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We'll Always Have Paris: Arrow 1x21 Review (The Undertaking)
Oliver and Felicity hit the casino to save Walter (remember Walter?), which provides the best Freudian slip in the history of Arrow.
We finally get some much-needed flashbacks on Robert Queen & Lauriver to fill in the holes of history and it’s a horror show. I can’t unsee what I have seen, so now we just get to rant about it.
Oh, and the writers completely telegraphed the demise of Lauriver in this episode. It just took me the better part of decade to notice it. It's all about Casablanca. Yes. Really.
Let’s dig in…
Olicity
Finally! Some decent Olicity content. Season 1 is rough y'all.
Source: Paige
Oliver is still Oliver which means he hasn’t apologized yet to Diggle for abandoning him. Felicity is trying her best to get the bromance back on track.
Source: Paige
Unfortunately, this is an immovable object meeting an unstoppable force kind of situation, so until Oliver pulls the stick out of his butt and admits he was wrong – Diggle is sitting this episode out.
Felicity: I know Oliver is religiously against admitting when he’s wrong, but the truth is he needs you.
Diggle: Yeah, and when Oliver is ready to say that he knows where I live.
John is not some disciple who will blindly follow Oliver wherever he goes. Diggle has self-respect and will not accept anything but an equal partnership from Oliver. Fighting for a man’s soul is going to cause some fights. Diggle needs to win more than his fair share if we are going to see any growth in Oliver Queen.
So, it’s left to our Girl Wednesday to hit the streets with The Hood when they get a lead on Walter. I honestly forgot he was kidnapped it’s been so long since they’ve mentioned him.
A dirty accountant on The List paid two million dollars to Dominic Alonzo on the same day Walter was kidnapped. Alonzo runs the biggest underground casino in Starling City, when he’s not busy with his day job of kidnapping and murder. Oliver needs to access Alonzo’s computer to find a location on Walter.
Source: @olicitygifs
And guess who is really great at counting cards? Oliver immediately refuses Felicity’s help. His deep aversion to putting her in any kind of danger will never stop being hot. This is the big break on Walter that Felicity has been waiting for, so she insists, and Oliver relents. I love that she never lets Oliver tell her what she can and can’t do.
The goal is for Felicity to be caught counting cards, so she can get a friendly warning from Alonzo and bug his computer. She is more than a little concerned that the friendly warning will be a bullet. Felicity is not a trained soldier like Diggle and she’s not a ninja/archer like Oliver. She’s signed up to fight crime, but she never shies away from expressing her fear. It’s what makes her so relatable because any person in these circumstances would be afraid.
Oliver immediately downshifts into his soft, gentle and reassuring tone that’s becoming more and more for Felicity Smoak only. The man is a growling serial killer who turns into Fluffy McSoftie Bear around her.
What makes Felicity a hero is she faces her fears head on. She doesn’t let anything stop her and Felicity Smoak is determined to find her boss. Walter gave her a job, health insurance and dental. Never underestimate a loyal employee.
Source: olicitygifs
Annnnnd we've arrived! The Freudian of all Freudian slips. This is a little risqué for the CW back in the day. Felicity’s inadvertent sexual innuendo is hilarious every time, but this one takes the cake. I believe it’s Emily Bett Rickard’s favorite as well.
If you were a Olicity shipper in Season 1 the Laurel fans would use scenes like this to prove Felicity just has a crush, Oliver will never return her feelings, and she’s just comic relief.
But who is introducing the sexual element between Oliver and Felicity? The writers. If this is supposed to remain a platonic friendship - why even go, there? These were the thoughts I would think watching live, wondering if I was crazy for seeing so much more than comedy between these two characters.
Felicity does get caught and initially it’s a friendly warning, until they find an earpiece the size of Saturn and demand to know who her partner is.
Someone put their hands on Felicity, so say goodbye to Fluffy McSoftie Bear and unleash the Kraken!
Source: @andjustforthismoment
Unfortunately, Alonzo doesn’t have good news and tells The Hood, after a good thumping, that Walter is dead. Oliver tells Moira and Thea that one of Diggle’s army buddies works for the FBI and he confirmed Walter is dead. Instead of grief, Moira is enraged and firmly believes Oliver is wrong. Almost like she knows something Oliver doesn’t.
