Please, o' Granter of Wishes, in these dark days, I have but one request. On the Decree of Fluff, there lies both Soulmates & Reincarnation. Might I implore thee to pick a preferred option with the Fated Shuake pairing from the tale of Persona 5?
[sage voice] it is done....Â
shuake + âreincarnationâ anyway alskdjf gOING TO WORK ON SHUAKE + âSOULMATESâ NOW because i canât help myself and couldnât decide and honestly that sounds like a LOT of fun and also I have an idea (it will be a LOT happier than this one i promise alksdjfasdf)
thank you SO MUCH for the request, friend!! hope you enjoy and sorry for all the poetry
The Foolâs Courage [Read on AO3]
It starts with the tiny scribble of a pen in the corner of a crossword puzzle book and a, âHey, any idea what 23 across might be?â which isnât the way Akechi had ever planned on starting something that could remotely be considered a tragedy or a romance, but here they are.
He knows Kurusu sees the tiny, I think weâve met before, because thereâs a small furrow to his brow and a bend at the corner of his mouth and itâs not that Akechiâs been staring at the slope of that mouth, per se, but heâs always thought everyone elseâs claims that the transfer student was hard to read was completely bogus if one just paid attention to the tiny inflictions in his face.
Kurusu adjusts his glasses and pivots the open magazine around the axis of his finger. He grabs Akechiâs pen out of his hand before Akechi can say a word--the nerve--and Akechi would say something, he probably should, but his own fingers are still tingling at that brief contact and he thinks if he tries his voice might betray him.
So he crosses his forearms over the counter and watches his pen--his--idly swing in the space between Kurusuâs thumb to index finger. Itâs a rapid, thoughtless movement; it has no right to be so charming.
When Kurusu finally scribbles in the boxes and returns both crossword and pen, Akechi scoffs. âYou could have given me a hint. No need to show off.â
Kurusuâs smile is something that handsomely reads, Isnât that usually my line?
Akechi tries not to smile back. When Mr. Sakura walks up with a phone pinned between his shoulder and cheek, he and Kurusu share a Look that means another order to-go and immediately, Kurusu moves for the disposable containers tucked above the fridge.Â
Akechi taps his pen against the puzzle and hums.Â
In the string of boxes, the poet of Infinitati Sacrum has been penned in Kurusuâs jagged, near illegible English (really, who taught this boy his English characters?): J-O-H-N-D-O-N-N-E.
He doesnât know how the hell Kurusu knew that but the echo of possibility makes some, jaded part of him feel hopeful again. More importantly: written to the side, is a dark and small, I think I know what you mean.
When Akechi lifts his eyes, Kurusu is watching him with those quiet, steady eyes. He is too clever, too brilliant, for such an unassuming young man who hides behind thick glasses and a cafe shop counter.
- o - o - o -
It is England and it is Westerham and 1817 and he drank too much wine and made a fool of himself in the downstairs parlor, but it seems there is mercy yet to be found in the inoccupation of this room because damn the sounds this manâs tongue draws out of him are obscene.
In the cooling afterglow, he slips his long-awaited reply in an inside pocket of the manâs black coat, which had been heedlessly tossed over an upholstered chair. After a sweat-slick grin and teasing jibe about being more careful with the articles of his wardrobe or else people might get ideas, he straightens his cravat and dismisses himself out the servantâs halls with a, âUntil next time, my dear burglar,â tossed over his shoulder.
It would not be good for him to be seen here.
They will meet again outside of Kent and then it will be strictly business. They have their roles to play after the Good Lady of Ramsgate complained about her missing silver after opening her doors for a social evening. If he wishes to uphold his post, he cannot give anything away about the promiscuous nature of his relationship with the man who is undoubtedly the culprit.
Not if he wishes to see him again in the fall.
- o - o - o -
Itâs not just crossword puzzles. Over time, sudokus, word searches, cryptograms--passed from one hand to the other over LeBlancâs counter--also become the means of their secret correspondences, the channels by which those burning things on the edges of their hearts finally have their chance to speak. Akechi would say he isnât sure why or how he has become so certain of his and Kurusuâs strange connection, if only every time he looked at the young man, he wasnât absolutely certain that the soul of him, even if not his face, was somehow familiar.
