Jun 20
The parade honoring Amelia Earhart on her return from her transatlantic flight, June 20, 1932.
Photo: National Postal Museum/Smithsonian Institution
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The parade honoring Amelia Earhart on her return from her transatlantic flight, June 20, 1932.
Photo: National Postal Museum/Smithsonian Institution
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Deanie Parish. WASP pilot. In front of her Republic P-47 Thunderbolt. 1940ā²s
Amelia Earhartās Lockheed Electra 10E Special, NR16020, takes off from Lae, Territory of New Guinea, 10:00 a.m., 2 July 1937. They were never seen again.
Great Circle route from Lae, Territory of New Guinea, to the Howland Runways, (N. 0Ā° 48ā² 29ā³, W. 176Ā° 36ā² 57ā³) on Howland Island (United States Minor Outlying Islands). 2,243 nautical miles (2,581 statute miles/4,154 kilometers).
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āParamount, which signed her [Marlene Dietrich] in a tizzy after viewing a rough cut of The Blue Angel, was the only studio that actually liked weird directors; von Sternberg was the champ of weird. Stop the projector during a medium shot in any of his films and youāll see a crammed picture, every piece in it doing something. Graffiti, toys, masks, light fixtures, bowls of things: the sets are alive.ā
/ From Movie Star: A Look at the Women Who Made Hollywood by Ethan Mordden, 1983 /
If visionary director Josef von Sternberg (Jonas Sternberg, 29 May 1894 - 22 December 1969 ā who died on this day) was the Leonardo da Vinci of cinema, then German glamourpuss leading lady Marlene Dietrich was his Mona Lisa. The seven films the duo made together between 1930 and 1935 were dark, erotic, witty and sublime fleurs du mal in which they honed Dietrich's complex, sultry and feline persona and brought a whiff of genuine Continental decadence to mainstream Hollywood. Once Dietrich and Sternbergās personal and professional relationship imploded his career went into a steep decline (Sternbergās āartistic temperamentā burnt a lot of bridges!) but I love his later post-Dietrich films The Shanghai Gesture (1941), Macao (1952) and Anatahan (1953). (Iām the first to admit, I havenāt seen any of his earlier silent movies). The intense and fruitful creative union between auteur Sternberg and muse Dietrich arguably created a template for the likes of Michelangelo Antonioni and Monica Vitti, Rainer Werner Fassbinder and Hanna Schygulla, John Cassavetes and Gena Rowlands, Pedro Almodovar and Carmen Maura (or Penelope Cruz) ā and John Waters and Divine! Pictured: Sternberg and Dietrich (in butch leather aviatrix mode!) during production of Dishonoured (1931).
LIBERTY, July 4, 1931
Goodnight everyone š¤
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