Thankfully, Oliver has grown a brain when it comes to his mother and rather take her word for it or delude himself into thinking she’s just in shock, he follows her Merlyn Global as The Hood. He records her conversation with Merlyn.
Moira: You promised if I cooperated with The Undertaking that Walter wouldn’t be harmed.
Merlyn: He hasn’t been. I’m a man of my word Moira.
Moira: We both know better than that. I know you’ve had him killed.
Of course, Walter is alive and still in the cell Merlyn has kept him in for the last six months. So, Oliver discovers the following:
Malcolm Merlyn, his best friend’s father, kidnapped Walter.
2. Moira knew all along who had Walter and why.
3. Moira is working with Merlyn on something called “The Undertaking.”
It’s a rough day when you learn your mother is colluding with a super villain and is an accessory to kidnapping. Oliver retreats to the darkness to wallow and mourn how completely messed up his family is. Then Felicity steps into the bunker and the room is flooded with light. It’s always the light.
Source: @smoakmonster
And with the light comes the truth. Oliver tells Felicity to track Malcolm Merlyn’s last phone call, which leads to Walter’s location. Oliver, in full superhero mode, attacks from the sky and lands on the roof with a parachute no less. Walter’s cell conditions are not great. Let’s not talk about the bucket of poo next to his bed. Immediately, we, and Oliver, know the man has been through it.
Oliver meets Walter, Moira and Thea at the hospital post Hood rescue.
Walter: Thank you, son.
It’s just a second, but we can see Oliver is really touched by Walter’s affection. We’ve gone from Oliver accusing Walter of sleeping with Moira at the dinner table his first night home to accepting Walter calling him son. That’s called growth my friends.
Yet, there was sadness in Oliver’s smile too. He was able to bring Walter home, something he couldn’t do for Robert Queen, and it was clear how much Oliver was missing his dad in that moment.
Felicity pops up in the doorway, carrying a bouquet of brightly colored flowers, wearing a deep fuchsia jacket and her sunshine hair pulled back into its signature ponytail. She physically is such a stark contrast to Oliver’s melancholy, and it snaps him out of it for a little bit as he introduces Felicity to his family.
Source: Paige
Felicity has become so fully entrenched in Oliver’s life that it actually took me a minute to remember Moira, Thea and Laurel have no idea who she is. She was introduced in Episode 3 and we’re on Episode 21! It’s almost like the writers forgot and realized they had to introduce Felicity to the rest of the cast. It’s wild y’all.
First up is Laurel earlier in the episode at the bar. She’s informing Oliver of her breakup with Tommy when Felicity pops in to advise him of another break – Walter’s kidnappers. It’s been a long-held belief in the Olicity fandom that Laurel’s reception was cool. One could even say snotty. I tried to go into this with an open mind, but yeah, I have to say that impression still holds for me. It’s like Felicity is a bug to be crushed.
Meanwhile, Felicity is so sweet to the woman Oliver Queen is hopelessly in love with (or so she thinks). It’s the way Felicity says gorgeous, almost sadly, like she sees for herself how beautiful Laurel is and its confirmation she won’t measure up. Oliver Queen will never look at her the way he looks at Laurel. So, it has to sting a little when he introduces Felicity as the person setting up his internet. It irked me. It felt dismissive.
Source: Paige
It’s very easy to dismiss Felicity as comic relief, and her Freudian slips are funny, but there are real and true feelings underneath. Felicity is in love with Oliver. It does cause her pain to see him with other women.
Felicity’s insecurity is easy to understand. Oliver is not the only person who has growing to do. Felicity needs to realize she is just as beautiful, smart and lovable as Laurel Lance. What’s more, she has to realize Oliver does look at her in a way that’s different than Laurel, but it’s not less. It’s infinitely more. But we’re nowhere near ready for either character to acknowledge that yet.
When Oliver introduces Felicity to Moira and Thea, he calls her a friend, which is quite the glow up in twenty-five minutes. It’s warm and it’s true. More importantly, it carries much more significance than “Internet Girl.”
