May 6, 2019
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WebFind: Exploring the Barnes Museum of Cinematography, St Ives, Cornwall in the 1970s
WebFind: Exploring the Barnes Museum of Cinematography, St Ives, Cornwall in the 1970s
Film ephemera collector John Barnes takes a Westward TV presenter on a tour of the Barnes Museum of Cinematography that was once in St. Ives
The Barnes Collection is a collection of film apparatus and ephemera relating to pioneering Victorian filmmakers from Brighton and Hove. It was purchased by Hove Museum & Art Gallery in 1997 with money from the Headley Trust and the Friends of Hove Museum.
T…
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Museum/curatorial ethics: should the Barnes collection have been relocated?
Albert C Barnes was an American chemist who made his fortune on hard work and a successful pharmaceutical for a common STD. He eventually began collecting art and created one of the worlds most valuable and impressive collections of impressionist, post-impressionist and early modernist paintings of artists like Renoir, Cezanne, Matisse and Picasso. He also collected sculptures from all over the world.
All of this was displayed in his home based on aesthetic, not chronology, to serve as an educational experience for art students. It was rarely open to the public. This was the Barnes Collection. He went to the extent of writing up documents to prevent the collection from ever being taken out of his home. When he died, shortly thereafter, his will was ‘reinterpreted’ by the city of Philadelphia for the ‘good of the work’. It was ultimately moved from his home, against his wishes, into a space in the city with a similar building layout.
In my opinion, it was a terrible idea to remove the work from his home and allow the collection to be seen publicly at all times. His home should have been restored as to preserve the welfare of the collection, but I feel that Barnes was a true visionary and he had a very good and well thought out reason for keeping the collection more private. The art was appreciated so much more deeply by these people who could only come see the work by being enrolled in one of his classes. Barnes worked so incredibly hard to assemble these works, collectively worth billions and billions and billions. When you work that hard, you should get your last wish for the betterment of what you have built.
Barnes Update! Top 20
Barnes Update! Top 20
#LetsConnectPhilly #Art #PhillyArtDepot
Update! Recently I wrote about the Let’s Connect! art show at Philadelphia’s famed Barnes Collection. My hipster postman mixed-media painting, “Mind, Heart, Soul” placed among the top 20 artworks out of over 310 paintings at the show. I was especially happy to see my friend Tim Barton also make the cut with his stellar wooden folk box. As a result, this…
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Visit the #BarnesCollection for FREE!
Visit the #BarnesCollection for FREE!
#letsconnectPhilly Now through June 4, get free admission to the Barnes in honor of their Let’s Connect Exhibition. I’m one of 310 Philadelphia artists who have work in the show. Participating artists chose a work in the Barnes Collection that inspired them, and then did their own 8″ x 10″ work inspired by the original. (For me, the hardest part was working that small.) The public gets to visit…
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In which I spot the gay from a distance
Two women (One Seated) by William James Glackens, c. 1903. Barnes Foundation Collection, Philadelphia.
Copyright: Public Domain
THE ART OF THE STEAL (2009)
A Arte do Roubo (como seria o título em português), conta a historia da batalha pelo controle da Fundação Barnes, uma das melhores e mais importantes coleções de arte moderna e impressionismo no mundo, avaliada em cerca de $25 bilhões de dólares. Em meio a controvérsias, politicos conseguiram mudar as obras da cidade de Merion, Pensilvania, para Filadelfia, contrariando o que havia sido pedido em testamento pelo fundador da instituição, Albert C. Barnes.
The Barnes Collection Controversy
Does anyone have any great links to information about it? My art history class is debating "The Art of the Steal" next week and I would love any resources you guys can give.