The Bacchante
c. 1853
Artist : Jean LĂŠon GĂŠrĂ´me

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The Bacchante
c. 1853
Artist : Jean LĂŠon GĂŠrĂ´me

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the forest floor serves well enough for the wrestling of perspiring limbs, spread of meats and other delicacies met with ivory mandibles, and goblets of rich veined wine set to the tune of dueling pipes and the strum of stretched strings.
âmy lord you were too long from courtsâ tempest traveledâŚfetch me an ivy yard so i might make you yield and stay a full year more.â
starter for @bassarids
Is âThe Bassaridsâ an Operatic Masterpiece, or âStrauss Turned Sourâ?
Is âThe Bassaridsâ an Operatic Masterpiece, or âStrauss Turned Sourâ?
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Without these scenes, the king can seem a thinner character: the uncompromising enemy of a god, rather than someone also at war with elements of human nature. But the team had second thoughts about these scenes. Auden and Kallman thought that Henze overscored this part of the opera. And Henze cut the Intermezzo, including âThe Judgment of Calliope,â in later editions.
These passages, asâŚ
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Henzeâs âThe Bassaridsâ Will Return to the Salzburg Fes... - https://wp.me/p91lk4-1t0 - #Bassarids, #Fes, #Henzes, #Music, #Return, #Salzburg

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FY! this is where it's at! thanks for the beautiful stuff <3
thanks! :)
âI had already had one FĂźhrer in my life, thank you very much, and didnât really need another.â
Hans Wener Henze, on moving to Italy during his rebellious youth, after facing criticism by modernists of his time in postwar Germany. The New York Times explores Henze's life as an outsider, leading to a prolific output throughout his 85 years, including his opera The Bassarids. The Philharmonic, conducted by Christoph von Dohnånyi, performs orchestral selection from the opera starting this Thursday at the Philharmonic. The Times calls The Bassarids a "seductively beautiful celebration of irrationality, disorder and mindless obedience," containing, "one of the scariest final curtains in all of opera."