The deal was Felicity would join the team to find Walter. Well, they found him. That should conclude Felicity’s involvement in Oliver’s life. But he isn’t dismissing her as a “nobody” like Felicity did with Laurel. He is stating the opposite. Deal or no deal, Felicity is remaining in Oliver’s life.
Maybe that’s why he was more dismissive of Felicity with Laurel. Maybe he didn’t want Laurel to know there is another woman in his life. One he may be having more than friendly feelings towards. Oliver, Laurel and Tommy aren’t the only love triangle on this show.
Source: Paige
Lauriver
Holy hell.
We have all patiently waited for the holes to be filled in on Laurel and Oliver’s past. We’ve waited for some kind of reference to happier times – any kind of evidence these two, at one point, were madly in love and destined to be together until fate (and Oliver’s stupidity) stepped in and ripped them apart. We’re supposed to want Oliver and Laurel to get back together. They are the Plan A couple. This is the Green Arrow and Black Canary. DC Comic’s third tier golden couple. They belong together, right?
Someone may want to inform the Arrow writers of that because what we see in these flashbacks is absolute hot garbage. Of course, the immediate response is, “Of course Jen. You’re an Olicity shipper. You hate everything about Laurel and Oliver.”
Yeah, but how did I get there? EPISODES. LIKE. THIS. I did my absolute very best to ship Oliver and Laurel all through Season One because they are comic book canon. It was a foregone conclusion they would end up together and shipping Oliver with Felicity was setting myself up for five years of disappointment. I know how television writing works, friends. They very seldom deviate from the couple set up as endgame in the pilot. Oliver and Laurel are Plan A. It’s just math.
Well, the math ain’t mathing y’all. Blessedly, we get a break from the Island flashbacks and Arrow is spending some time in Starling City five years ago. Oliver and Laurel are ordering pizza as she’s studying for the bar exam. It’s cute. It’s sweet even. They’re in their little love bubble and we’re seeing them happy and together – the place we’re supposed to be rooting for them to return to in present day.
Laurel mentions their friends are moving in together and Oliver is happy for them because they've been together forever. Laurel immediately informs Oliver they’ve been together longer. Cue Oliver internally screaming. Deer in headlights. The building is on fire. WHERE IS THE EXIT? ABORT! ABORT!
Laurel, ever the lawyer, comes prepared with an argument. Moira busted Laurel in a morning-after-sex-romp and Lance threatened to tase Oliver the last time he stayed at Laurel’s, so she’s just being practical. Economical even. Why don’t they get a place of their own? (If the parents aren’t cool with you sleeping together while living separately what makes you think they’ll be ok with you MOVING IN TOGETHER, Laurel? Whatever. You do you babe.)
Oliver offers up a feeble maybe and then tells her IT’S A LITTLE FAST. Dude, for real? What Laurel is asking for isn’t unreasonable. She’s ready to take the next step and for Oliver to call that fast after probably several years together (college, maybe even high school) doesn’t make any sense if he’s in love with Laurel.
I’m a big believer in He's Just Not That Into You. Men are not overly complicated creatures. If they like a woman, they go after her. If they love a woman, they don’t need to be convinced to move in together or get married. They want to do those things.
They sure as hell don’t run screaming all the way to their father’s yacht for a three-week trip in the NORTH CHINA SEA with their girlfriend’s SISTER. This is exactly what Oliver does after he lukewarmly tells Laurel he’ll move in with her.
Source: Paige
Laurel meets Oliver on the docks to say goodbye. In an extra classy move, he phones Sara on the walk down to Laurel and tells her to circle around the parking lot until her sister leaves. This guy is such a prize. Fall to your feet, women of the world, and swoon. We have found THE ONE.
Laurel is not stupid. Well, she’s not always stupid. She knows something is up and asks her boyfriend if he was running away to the North China Seas to avoid moving in with her. Oliver scoffs. What’s this you say? Pure poppycock, milady. For when I return from my sea voyage we shall be betrothed henceforth!
She gives him the picture. The sodding picture. Honestly, it reeks of desperation. Oliver kisses it and it’s just awkward and gross. Please break up immediately. I can’t watch this anymore.