They start to use ciphers where well-placed puzzles and requests for help with English word searches to loop the letters R-E-I-N-C-A-R-N-A-T-I-O-N with a scribbled question mark next to it arenât enough.
Kurusu struggles with the ciphers at first (adorable), mouth pinched and brow furrowed at the extra effort it takes to work out Akechiâs true message (also adorable). He himself doesnât attend Shojin, so he can never watch him to verify this hypothesis, but itâs clear that Kurusu must spend some time working on his ciphers during his lectures or between his Metaverse missions because it only takes a single day for Akechi to receive each response, folded inside the cursory napkin between his daily coffee cup and saucer.Â
And each time, he is forced to stifle the fluttery, warm feeling in his chest.Â
There is nothing for Akechi to be affected about. Certainly not the idea that Kurusu spends at least some of his non-renewable hours and minutes thinking about him and what it is he wishes to tell him.
The happiness is silly. Foolish. It shouldnât make him glad that a young man who he has been told should be his enemy wants to pursue these conversations, especially when Akechi makes it so difficult to do so in the first place in the hopes of keeping their written messages safe from unwanted eyes.
But their letters are a simple joy.
And Akechi does not have many simple joys in this current life.
- o - o - o -
It is Greece and it is 159 and a new shipment of papyrus has arrived when that damned thief strikes again. This time, just as the previous time, and the time before that, the thief steals more than his employer can afford to lose. At last, at last, having enough of this, the guard lays his trap.
When, by torchlight, with men at either shoulder, they corner the thief in a stone alcove, thereâs something glinting in those dark eyes that, ironically, arrests him.
It is something old.
Something familiar.
And he cannot escape the wondering question: have they done this song and dance before?
- o - o - o -
It is 1816 and there are times, though they are few and far inbetween, when his burglar stays late into the night, entwined in the cotton of his sheets, and though he knows it wonât last until morning, the brush of their legs tangled together are enough to power him through centuries apart, he is sure.
âTell me something youâve read lately,â he whispers with his cheek pressed to his pillow. He breathes softly as his fingertips trace over the back of his burglarâs hand, following the soft ridge of blue veins under his skin.
âIâm afraid all I have for you are poems,â his burglar murmurs.
âHow typical of you.â
âIs Donne too morbid for our faire?â
âIf itâs recited by you, itâs perfect.â
And his burglar frowns thoughtfully, eyes askance. Slowly, he rolls onto his back and his arm twists so that his palm is up and settled beside his ear. His own hand follows it and their fingers intertwine.
âI sing the progress of a deathless soul,â his burglar hushedly murmurs and for not the first time, he finds himself marveling at the manâs perfect, rote memory. âWhom Fate, which God made, but doth not control, placed in most shapes; all times before the law yoked us, and when, and since, in this I singâŚâ
Angels know he could listen to the rumble of that quiet voice forever.
- o - o - o -
The ciphers, admittedly, get out of hand. What starts as, Do you believe in past lives? You probably think Iâm crazy and Youâre too good at chess to be crazy; I will see what I can find in the school library turns into You seriously need to better your handwriting and I can tell the news station the Detective Prince drinks his coffee here anytime then I have a geography test coming up that I am NOT looking forward to and Have you been sleeping well? Youâve been looking exhausted lately.
They start writing about anything and everything in between. The latest celebrity gossip from the news on the ancient TV with the crooked antenna in the cafeâs corner to their personal likes and dislikes. You can call me Akira, you know, and Very well; then call me Goro. They share childhood experiences both good and bad and dreams and, Have you ever thought about what you might do after your probation year is finally over?
Itâs a question Akechi has always longed to ask as someone who has never fooled himself into thinking he might live past the age of eighteen.
He would be lying if he tried to claim that he didnât look forward to their notes.
They talk over the counter, as a regular and barista so often do.
But itâs so nice, he thinks, so very nice, to have this one good, hidden thing that he can take home and read alone and know the secret message within is meant for his eyes only. He wonders if there is anyone else in the world so lucky as he is to receive an encrypted message in such a scratchy and slanted font.
