#assistant engineer

पथ प्रमंडल बरही के कार्यपालक अभियंता राहुल कुमार मालतो व सहायक अभियंता चिरंजीवी दांगी के खिलाफ मिली थी शिकायत हजारीबाग : झारखंड में भ्रष्टाचार निरोधक ब्यूरो (ACB) की सख्ती के बावजूद विभिन्न विभागों में रिश्वतखोरी का सिलसिला थमने का नाम नहीं ले रहा है। शिकायत मिलने पर कार्रवाई तो होती है, दोषी पकड़े भी जाते हैं, लेकिन भ्रष्टाचार पर पूरी तरह लगाम नहीं लग पा रही है। इसी क्रम में हजारीबाग में एसीबी…

Ah, that story? Yeah, when I first heard it I was like, “Seriously?” But I was actually there, so I don’t think it’s completely made up.

That day, a different drum head got brought in—something we don’t usually use. You could tell at a glance. The texture was totally different. Not like a normal coated head or a clear one… it felt kind of organic, almost.

The drummer was like, “This is interesting,” and just started playing it. And yeah, the sound was definitely unique. The attack was strangely dry, but the sustain lingered in this odd way. While we were recording, I remember thinking, “Oh, they’re really going to use this.”

Then there was the material. Someone casually said, “I heard it’s Komodo dragon skin.” It sounded like a joke, so I brushed it off. But no one from the production side denied it either, and that made me pause.

That said, it was never officially explained. I never saw any order forms, and I have no idea how it would’ve been processed. From a studio standpoint, all we get told is basically, “Custom head arrived.” That’s it.

Later on, some weird rumors started going around. Like, someone ran an audio analysis and found components that weren’t typical drum hits, or that there was something in there that sounded like a goat being eaten alive. I mean, at that point it just sounds like an urban legend, right?

Still, when you listen to the track by itself, there is some strange noise in there. It doesn’t clearly come from the gear, and it’s odd for performance noise too. It’s like… “there’s something in this.”

Which song was it? That’s the thing—we don’t know. In the studio, we record multiple tracks back to back, swap takes, redo parts. From an assistant’s position, it’s impossible to track which take ends up in the final version.

I doubt anyone has identified the exact title. At least, I haven’t heard it.

Animal-based drum heads aren’t unheard of, historically. So I can’t say it’s impossible. But the idea that a living creature’s “memory” remains in the sound… yeah, that feels like a stretch.

As for Kanashibari? I’ve never heard them say anything about it. I’ve never seen documentation, and I’m pretty sure no photos from the session have surfaced either.

In the end, what that head actually was, which song the sound ended up in, whether any analysis really happened—none of it’s clear. It’s all kind of hazy.

But at the very least, one thing is true. There was definitely a day we recorded with a drum head that wasn’t normal.

That much I can say for sure.

若手アシスタントエンジニアの証言

あー、その話っすか。いや、俺も最初聞いたとき「マジで？」ってなりましたけど。現場いたんで、ゼロじゃないと思いますよ。

その日、いつもと違うヘッドが持ち込まれてて。パッと見でも「あれ？」って感じで、質感が全然違うんすよ。普通のコーティッドともクリアとも違うし、なんか…ちょっと生っぽいっていうか。

ドラムの人も「これ面白いね」みたいなノリで叩いてて、音は確かに独特でした。アタックが妙に乾いてるのに、余韻が変な感じで残るんすよ。録りながら「あーこれ使うんだな」って思いました。

で、素材の話。その場で「コモドドラゴンの皮らしいよ」って誰かが言ったんすよ。軽口っぽく。俺も「またまた」って流してたんですけど、制作側の人が特に否定しなかったんで、あれ？って。

ただ、正式に説明されたことは一回もないです。発注書とか見たわけでもないし、加工どうしてるかとかも不明。現場的には「特注ヘッド来ました」以上の情報は降りてこないんで。

あと、後から変な話も回ってきて。音声解析したら、普通の打音じゃない成分が混ざってるとか、ヤギの断末魔みたいなのが入ってるとか。いや、そこまでいくと都市伝説っすよね。

でも、確かにトラック単体で聴くと、ちょっと妙なノイズがあるんすよ。機材由来とも言い切れないし、演奏ノイズにしては変だし。「なんかいるなこれ」みたいな。

どの曲かって？それが分かんないんすよ。現場では何曲も連続で録るし、差し替えもあるし。最終的にどのテイクが採用されたか、アシスタントの立場じゃ全部は追えないんで。

タイトル特定してる人、たぶん誰もいないと思いますよ。少なくとも俺は知らないっす。

動物素材のヘッド自体は、昔からゼロじゃないじゃないですか。だから「あり得ない」とも言い切れないんですよね。ただ、生き物の“記憶”が音に残るとかは、さすがに話盛ってる感ありますけど。

カナシバリ側？この件について何か言ってるのは聞いたことないっす。資料も見たことないし、現場写真も外に出てないはず。

結局、あの日のヘッドが本当に何だったのか、あの音がどの曲に入ってるのか、解析って本当に行われたのか。全部ぼやっとしたままなんですよね。

でも、少なくとも。「普通じゃないヘッドで録った日があった」のは、マジです。

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