Waterfall in Iceland amidst a mountain covered in ash after the Reykjanes volcano eruption. photo: Sverrir Thorolfsson

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Waterfall in Iceland amidst a mountain covered in ash after the Reykjanes volcano eruption. photo: Sverrir Thorolfsson

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María Negroni, tr. Anne Twitty, from Night Journey; “Loss”
Ashes for @sainttheosylas !
Anna Akhmatova, from a destroyed pieces.
Flare 12 was led down seemingly endless hallways specifically designed for the hawks. nothing to trip over and textured floor tiles so they could navigate with their hoods on. Of course they had their falconers to guide them, but the hawks were always more calm knowing where they were.
Hawks don't need muzzles or leashes. They're not much of a threat to personnel like the hounds. But without their targeting systems highlighting friend from foe and seeing the world from the ground instead of thousands of feet in the sky would send the hawks into a panic. they'd shriek and claw and try to escape to the sky. which is of course why they were not allowed on tops of buildings or cliffs. Jump risks, all of them.
But it was time for another sortie. Her task was to provide aerial support for the team of hounds on the ground. Her primary goal this mission was recon. The target was dug in and heavily reinforced, none of her standard armaments could break through. One of the bombers could carry a heavy enough payload but they'd only get one shot.
Flare’s equipment was designed for upper atmosphere flight. Her eyes were even more sensitive than a typical hawk and her lungs were modified to work in low atmosphere, in case her oxy system was compromised.
The floor texture changed again. they had arrived at her bay. The flaconer helped them into the pilot seat. Techs scrambled around the bird; performing pre-flight checks and connecting the Hawke to the jet's systems. Finally the lead tech handed the Hawk’s helmet to the falconer and ordered everyone clear. She waited for everyone to leave the hanger before finally pulling the hood off her precious Hawk.
Twelve blinked at the sudden light but her eyes quickly focused on the handler who smiled at her as her helmet was lowered over her head. The handler leaned down and kissed her Hawk’s forehead before locking the visor in place.
Twelve grinned and her canopy started to close. Falconer climbed down the platform and retracted the steps. She put on and adjusted her headset and radioed to control that her Hawk was ready. When takeoff clearance was granted she switched to her and her Hawk’s private channel.
“Fly girl."
The jets flared to full power and the Hawk was gone with ear splitting roar. This was going to be a good flight.

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Here within the central chamber,
circled by the dead, beauty sleeps.
ISSUE 30 - Diego Luna: What Remains After Leaving. | La Revista de Milenio (24 May 2026)
Faced with the trend of individual screens and solitary consumption, cinema remains a concept of collective resistance. With this premise, we spoke with actor and director Diego Luna about ‘Ashes’, which he recently presented at the Cannes Film Festival. We explored displacement as a permanent mark and the capacity of intimate stories to confront the social ignorance of our time. Discover the full article on this link this June 1. In all images, Diego Luna is wearing Prada.