- o - o - o -
Eastern Han period, China. 768, Egypt. 1511, Italy. The lives and the motif of their stories blur together in a vague idea of memory. They are not sure how and why everything first began. Ask either one and the answer will be a shrug or a turned-away head, beleaguered by a small smile. Have they always been an ill-fated pair? Has their star-crossed story always been that of a thief and a hero? But who is the hero and who is the thief, because Akechi isnât quite sure he knows anymore.
If the hero is supposed to be the one who saves the day, then he already knows the answer to their age-old riddle.Â
In this life, anyway.
- o - o - o -
Itâs done.Â
Things are as they should be. Maybe how they were meant to be.
Akechi lays in a pool of his own blood, sirens blaring around him, and stares at the steel ceiling of Shidoâs ship and knew, somehow, in the center of him, that it would come to this.Â
âGreat Destiny the Commissary of God,â he whispers and itâs funny, isnât it? It should be funny. A 1601 poem being somehow relevant and applicable four hundred years later. Akechi supposes thatâs what happens when you have two lives who are again and again and again remembering old things and experiencing new ones but are never able to change the repetitions of their fate, these damnable roles they were meant to play.
âThat has markâd out a path and period for everything,â Akechi murmurs and touches the blood pooling over his chest. He lifts his hand above his face and watches the way his own blood webs between his fingers. âWhere we of-spring took, our ways and ends seeâŚat one instantâŚâÂ
He thinks of Kurusu, which might be precisely what summons him. He can hear the othersâ indignant, pitched cries of, âJoker!â as he jumps onto the top of the bulkhead door. With a graceful leap, arm extended, he grabs the railing that lines the walkway along the side of the partition and flips down. Elegant. Stunning.
A fool.
âWhatâŚâ Akechi coughs and doesnât get to finish his question. Kurusuâs knees push under his head, red-gloved hands clutching at his shoulder and pulling him up--up--and suddenly there is screaming pain that whites out his thoughts. âDonât! DonâtâŚthat hurts.â
âGood. Because youâre supposed to live.â
Kurusu is not one to often talk so when he does, it feels like all of nature snaps to attention. Akechi lifts his head in surprise, which is when Kurusu takes the opportunity to press his fingers into the lining where his dark helmet meets the neck of his suit. Akechi opens his mouth to say something like these costumes arenât supposed to work like that in the Metaverse, idiot, but then Kurusu yanks up and the helmet slips free and--well--shows what he knows.Â
Maybe heâs the fool.
âStay with me.âÂ
Kurusuâs hand is new and startlingly warm on his cheek. Akechi decides he likes it.
âThou knot of all causes, thou whose changeless brow neâr smiles nor frowns.â Akechi laughs and coughs and murky, red spittle dots his lips.Â
âStop it.â
âI always thought that part described you rather well.âÂ
âYou werenât supposed to be a murderer, Goro.â
Oh.
Akechi sighs and with it, he feels his strength ebb. âYou think so?â Â
âI know so.â Thereâs something in Kurusuâs voice that sounds like anger and it is surprising. It is comforting. It is enough to hear it. âYou never have been before. You--you have always been brilliant and clever and just, but Shido took you and made you this when we could have been friends. I wonât forgive him for it.â
âGood.â Akechiâs stomach spasms against his will and the pain is near enough to make him black out. Itâs time. âThen get him for me, wonât you, Akira?â
âI will.â
âWho knows. Maybe in our next life, weâll have better luck.âÂ
Kurusu tilts his head close and leans in. They have never, not once, shown any intimacy but somehow the feeling of those chapped lips against his brow isnât in the least bit foreign, nor unwelcome. It is all Akechi has ever hoped for.
âIâll find you,â Kurusu promises and the words seal like a vow in his chest. âAnd this time, I wonât let them change you.â
- o - o - o -
Memory blurs, thatâs the point. If memory didnât blur you wouldnât have the foolâs courage to do things again, again, again that tear you apart.
- Joyce Carol Oates, We Were the Mulvaneys