Oliver races back to the boat, to Sara, and Laurel is left alone on the docks. She gives a helpless little shrug. Deep down, Laurel knows Oliver is running away from her.
In present day, Laurel is at Oliver’s club drinking coffee and informs him of the big break up.
Oliver: It’s probably just cold feet.
Laure: Like it was with you? Oliver, you don’t sleep with your girlfriend’s sister unless you’re looking to blow the relationship up.
That’s the smartest thing she’s said all season.
Oliver: If you still want to be with Tommy, do what we should have done. Talk to each other and be honest.
You mean what YOU should have done Oliver? Laurel was honest. You were the liar and YOU’RE STILL LYING. Oliver is pretending he has no idea why Tommy broke up with her. He knows exactly why.
BECAUSE OF HIM.
Oliver tells Laurel to have honest conversation with Tommy, when he knows Tommy can’t do that BECAUSE HE’S KEEPING OLIVER’S SECRET and that’s one of the primary reasons he broke up with Laurel. It’s all so friggin manipulative. Where is something to throw at him??!!!!
Also, Oliver is acting all smarmy and flirty with his Humphrey Bogart reference. Wait a minute…
It’s interesting that the writers chose Casablanca. I know it’s kind of a cliché line when talking to a girl in a bar, but if we look at the plot Casablanca there are similarities between Oliver and Laurel.
Rick (Humphrey Bogart) and Ilsa (Ingrid Bergman) meet in Paris during WWII and fall in love. They aren't big on sharing too many details about themselves however. The rule is no questions. We do find out Ilsa's husband died. However, when she discovers he's alive, Ilsa leaves Rick with no explanation.
When they meet again years later in Casablanca, Ilsa explains why she left Rick standing at the train station. Ilsa husband's, Victor Laszlo, is a true hero. He is noble, idealistic and a leader of the Resistance. He was a prisoner in a Nazi concentration camp, but instead of dying like Ilsa thought - he escaped. He was very ill after being in the camp and needed her care. She was afraid if she told Rick, he wouldn't leave Paris and it was too dangerous for him to stay.
Ilsa's abandonment left Rick bitter and disillusioned. He opens a bar in Casablanca and while he allows people to arrange safe passage out of Nazis occupied Europe, he remains staunchly uninvolved (never a great look when it comes to the Nazis). But deep down Rick has a heart of gold. He ultimately saves Victor from the Nazis and ensures his safe flight to the United States. Isla still loves Rick and plans to stay with him in Casablanca, but in the end, Rick puts her on a plane with her husband.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You’re part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have, we, we lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you.
Rick: And you never will. But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that.
Rick: Now, now...Here's looking at you kid.
They just don’t write them like that anymore. It’s a classic for a reason. There was real love between Rick and Ilsa and their love didn’t disappear because of circumstance. In the end, Rick gives Ilsa up for the greater good. His patriotism is reawakened and plans to continue the dangerous fight against the Nazis on his own. He wants Ilsa safe in the United States.
More importantly, he recognizes Victor is a good man truly deserving of her and needs Ilsa to continue his fight against the Nazis. Rick knows, deep down, she loves Victor and will regret staying with him. Their lives have taken them down two different roads and she was needed elsewhere, just like he was.
Their time was in the past. They are holding on to a memory. Rick can look back on that time fondly now, but it’s a time they can never recapture. Even though they love each other very much, ultimately, they couldn’t bridge the time that separated them.
He sends Ilsa off with the better man who can keep her safe and happy, even though it breaks his heart to do so. This selfless act of love proves Rick is a hero just like Victor and equally as deserving of Ilsa.
Laurel is Ilsa. Oliver is Rick. Tommy is Victor (the husband). I’m not arguing we have a Casablanca level love triangle here. Hardly, but Casablanca is the blueprint for how the Oliver, Laurel and Tommy love triangle should be resolved. Key word is SHOULD.
What about how Ilsa feels? Is she just a pawn in a chessboard between Rick, Victor and the Nazis? No. People have been arguing for years whether Ilsa loved Rick or Lazlo. My perspective is she loved them both. Rick is her passion, but Victor is her life. Ultimately, she knows Rick is right and chooses devotion over passion.
