Now, Iām not sure if anyone in the TOA fandom has ever mentionedĀ āTongs A Lot, Dadā,Ā a short story found in Camp Half-Blood confidential, but I strongly believe it adds (or perhaps reinforces) a lot when looked at with the additional context and characterisation the Trials of Apollo provides.Ā
An almost diary entry like addition in the short book, the story is told by Connor Stoll, following him and his brother as they poke around the old attic where the Oracle of Delphi remained for decades in the interest of scoring loot. At this they are semi successful, as they are made almost ridiculously vital to the canon plot of HoO with the find of celestial bronze tongs, which are inscribed with the instructions āfor plucking the Tartarus Napkin from fireā. And if you are reading this post, you probably have a pretty good idea of why thatās important.
Now, what does this have to do with Apollo? Well,Ā I find it highly probable that this was Apolloās doing, for multiple reasons.Ā
1. The tongs were found in the oracle of Delphi's old abode, which is obviously Apolloās domain, a place you would think heād be very familiar with- the original place of the Oracle of Delphi was sacred ground, in fact, and even if that doesnāt quite translate to modern day... there is that theory about him being Camp Half Bloods Patron, pioneered by @tsarisfanfiction, I believe. Whatever hold the ancient laws have on the gods, I think we can somewhat assume that places such as these allow more wriggle room.Ā
Ā 2. This notably happened basically simultaneously with Rachel becoming the Oracle, as seen here,Ā āWhile everyone else was waiting to see if Rachel, the new Oracle, would survive....we made our move around to the back door of the Big House.ā At this point, weāve just wrapped up PJO. How would Apollo of known to set this up now? Well, we already know from Octavian in SoN that Apollo talked to him personally, and that their talk must of happened before Olympus closed, because he was stuck on Delos after. So if Apollo can put that into play, why not set up this? After all,Ā Apollo is the god of prophecy - he could of understood it was needed. He obviously knew there was a threat.Ā
3. In the books (before ToA) we only see Apollo in Camp Half Blood twice- once to take Percyās group and the hunters there in TTC, and once at the end of PJO to, as Conner so delightfully puts it, wait to see if Rachel would survive the Oracle. He was right there. And if thatās not enough for you, the reason Conner picks out the bag with the tongs? AĀ ābeam of golden light, shot upward from the floorā startles him. We find out later in another story that Apollo is directly confirmed to have been the one to do this- gifting Rachel the famous tripod stool of the Oracle. It fits almost to well.
āBut!ā You might say, protesting,Ā āThe title confirms who did it! I mean, itās not like Apollo is Connor Stollās dad!ā And to that I say- although the titleĀ doesĀ suggest that Hermes is responsible, itās never confirmed, and more importantly- itās in Connorās POV. Why shouldnāt he assume itās his dad? And why would he know otherwise? Perhaps you could make another connection with Hermes due to his shrine in Tartarus and point at that as his involvement, but wouldnāt it make more sense if Apollo knew it was a Child of Hermes who had to have the tongs, and acted accordingly? Afterall, last we saw Hermes he had a significant grudge against Annabeth, and more importantly has done nothing to suggest heās capable of such foresight, especially at this point.
Now that I have (hopefully) convinced you of Apolloās involvement, another titular question must be answered- why does it matter? Whatās the ramifications of this? Well, considering that this napkin basically ends the civil war between the Greeks and the Romans... a lot, actually. Specifically, it allows Annabeth to communicate that reconciliation can be reached if Reyna, a Roman, returns the Athena Parthenos, an important Greek statue to the Greeks. (Also interesting to note she addresses this to Rachel, Apolloās Oracle... another subtle connection).Ā
In ToA, Zeus punishes Apollo mainly for two stated reasons: Revealing the Prophecy to soon, which becomes pretty clear is not how prophecy works. And encouraging Octavian to declare war on the Greeks. But wait? If the Napkin succeeds dueĀ toĀ Apollo, that means that he is trying to stop the war, which in my opinion follows more along with his characterisation in ToA. So what happened with Octavian? The fact of the matter is, people more clever then me have attempted to solve this question, such as @zazzanderĀ and @fearlessingerĀ (Highly recommend this post if you are interested in the topic!)Ā
The tongs (and thus the potential for the Napkin) was put into place months before any true threat would be realised by most characters. So it wasnāt a frantic backpedal of trying to fix his mistakes to avoid punishment by Apollo. It was deliberate. Premeditated. Now, it could be that Apollo just knew the tongs would be needed, but not what for. Unfortunately, we donāt know how his powers work. But thatās boring. However, if you take the view that Apolloās communication with Octavian was part of a larger strategy to reunite the camps... (again, see the linked post). Well. Funny thing, because thatās exactly what the Napkin facilitates. The two camps stop fighting because of this one, simple message, and the effect it had. They focus on the true enemy. Gaia.
What does this tell us then about Apollo, then?
Well...not much new, surprisingly. ToA does itās job well. We know Apollo cares, deeply, about his kids and demigods as a whole. We know he often acts subtly, through quiet actions that heāll never admit to. Itās maybe the final piece of evidence you could point to and say definitively that Zeusās punishment was unjust, but we already knew that (although funnily enough, Zeus doesnāt- and even if he did, heād probably just point to the violation of the interference laws and punish Apollo anyway.) What it does is add on to a very firm characterisation that ToA finalises, and showcases how once again Apollo is so much more then he first appears.Ā
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