out as a whisper, almost too fragile to carry the weight of the question. âWhy are you doing this?â
His eyes stay on yours. Steady. Serious in a way that makes your stomach clench.
âBecause I want you,â he says plainly. âBecause I want you to see that Iâm serious. That this isnât a phase. That Iâm not just playing.â He leans down a little, voice softer now, lips at your temple. âI want you to see this is real.â
âSalvatoreâŠâ you begin, breath trembling, âI donât want these things. Not the jewelry. Not the money. Not the trips. I wantââ
âSay it.â
âI want exclusivity.â Your voice sharpens. âI want to be the only one.â
Thereâs a beat. A flicker in his gaze, like a needle on a compass jerking true north.
He gives a breathy little laugh. âYou know Wilde said: Men always want to be a womanâs first love. Women are far more clever... they want to be a manâs last.â He smiles. But it fades fast. âOkay.â
He reaches into his coat pocket and pulls out a phone â not the one youâve seen a hundred times on his desk, the one his secretary answers, the one the entire firm seems to orbit around.
This one is different. Sleek. Unmarked.
His private phone.
He hands it to you.
You stare at it, confused.
âThe password is Pietroâs birthday,â he says simply.
Your fingers go cold. Pietro. His nephew. Thatâs⊠personal. Sacred. Untouchable. Bellastella may be an idiot with people but has a soft spot for his demonspawn godson. You type it in, and it unlocks without hesitation.
âGo through my contacts. Block whoever you want.â He says it like heâs offering you a menu. âThe models. The heiresses. That judge from the Supreme Court who thinks Iâm still taking her calls.â He steps closer, his voice wrapping around your neck like silk. âGo ahead. Cut them off. I donât care. Theyâre ghosts. Youâre the only one thatâs real.â
His breath is warm against your ear.
Your fingers tremble around the phone.
âYou donât have to do thisâŠâ you whisper.
He doesnât even blink. âI want to do this. Because youâre driving me insane. And because I want you to know â Iâm not letting you go. So if this is what it takes to show you Iâm yours, then fine.â He presses his forehead to yours. âNow show me that you believe it.â
The weight of the gold at your wrist shifts.
You press your lips together and let your thumb hover over a contact.
The screen reads: Carolina - Milan Shoot.
You look up at him, and his expression is unreadable.
Then: âStart there,â he murmurs. âLet them know Iâve already been found.â
âRemember the night I kissed you?â he asks, his voice low, hoarse from restraint. Heâs not looking at you â not yet â just driving, hand tight on the wheel. Romeâs lights blur past the windows, flickers of gold against shadow.
You donât answer.
âI⊠left for a date right after,â he continues, as if admitting to a crime. âBut I swear to you, it was business.â
You scoff. âOf course it was.â
âDo you remember Sandra?â
âSandra Bellissima?â you say with venomous sweetness, echoing the nickname he used to moan like a mantra. Your head tilts toward him, eyes narrowed. âHow could I forget?â
He sighs, one hand briefly rubbing his face, jaw tight. âYes. Sandra Bellissima. You may remember her, but⊠you donât know everything.â
You shift in your seat. âTry me.â
He exhales again â a little slower this time. âBack then, the firm was drowning. You know that. We were too proud to say it, but the numbers were brutal. And then⊠one day I came in with a miracle. Half of what we needed. Clean. Fast. You remember?â
You do. Heâd strolled in that morning like a prince returning from conquest. Like heâd just seduced the universe itself.
âSandraâs family,â he says, glancing at you. âThey were the ones who bailed us out. The date â that night â was with her aunt. To discuss terms. To promise⊠a favor.â
You donât reply. Youâre too busy replaying the timeline. That night youâd curled into bed with the ghost of his kiss on your lips, while he was out trading favors in a high-rise lounge somewhere. Selling a little piece of himself.
âThey helped me when I needed it,â he says. âAnd now I owe them. Thereâs a political play in the works. Nothing I canât handle, just⊠things I donât tell most people.â
He finally looks at you. âBut Iâm telling you.â
Your throat is dry. You nod once, tightly, as if permission is harder than forgiveness.
The city disappears behind you, and soon the road curves toward the hills. Moonlight paints the countryside in silver and ink. He pulls off the road onto a gravel path, stops the car, and gets out.
âCome with me,â he says.
You hesitate, then follow.
The air is crisp, kissed with jasmine and pine. Stars are beginning to bloom across the sky like soft fire.
He leads you up a small slope to a clearing â wildflowers rustling underfoot, the dark outlines of distant rooftops below. The city far away now. Up here, itâs just you, him, and the unspoken.
He sits, leaning back on his hands, legs stretched out. You join him. Not close â not yet. But near enough to feel the warmth of him.
He pulls something from his coat pocket. A small velvet box.
You still.
âSalvatoreââ
He opens it. The ring catches the starlight like it was made to live in it.
âIâve been carrying this for too long,â he murmurs.
You glance at him. âYou were waiting for a moment?â
âI was waiting for you to stop looking at me like Iâm temporary.â
Your breath snags in your throat.
He turns toward you. His voice lowers, reverent. âYou truly are a vision, you know that? You haunt me. Even when youâre near. Especially when youâre near. I can't get you out of my head. I donât want to.â
He reaches for your hand.
You let him take it.
âDo you want to know the truth?â he says. âThe moment I kissed you â that night â something broke in me. Not snapped. Cracked open. Something warm crawled out and it never went back. And I went to that date like I was cheating on a future I hadnât earned yet.â
Your chest is tight. You don't know where to look â the ring, his mouth, the soft way his thumb traces your knuckles.
âI want to give you things. Not to impress you, not to win you. Just to mark you. So the world knows: mine.â
You meet his eyes. âAnd what if you leave?â
âI wonât.â
âWhat if everything you gave me disappears?â
He leans closer. âIt wonât.â
You look at the ring again. You feel a little drunk on the intimacy, on the open sky, on his scent â like tobacco and clean linen and heat. And maybe something deeper, something older. Devotion.
He lifts your hand to his lips and kisses it slowly. âLet me mark you. Not just with gold. With something real.â
You whisper, âWhy are you doing this?â
âBecause Iâve had every kind of woman. Every kind. But Iâve never had you. Not really. Not the way I want.â He lifts the ring from the box and slides it onto your finger with aching slowness. âAnd Iâve never wanted to give anyone everything I had. Not until you.â
You stare at the ring. Your finger. His fingers.
Your mouth is dry. âThis doesnât mean anything withoutââ
âExclusivity,â he finishes. âI remember.â
He reaches again into his coat and pulls out his private phone. Hands it to you, like last time. âPasswordâs the same.â
You blink. âYouâre serious?â
âBlock them all,â he says. âThe heiresses. The supermodels. The judge. Block even the ones you only think Iâve flirted with. I donât care.â
You stare at him.
âI want you to feel safe here,â he murmurs, touching the bracelet on your wrist, the ring on your hand, your pulse at your neck. âNot because of the things I give you. But because I am yours.â
You lean in, and for the first time, he doesnât make the first move. He waits. Perfectly still.
You press your lips to his â not a question, not a demand.
An answer.
And he shudders.
âYou may understand that we cannot make this public immediately.â
âWhy not?â âI am giving you a raise in your pay, people will talk.â
You nod in understanding sounds logical.
He still has the shopping bag in his hand, and the shopping bag has a box inside.