Algiers
April 2017

#dc#dc comics#batman#bruce wayne#dc universe#dick grayson#tim drake#dc fanart#batfamily#batfam


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Algiers
April 2017

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Sunset on the Amazon
Wooooooow... Glad we didn't have to cut the counter for here.
This next section the framing makes everything less romantic/caring and more bizarrely voyeuristic.
There are so many shots with emphasis on Sailor Moon's lips (and hers alone) with most of her cut off.
Then there's the heaving chest with everything but lips cut off...
Which is followed by awkwardly angled nothing-but-heaving-chest with bonus Tuxedo Mask looking at it.
When he carries her away, the angle we're given directs the audience's eye towards her butt, which is only covered by her physics-defying skirt.
I'm not going to make assumptions on the storyboarder's intent with these angles since so much of this episode has bad framing, but this is a good lesson on how NOT to frame the female character of a heterosexual romance when your target audience is female.
Compare to how this is done in the manga:
The only time there's any emphasis on a small section of Usagi's body is when the zoom happens to show the dropped watch. Â The framing in the manga is a lot more cheesy/cute romance than inadvertently objectified because Takeuchi shows Sailor Moon's whole face/body.
Even when things start heating up between the two like in the floor scene much later, you'll never see Usagi/Sailor Moon cut down to just her lips, chest, legs and/or ass while diminishing Mamoru/TM's presence. Â It's the two of them, together. Â That's what makes it both sexy and romantic.Â
(And now I dread to see how Crystal may potentially handle this scene in the future. Â Dammit.)

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Kellin Quinn of Sleeping With Sirens @ Orlando, FL Warped Tour
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