Lambs and standing stone

seen from India

seen from Maldives
seen from United States
seen from Germany

seen from Malaysia
seen from India

seen from United Kingdom
seen from Yemen
seen from India
seen from Iraq
seen from Yemen
seen from China
seen from Canada
seen from China
seen from China
seen from United States
seen from Netherlands
seen from United Kingdom
seen from United States

seen from United Kingdom
Lambs and standing stone

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Monica Sjöö (1938-2005) — Meeting the Ancestors at Avebury [oil paint on masonite board, 1993]
Megaliths again, this time a section of West Kennet Avenue near Avebury. Off to the left out of sight is a stile and if you cross the fence that way and go up that hill past the shrub you see, when you get to the top you're looking down at Silbury Hill. My friends surprised me with it. It's magical. West Kennet Long Barrow is off to the left at that point, within sight and walking distance. And if you return and go back toward the right of this picture through the rest of the avenue lined with standing stones you end up back in Avebury where you can go to the Red Lion Pub, within the stone circle. I love this place. I have lots of pictures. But @rherlotshadow probably has more.
Avebury is a Neolithic henge monument containing three stone circles, around the village of Avebury in Wiltshire, in south-west England. One of the best-known prehistoric sites in Britain, it contains the largest megalithic stone circle in the world. It is both a tourist attraction and a place of religious importance to contemporary pagans.
This is not Stone Henge.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ben Edge (British, 1985) - The Risen Son at Avebury (2024)
The "Strawberry Moon" rising over Avebury, England on June 20, 2024 // Connor Welles
I have had a low-lying obsession with standing stones basically since I learned Stonehenge existed when I was a kid. This week of posts is going to be pretty good evidence of that. I don’t have a very good explanation for my fascination, aside of the self-evident: they are old and mysterious and we don’t have standing stones in New Jersey (one of the few failings of this great state). They often figure in stories I like, to various ends, though I also recently noticed that there is a strange lack of standing stones in places I should expect to see them — why does Dracula hole up in an abbey instead of a barrow under a standing stone? Another way: if there were standing stones in Maine, I’d be really puzzled if Stephen King didn’t regularly set scenes in, around and about them. But there are whole periods of British literature where the stones are ignored or taken for granted. There’s one mention of standing stones in the whole of Ivanhoe; I had to scrape for a reference in the poetry of the Romantics and the one I found (“Of Druid stones, upon a forlorn moor,” from “Hyperion,” by Keats) is part of an extended metaphor about the waning powers of Greek gods. You’d think Britain had no history before the Romans got there.
Anyway, these are two tourist books my mom bought on two separate trips to the UK in the ’70s — they’ve been laying around my house my entire life and, though a bit dry, are a good primer on the basic knowledge about Stonehenge, Avebury and a couple other local neolithic sites. Stonehenge (1959, 1970) has a sweet fold-out map and the quote, “…unfortunately called the Slaughterstone. There is no evidence to justify such a name.” I still can still feel the winge of disappointment echoing down from my youth.
Stonehenge and Avebury (1959, 1973) seems both broader (it hits more sites) and deeper (there’s a lot more speculation about the mysteries of the sites). It has some rad illustrations, too, which I can’t help but wonder if they inspired the painting the figures so prominently in Children of the Stones (stick with me to the end of the week).