At this point we are uncertain where Laurel stands with Oliver and Tommy. The truth is, like Ilsa, Laurel loves them both. However, in the immortal words of Queen Catherine on Reign, “I know you think you love them both. And while that may be true, I argue that you love one more.”
Who does Laurel love more? We’re not going to get the answer until the season finale. That’s how love triangles work, but Casablanca maps out the choice Oliver should make. He needs to take a step back and recognize what he is chasing is a memory. Laurel and Oliver’s love is in the past.
What Laurel has with Tommy, a good man, is real. Maybe it doesn’t have all the heat and drama she has with Oliver, but ultimately that’s not what lasts. Passion fades and you need to the bedrock of devotion to sustain a relationship.
Oliver has shown Laurel anything but devotion. He went running to that boat because he didn’t want to move in with her. It was more than cold feet. You don’t cheat on a woman you are in love with. These are not circumstances Oliver has found himself in by accident or fate. Oliver made choices and those choices have consequences.
I truly don’t believe Oliver knows what love is yet. He thinks Laurel is what he’s supposed to want. Returning home to Laurel and fixing what went wrong was all he thought about on the Lian Yu. That’s a long time to convince himself she’s his true love. She’s the key to fixing everything. If Oliver chose Laurel, Sara would not be dead. Robert would not be dead. He would have NEVER spent five years away from home. There’s no mission. There’s no hood.
I’m not denying they love each other, but they lack trust. They lack devotion. It’s not the kind of love you build a life on. If it was then Oliver would have built a life with Laurel rather than getting on that boat and blowing up their relationship instead.
There are moments in life when it’s clear which path you take. There is a right path and a wrong one, but you don’t choose the right path because it’s too hard. Laurel approaching Oliver in that hallway is one of those moments. Tommy told Laurel she should be with Oliver. She comes to the hospital to ask Oliver to speak with Tommy.
This is the moment. This is the moment Oliver needs to let her go. PUT HER ON THE PLANE , OLIVER!!!!
But he doesn't.
Source: @blackcanarysource
Laurel’s intentions are pretty clear. She wants Tommy. Then Oliver drops this bomb and simply walks away. He has absolutely no intention of being with Laurel, of telling her the real truth, but refuses to let either of them move on. This will absolutely mess with her head and obliterate the path back to Tommy.
Admitting that his time with Laurel has past, that he can never go back and undo what happened between them and erase those five years, is too hard for Oliver. He can’t let go, so he clings to Paris. He clings to a romanticized memory of what he had with Laurel.
But make no mistake, if Laurel chooses Oliver, she will regret it. Maybe not today. Maybe not tomorrow. But someday.
Robert Queen and Malcolm Merlyn
Speaking of plot holes, we also had to wait a long time to get clarity on why Robert Queen was in cahoots with Malcolm Merlyn and the answers are bonkers.
Robert, Malcolm and Frank have joined forces to convince the city’s worst to do what’s best with some not so friendly blackmail. They all have their reasons for cleaning up Starling City – Malcolm’s wife was murdered in The Glades and Frank’s daughter was raped. Everyone in the room lost something to The Glades.
Merlyn feels their efforts are futile and to save Starling City they have to do something big – level The Glades. Malcolm promises it can look like a natural disaster. Unidac Industries has a prototype, five years away from completion, that can make it look like a natural disaster.
It’s around this time Robert realizes Malcolm Merlyn is batshit crazy. He attempts to talk him out of mass murder, but Malcolm is too far gone. The pain of losing his wife, of listening to her die over and over, has created a madness in him reason cannot penetrate.
So, what did Robert lose to The Glades? His soul according to Malcolm. It’s not until Robert confesses to Moira that we learn what that means.
Robert: I’m not the man you think I am.
Robert was approached by a local councilman before the steel factory opened in The Glades (Oliver’s bunker). He wanted money because bribes are the way things work in The Glades, but Robert refused. They got into an argument and he fell. Robert accidentally killed a man. The List, cleaning up Starling City, and working with Malcolm Merlyn was Robert’s way of atoning for his sins.
It should not be lost on us that the steel factory (now Oliver's bunker) is where Robert Queen lost his soul, but it’s where his son is finding his.
Moira immediately points out Robert is atoning for one murder by committing hundreds or thousands. She tells Robert the real path to atonement is to stop Malcolm Merlyn from committing this atrocity. At least one of Oliver’s parents has not gone completely nuts.
Moira makes Robert promise he will stop Merlyn, so he comes up with a plan. Robert is convinced Malcolm won’t level The Glades unless he can rebuild it. Malcolm has been buying up properties in The Glades for years and Robert’s proposal to Frank is to buy up the rest of the city. He’ll lose the control he requires to rebuild it. This is also about good old-fashioned greed. Merlyn will make millions rebuilding The Glades.
Unfortunately, Frank serves Robert up on a plate and tells Merlyn exactly what he’s planning. They plant a bomb on the Queen’s Gambit, but since there’s typhoon warning it will look like it went down in a storm. What is this guy’s deal with murder masquerading as natural disaster? Now that I know Frank betrayed Robert, I don’t mind as much that Moira betrayed Frank.
Malcolm: One man alone can’t save this city, Robert. We both know that.
This is an ominous warning for the present day as well. Robert couldn’t save the city alone and neither can Oliver. After learning of The Undertaking and facing off with Merlyn in a tense exchange at the hospital, Oliver realizes he needs help and apologizes Diggle for letting him down. He realizes now Diggle was right about Moira all along and it will take all three of them to put a stop to Malcolm Merlyn.
Source: Paige
Stray Thoughts
I’m being philosophical when I talk about heat and passion with Laurel and Oliver. They are supposed to be all the passion, while Tommy is the steadiness. It requires chemistry to see this concept physically manifested and Stephen & Katie simply do not have it. It’s a huge problem and makes their romance that much tougher to believe.
Moira doesn’t want to know who Robert’s mistress is. Guess this explains why Oliver believes you can love someone and cheat on them at the same time.
Not to be completely superficial, but Felicity’s hair and dress are WOW! You all know how I feel about red. On that same superficial note, Felicity's daytime Season 1 wardrobe is rough though. YIKES. We need a budget increase ASAP.
Diggle paints or takes photographs. Also I saw a saxophone in his apartment too. Why didn’t we revisit this at some point?
“Tommy, I love you and I think you still love me.” So, she DOES love Tommy. First time we heard her say that. About damn time.
“Honestly, you belong with Oliver. He’s still in love with you.” Shut up Tommy. You’re your own worst enemy.
Listen to the Watchover podcast reaction to 1x21!!!
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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Do you know how much I love this episode? (hint: A LOT).
As much as I love Digg, watching Oliver and Felicity working together was glorious. Casino scene must be one of my favorites ever, and the fact that Felicity blurted out one of her most famous innuendos makes it everything like 10000000 times better.
Moira asking Robert (begging) to stop Malcolm from killing thousands...like, if it hadn’t been for Moira telling him, he would have stayed quiet and basically the undertaking would have been so much worse than it was...(and Moira in season 1 is so different to the Moira they are showing us in season 7...so much retrofitting isn’t it?).
Furious Oliver is my jam.
All the intense gazing between Oliver and Felicity.
His little smiles directed at Felicity.
Oliver being a baddass mf when he rescued Walter.
This scene:
“Felicity is my friend. And my partner, the love of my life, the girlfriend I barely waited five months to proposed because I wanted to be Mr. Smoak so badly, the future mother of my children, and btw mom, I’m gonna name the girl after you”.
Ok, that didn’t happen but still.
His murder face when Malcolm stop him on the hallway...I love his murder face.
Not gonna talk about what happened after because 🙄🙄🙄🙄🙄 cringeworthy.
Oliver apologizing with Digg...I wish they had hug it out...
10/10 would recommend the episode.
The hair: on the short side, but still hot. The scruff was almost nonexistent on some scenes, and I missed it so much! He shouldn’t be allowed to shave his head or the scruff...
As you all know Felicity Smoak is my favourite character EVER. Even when I was unhappy with the Arrow writers - I stayed because she is still Felicity which is why I’m still watching today. So given that this is her last season why remember her awesomeness with the gifs created by our very talented fandom!
